纽约警察和检察官的故事，跨越15个春秋，1990年首播，至今仍受到亿万观众瞩目的长剧。
law & order第55届艾美奖最大的遗憾，已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧，这次却意外地未被提名，粉碎了它原本想要缔造的12次提名新高。
本片融警匪与法庭于一体的电视剧，片中讲述的犯罪基本原于真实生活，往往是近期报纸上的头条新闻。节目分为两部分，上半部分介绍警察研究现场，征询证人，提审嫌疑犯等一系列的侦破活动，后半部分详尽记录了案件侦破的后期工作，案件转交到检查官手里，检查官衡量案情，起诉，直到庭审，节奏紧凑，扣人心弦。由于最终坏人不一定被绳之于法，所以观众看的时候往往暗自捏一把汗。
这个剧集除了已经播出的15季之外，还包括3个特别的系列，一个是
Special Victims Unit 系列（6季），一个是Criminal Intent 系列（4季），和Trial By Jury
系列。可见其火爆程度。堪称NBC历史上，乃至美国影史上最宏伟的剧集。
"In the criminal justice xfplay5.com system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. "
这是Law & Order十四年如一日，也是我百听不厌的开场白，是以Law & Order franchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩，这二者相互分庭抗礼成为Law & Order奠定其cop drama之教父地位的独特魅力，但是近来每回看Law & Order，都彷彿只是在等待后半小时的法庭戏上，也不是说前面的办案就不精采，但是总要在进入起诉过程中才显出本剧的成熟、世故，细腻精妙处的炉火纯青；一男一女老少两位检察官的不同考量而激盪出的互动、辩证，起诉的战略方针往往不只是黑白分明的司法正义考量，而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气，Law & Order更不只是关在摄影棚里编造天马行空的离奇案件，它每回总是不犹疑地定睛盯上社会中的敏感命题。

纽约警察和检察官的故事，跨越15个春秋，1990年首播，至今仍受到亿万观众瞩目的长剧。
law & order第55届艾美奖最大的遗憾，已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧，这次却意外地未被提名，粉碎了它原本想要缔造的12次提名新高。
本片融警匪与法庭于一体的电视剧，片中讲述的犯罪基本原于真实生活，往往是近期报纸上的头条新闻。节目分为两部分，上半部分介绍警察研究现场，征询证人，提审嫌疑犯等一系列的侦破活动，后半部分详尽记录了案件侦破的后期工作，案件转交到检查官手里，检查官衡量案情，起诉，直到庭审，节奏紧凑，扣人心弦。由于最终坏人不一定被绳之于法，所以观众看的时候往往暗自捏一把汗。
这个剧集除了已经播出的15季之外，还包括3个特别的系列，一个是
Special Victims Unit 系列（6季），一个是Criminal Intent 系列（4季），和Trial By Jury
系列。可见其火爆程度。堪称NBC历史上，乃至美国影史上最宏伟的剧集。
"In the criminal justice meijubar.net system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. "
这是Law & Order十四年如一日，也是我百听不厌的开场白，是以Law & Order franchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩，这二者相互分庭抗礼成为Law & Order奠定其cop drama之教父地位的独特魅力，但是近来每回看Law & Order，都彷彿只是在等待后半小时的法庭戏上，也不是说前面的办案就不精采，但是总要在进入起诉过程中才显出本剧的成熟、世故，细腻精妙处的炉火纯青；一男一女老少两位检察官的不同考量而激盪出的互动、辩证，起诉的战略方针往往不只是黑白分明的司法正义考量，而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气，Law & Order更不只是关在摄影棚里编造天马行空的离奇案件，它每回总是不犹疑地定睛盯上社会中的敏感命题。

纽约警察和检察官的故事，跨越15个春秋，1990年首播，至今仍受到亿万观众瞩目的长剧。
law & order第55届艾美奖最大的遗憾，已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧，这次却意外地未被提名，粉碎了它原本想要缔造的12次提名新高。
本片融警匪与法庭于一体的电视剧，片中讲述的犯罪基本原于真实生活，往往是近期报纸上的头条新闻。节目分为两部分，上半部分介绍警察研究现场，征询证人，提审嫌疑犯等一系列的侦破活动，后半部分详尽记录了案件侦破的后期工作，案件转交到检查官手里，检查官衡量案情，起诉，直到庭审，节奏紧凑，扣人心弦。由于最终坏人不一定被绳之于法，所以观众看的时候往往暗自捏一把汗。
这个剧集除了已经播出的15季之外，还包括3个特别的系列，一个是
Special Victims Unit 系列（6季），一个是Criminal Intent 系列（4季），和Trial By Jury
系列。可见其火爆程度。堪称NBC历史上，乃至美国影史上最宏伟的剧集。
"In the criminal xfplay5.com justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. "
这是Law & Order十四年如一日，也是我百听不厌的开场白，是以Law & Order franchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩，这二者相互分庭抗礼成为Law & Order奠定其cop drama之教父地位的独特魅力，但是近来每回看Law & Order，都彷彿只是在等待后半小时的法庭戏上，也不是说前面的办案就不精采，但是总要在进入起诉过程中才显出本剧的成熟、世故，细腻精妙处的炉火纯青；一男一女老少两位检察官的不同考量而激盪出的互动、辩证，起诉的战略方针往往不只是黑白分明的司法正义考量，而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气，Law & Order更不只是关在摄影棚里编造天马行空的离奇案件，它每回总是不犹疑地定睛盯上社会中的敏感命题。

NBC宣布一口气续订《芝加哥急救 Chicago Med》三季。

The city's most highly skilled medical team saves lives, while navigating their unique interpersonal relationships.

《芝加哥急救》是《芝加哥烈焰》（Chicago Fire）的第二部衍生剧，故事描述芝加哥城中最繁忙的一家医院的日常工作——这里有一支勇敢无惧的医护团队，他们团结一致，敢于面对任何风险。每当特定事件（灾难）中的病人需要救治，或者遇到别的医生束手无策的疑难杂症，就轮到他们上场了。与此同时，他们在混乱的急诊室里培养出紧密的关系并一起渡过难关。根据NBC的构想，该剧和《芝加哥烈焰》、《芝加哥警署》经常交换角色和情节，使三个团队（三部剧集）有机地融和在一起。

本剧为选集剧形式，每集将解决一个不同的谋杀案，自带测谎仪功能的查理开车上路，每经过一站会遇上不同的角色和奇怪的案件。

Two young boys, best friends Malik and Eric, discover the joys and hardships of growing up in the sprawling Cabrini-Green public housing complex in 1992 Chicago in the latest film from director Minhal Baig (Hala, TIFF ’19).

Act 1, Scene 1
The Boy Willie and Lymon enter into the Charles household at dawn with a truck full of watermelon they intend to sell. Against his better judgement and Uncle Doaker's insistence, Boy Willie calls awake his sister Berniece, whom he has not seen in three years due to his sentence in the Parchment Prison Farm. Altogether, the family members and Lymon celebrate the drowning of Sutter (the family who owned the Charles family during slavery) in the well. Tired of her brother's stupid actions, Berniece dismisses his words and wishes him to leave the house as soon as possible. To annoy her further, Boy Willie calls upon Maretha, Berniece's daughter, in the middle of the night to stir her from her sleep, causing Berniece to run back up the stairs.
Switching topics, Willie then asks of his Uncle Wining Boy, who has become a wanderer in his middle age looking for the past he seems to want to relive. Lymon then brings up the piano. Willie intends to sell the watermelon and the piano to buy the Sutters' land the Charles family had once toiled upon. Doaker insists that Berniece will not agree to selling the piano and Willie insists that he will convince her.
Seeing Sutter's ghost dressed in a blue suit, Berniece screams at the top of the stairs. Her brother Willie tells her that she is imaging things and that Sutter is looking for the piano to be rid of the Charles household. After Doaker rambles on about his railroad stories, Maretha comes downstairs and Willie asks her to play the piano. She plays the beginning of a few simple tunes and he answers her song with a boogie-woogie. Willie then asks Maretha if she knows the origins of the piano and is surprised to discover she does not. Avery and Berniece reenter the room and Willie casually asks his sister if she might still have the protective buyer's name. Finally professing his want to sell the piano for land, Berniece refuses to listen and walks out.
Act 1, Scene 2
Wining Boy and Doaker are having a conversation about daily events and they muse over the present and the past. Boy Willie and Lymon enter and claim that they have already bargained with the piano purchaser. Both of Willie's uncles warn Willie that the white man Sutter is cheating him and that he should be more careful. Seeing himself as equal to the white man, Boy Willie refuses to listen. The story behind Lymon and Boy Willie's term in Parchment Prison Farm is revealed. Lymon and Willie both gather different perspectives from their experiences. Lymon feels that he should flee to the North where he will be better treated, while Willie feels that whites only treat blacks badly if the blacks do not try and stop them. Wining Boy is then asked to play the piano, but instead he gives a short speech regarding his inexistence due to playing piano his whole life and knowing nothing more.
Doaker then tells Lymon the story of what the piano represents, the enriching values that it bestowed on the Charles family. Willie declares that these are stories of the past and that the piano should now be put to good use. Willie and Lymon attempt to move the piano to test its weight. As soon as they try to move it, Sutter's ghost is heard. Berniece commands Willie to stop and informs him that he is selling his soul for money. Willie refutes her, Berniece blames Crawley's death on Willie, and the two engage in a fight. Upstairs, Maretha is confronted by the ghosts, and she screams.
Act 2, Scene 1
Doaker and Wining Boy are again together in the house alone. Doaker confesses that he saw Sutter's ghost playing the piano and feels that Berniece should discard the piano so as to prevent spirits from traumatizing the Charles family. Wining Boy disagrees. Lymon and Willie walk into the room after a watermelon sale. Wining Boy sells his suit and shoes to Lymon, promising its swooning affects on woman. Both Lymon and Willie leave the house in hot pursuit of women.
Act 2, Scene 2
Later that day as Berniece is preparing for her bath, Avery enters and proposes that Berniece should open up and let go. He tells her that she cannot continue to live her life with Crawley's memory shut inside her. Berniece changes the topic and asks Avery to bless the house, hoping to destroy the spirit of the Sutter ghost. Avery then brings up the piano and tells Berniece she should learn to not be afraid of her family's spirits and play it again. Berniece breaks down her story of her mother's tears and blood mingled with her father's soul on the piano and refuses to open her wounds for everyone to see.
Act 2, Scenes 3–5
Boy Willie enters the Charles house with Grace and begins to fool around on the couch. Berniece orders them out and opens the door to see Lymon. Lymon is upset over his inability to woo women and begins to talk about women's virtues to Berniece. The two kiss, breaking Berniece's discomfort over Crawley's death, and Berniece heads back upstairs.
The next morning, Lymon and Willie try to move the piano out and are stopped by Uncle Doaker. Willie, frustrated, demands that he will sell the piano no matter what. The day to move the piano draws closer. Excited to sell the piano, Willie quickly partakes on his actions without a care of his sister's words. Berniece appears with Crawley's gun, leading Doaker and Avery to urge them to talk it through first. Sutter's presence as a ghost is suddenly revived. Avery attempts to drive the ghost away with his blessings but is not successful. Suddenly, Berniece knows that she must play the piano again as a plea to her ancestors. Finally, the house is led to a calm aura, and Willie leaves.

本片以充满音乐、舞蹈和活力来庆祝黑人历史月 (Black History Month)。影片讲述了一位非凡的女性以其坚强力量与尊严成为了社会中坚，并鼓舞着所有认识她的人。拉克万纳·布鲁斯基于由 Ruben Santiago-Hudson扮演的人物的感人成长故事改编。靠着自己的的亲身经历，Santiago-Hudson开始了孩童时的他在纽约拉克万纳小镇生活成长的故事。在那里，他被Rachel“保姆”Crosby抚养。Rachel竭力为那些生活并非他们所期望的黑人流浪汉提供避难所。保姆和居住的人们以一种常规学校不可能提供的方式教育他成长。影片深情的展现了种严重族隔离时期，黑人辛酸的生活片段。

Pee-wee's Playhouse is an American children's television program starring Paul Reubens as the childlike Pee-wee Herman.

Anna, grieving the sudden death of her parents, relocates from New York to a small Florida town to live with the grandmother she has never met. Isolated, vulnerable, and in need of friends, she finds brief solace in the company of two local teens. But when she becomes complicit to their unforgivable act of violence, she finds herself ensnared by Mr. Sandman – the twisted soul of a tormented child who haunts bullies’ dreams before feasting on their eyeballs when they finally wake - Anna must right her wrong before becoming a victim of this gruesome curse.

This special explores the duality of justice in New York City, dividing its focus between police investigation and the subsequent judicial process. Throughout, it addresses a variety of complex criminal cases, many of them inspired by real headlines from the time, a hallmark of the franchise.