丹麦王子哈姆雷特的父亲意外死亡，母亲嫁给了他的叔叔——新的国王，哈姆雷特认定是新国王杀父夺母篡取王位，便假装疯癫伺机复仇，一场明争暗斗在宫廷展开。
两个小人物：罗森格兰兹和吉尔登斯吞，被国王召见，他们被委派护送哈姆雷特到英国去。这两个蒙在鼓里的人从一开始就一直在扔钱币打赌、无聊可笑地探讨人生和他们所处的世界、好奇地窥探宫廷里那些他们不明白的秘密，完全没有想到他们是在执行国王企图杀死王子的密谋，更没有意识到命运使他们不明不白地送了命。
莎士比亚的故事，换了从两个不相干的小人物的角度来叙述，又好笑，又悲惨，这是现代人眼中的王子复仇记。

15年前，一夜不被认可的两性关系，40岁的雷被逮捕入狱，而12岁的于娜从此活在了别人的议论之中。
15年后，出狱后的雷重创了“崭新”的人生。然而于娜的突然到访，让他不知所措。相遇后的两人试图回顾那一夜被掩盖的真相——究竟是无情的抛弃？还是命运的捉弄？愤怒、好奇、困惑充斥着于娜的世界；但她对雷执着的依恋似乎并未消退。——“今夜，她究竟为何而来？”

15年前，一夜不被认可的两性关系，40岁的雷被逮捕入狱，而12岁的于娜从此活在了别人的议论之中。
15年后，出狱后的雷重创了“崭新”的人生。然而于娜的突然到访，让他不知所措。相遇后的两人试图回顾那一夜被掩盖的真相——究竟是无情的抛弃？还是命运的捉弄？愤怒、好奇、困惑充斥着于娜的世界；但她对雷执着的依恋似乎并未消退。——“今夜，她究竟为何而来？”

一九六四年，一所位于纽约市的天主教会学校，阿洛西斯修女是这所学校的校长，出于本能和职业敏感，她在没有任何证据的情况下，怀疑学校的弗林神父特别照顾班级里唯一的一个黑人男学生是因为他企图或者已经引诱了这个男孩做了不该做的事情。面对阿洛西斯修女的置疑，神父尽力辩解，可是这改变不了修女的怀疑。两人展开了一场意志和信仰的较量，是修女出于偏见和嫉妒刻意设计赶走神父？还是神父在开明平和的外表下隐藏着不可告人的私心？事情的真相到底如何？我们最终会选择怀疑还是相信呢？

一九六四年，一所位于纽约市的天主教会学校，阿洛西斯修女是这所学校的校长，出于本能和职业敏感，她在没有任何证据的情况下，怀疑学校的弗林神父特别照顾班级里唯一的一个黑人男学生是因为他企图或者已经引诱了这个男孩做了不该做的事情。面对阿洛西斯修女的置疑，神父尽力辩解，可是这改变不了修女的怀疑。两人展开了一场意志和信仰的较量，是修女出于偏见和嫉妒刻意设计赶走神父？还是神父在开明平和的外表下隐藏着不可告人的私心？事情的真相到底如何？我们最终会选择怀疑还是相信呢？

出于对姐夫谢列布利雅可夫教授的尊敬和崇拜，万尼亚毅然放弃了自己的个人幸福，与外甥女索尼娅辛勤经营庄园，供养这个被他们全家视为天才知识分子的教授长达二十五年。
后来由于姐姐去世，教授退休带着他美丽的新婚妻子叶莲娜回到庄园。然而，他古怪的生活习惯把庄园的生活搅得一团糟。与此同时，富有诱惑力的叶莲娜又引起了万尼亚和乡村医生阿斯特诺夫的关注，这也让一直深爱着阿斯特诺夫的教授女儿索尼娅黯然神伤。万尼亚最终发现他一直崇拜着的姐夫只是个极度自私且华而不实的庸才。陷入极度失望的万尼亚舅舅最终带着无比的愤怒向姐夫拔出了手枪……

《奥莉安娜》是美国当代最有成就的作家和导演之一戴维·马梅特20世纪90年代重要的剧作，对其主题的解读应该建立在作者构建的语境基础之上，而不应只着眼于其表层意义。该剧揭示了后现代社会中人们交流的困境：一方面双方渴望理解，另一方面语言被误用和滥用，体现出男女争夺话语权的焦虑。同时，对美国现有的教育制度也进行了无情的抨击。
Act I
Carol, a female college student, is in the office of her professor, John. She expresses frustration that she does not understand the material in his class, despite having read the assigned books and attending his lectures. Of particular concern is a book written by John himself, wherein he questions the modern insistence that everyone participate in higher education, referring to it as "systematic hazing."
While talking with Carol, he is often interrupted by the phone ringing. John is about to be granted tenure, along with a handsome raise. Anticipating this, he is to about to close on a new house, but his wife repeatedly calls with last-minute issues, demanding that he meet her at the home as soon as possible.
After initially appearing insensitive, John eventually decides to help Carol, telling her that he "likes her" and that he also felt similar frustrations as a student. He takes the blame for her not understanding what he is talking about and agrees to give her an "A" if she'll return to his office several more times to discuss the material. At one heated point in the discussion he goes to put his hand on her shoulder to comfort her, but she violently shakes it off.
Finally, Carol has warmed to John and is on the verge of divulging a secret when the phone rings again and John's wife tells him that the realtor problems were all a scheme to get him back to the house for a surprise reception in his honor. He departs for home immediately.
Act II
Carol is back in John's office, but more poised than before. John's tenure is threatened because Carol has filed a formal complaint with the committee, accusing him of being sexist and pornographic. His hand on her shoulder is described as sexual harassment.
John hopes to resolve the matter privately with Carol so that the complaint may be withdrawn from the tenure committee. He tries to understand how his actions could have offended her so and attempts to convince her that he was only trying to help her without any ulterior motive.
Carol will not hear any of his pleas and gets ready to leave. As she does, John stands in front of the door and grabs hold of her. Carol screams for help.
Act III
John has been dismissed and is packing up his office. He has not been home, staying at a hotel for two days trying to work out in his head what has happened. He has asked Carol to speak to him once more and she has obliged.
Carol is even more forceful to name her instructor's flaws. She finds it hypocritical that a college professor could question the very system that offers him employment and gives him an academic platform to expound his views. She also makes references to "her group", which she is speaking for and which seems to be working to oust teachers like John.
In passing, John mentions that he has not been home recently. Carol reveals that if he had, he would have learned that her charges against him now amount to attempted rape. She then says she would be willing to drop her charges if John would agree to her group's list of books to be removed from the university, which includes his own.
With this, John decides to take a stand. He is willing to sacrifice his career to stand up to her assault on academic freedom. He angrily tells her to leave his office as his phone rings again. It is his wife, whom he calls "baby." Carol tells him not to refer his wife that way, causing John to snap. He savagely beats her and holds a chair above his head as she cowers on the floor. The play ends with Carol cryptically saying, "That's right."

《奥莉安娜》是美国当代最有成就的作家和导演之一戴维·马梅特20世纪90年代重要的剧作，对其主题的解读应该建立在作者构建的语境基础之上，而不应只着眼于其表层意义。该剧揭示了后现代社会中人们交流的困境：一方面双方渴望理解，另一方面语言被误用和滥用，体现出男女争夺话语权的焦虑。同时，对美国现有的教育制度也进行了无情的抨击。
Act I
Carol, a female college student, is in the office of her professor, John. She expresses frustration that she does not understand the material in his class, despite having read the assigned books and attending his lectures. Of particular concern is a book written by John himself, wherein he questions the modern insistence that everyone participate in higher education, referring to it as "systematic hazing."
While talking with Carol, he is often interrupted by the phone ringing. John is about to be granted tenure, along with a handsome raise. Anticipating this, he is to about to close on a new house, but his wife repeatedly calls with last-minute issues, demanding that he meet her at the home as soon as possible.
After initially appearing insensitive, John eventually decides to help Carol, telling her that he "likes her" and that he also felt similar frustrations as a student. He takes the blame for her not understanding what he is talking about and agrees to give her an "A" if she'll return to his office several more times to discuss the material. At one heated point in the discussion he goes to put his hand on her shoulder to comfort her, but she violently shakes it off.
Finally, Carol has warmed to John and is on the verge of divulging a secret when the phone rings again and John's wife tells him that the realtor problems were all a scheme to get him back to the house for a surprise reception in his honor. He departs for home immediately.
Act II
Carol is back in John's office, but more poised than before. John's tenure is threatened because Carol has filed a formal complaint with the committee, accusing him of being sexist and pornographic. His hand on her shoulder is described as sexual harassment.
John hopes to resolve the matter privately with Carol so that the complaint may be withdrawn from the tenure committee. He tries to understand how his actions could have offended her so and attempts to convince her that he was only trying to help her without any ulterior motive.
Carol will not hear any of his pleas and gets ready to leave. As she does, John stands in front of the door and grabs hold of her. Carol screams for help.
Act III
John has been dismissed and is packing up his office. He has not been home, staying at a hotel for two days trying to work out in his head what has happened. He has asked Carol to speak to him once more and she has obliged.
Carol is even more forceful to name her instructor's flaws. She finds it hypocritical that a college professor could question the very system that offers him employment and gives him an academic platform to expound his views. She also makes references to "her group", which she is speaking for and which seems to be working to oust teachers like John.
In passing, John mentions that he has not been home recently. Carol reveals that if he had, he would have learned that her charges against him now amount to attempted rape. She then says she would be willing to drop her charges if John would agree to her group's list of books to be removed from the university, which includes his own.
With this, John decides to take a stand. He is willing to sacrifice his career to stand up to her assault on academic freedom. He angrily tells her to leave his office as his phone rings again. It is his wife, whom he calls "baby." Carol tells him not to refer his wife that way, causing John to snap. He savagely beats her and holds a chair above his head as she cowers on the floor. The play ends with Carol cryptically saying, "That's right."

East London school teacher Kyra Hollis is visited on the same night by son Edward and father Tom Sargeant. Kyra had been living with the Sargeant family years earlier, but left after her affair with Tom was discovered by Tom's wife, who has since died. Edward now accuses Kyra of having left him as well, as he saw her as a big sister; and he demands to know why she left his life.
Shortly thereafter, Tom, a wealthy restaurateur, with real life references to Terence Conran, appears unheralded and for no apparent reason. Kyra's less than glamorous lifestyle leads him to poke fun at her to the point of insult, accusing her of self-punishment. After Kyra cooks a spaghetti dinner (which the actress actually cooks on stage), the talk turns to their relationship, and it becomes clear that their chances to be rekindled rest on whether one of them can change their preconceived notions of the other.

它讲述的是一对夫妇遭遇的严重危机。伊尔泽·德·布劳弗饰演了一个在离婚六年后与丈夫第一次见面的女人，二人在埋葬他们唯一孩子的地方再次相遇。出走后的他移居法国，并在那里建立了自己的新生活，而她则留在了原来的房子里，不堪忍受任何关于新生活的念头。他们见面的起因是一封信，在这封信中他们被告知孩子的墓地即将迁移，因为这里的土壤中发现了“毒”。在两人共同度过的这几个小时中，他们试图重温当年的情景。

它讲述的是一对夫妇遭遇的严重危机。伊尔泽·德·布劳弗饰演了一个在离婚六年后与丈夫第一次见面的女人，二人在埋葬他们唯一孩子的地方再次相遇。出走后的他移居法国，并在那里建立了自己的新生活，而她则留在了原来的房子里，不堪忍受任何关于新生活的念头。他们见面的起因是一封信，在这封信中他们被告知孩子的墓地即将迁移，因为这里的土壤中发现了“毒”。在两人共同度过的这几个小时中，他们试图重温当年的情景。

曾经风光无限的编剧辛得尼新作惨败，夺取自己学生克里福特的作品届而翻身，不惜在妻子面前杀害了自己的学生。然而事情却有峰回路转……克里福特没死？然而，事情的发展却又不是这么简单，圈套连着圈套……

一个女人四十年的情与爱，被一支细腻而绚烂的笔写得哀婉动人，跌宕起伏。
二十世纪四十年代，还是中学生的王琦瑶被选为“上海小姐”，从此开始命运多舛的一生。先是做了某大员的“金丝雀”从少女变成了真正的女人。后上海解放，大员遇难，王琦瑶成了普通百姓，顿似漂萍。表面的日子平淡似水，内心的情感潮水却从未平息，与几个男人的复杂关系，阴差阳错，幽怨百结，想来都是命里注定。面对时代的汪洋大海，她软弱地固守昔日的生活方式和情调，渐渐沉溺……
八十年代，已是知天命的王琦瑶难逃劫数，与一名叫“老克勒”的怀旧青年发生畸恋，余光暗淡，心怀热烈，却意外地死于非命，饮恨黄泉……

一个女人四十年的情与爱，被一支细腻而绚烂的笔写得哀婉动人，跌宕起伏。
二十世纪四十年代，还是中学生的王琦瑶被选为“上海小姐”，从此开始命运多舛的一生。先是做了某大员的“金丝雀”从少女变成了真正的女人。后上海解放，大员遇难，王琦瑶成了普通百姓，顿似漂萍。表面的日子平淡似水，内心的情感潮水却从未平息，与几个男人的复杂关系，阴差阳错，幽怨百结，想来都是命里注定。面对时代的汪洋大海，她软弱地固守昔日的生活方式和情调，渐渐沉溺……
八十年代，已是知天命的王琦瑶难逃劫数，与一名叫“老克勒”的怀旧青年发生畸恋，余光暗淡，心怀热烈，却意外地死于非命，饮恨黄泉……

这是一部反映曾参加过"两弹一艇"建造的核工业战线的功臣们，冷战年月结束以后走出深山峻岭来到改革开放的最前沿大特区，以雷默为代表的一大批核工业人离开了大西北核潜艇基地，告别了过去那种长期处于保密状态、半军事化的生活，在参加中国第一座大型商用核电站的管理和建设，在一座与法国等二十四个国家合作施工的核电站的建设中，面对一个开放的国际大舞台，如何转变观念进行脱胎换骨革命提前实现和国际接轨，完成"第二次创业"并最终重铸辉煌的长篇电视连续剧。
南海核电站的最核心部位"核岛"即反应堆，设备的供应商和工程主承包商是法国托马斯公司；托马斯的现场总裁博德眼里根本没有中国人。作为业主即管理人的雷默抱着为中国人争口气的心理，在双方第一次交锋中利用自己的聪明才智打击了博德的气焰确立了中方中和公司作为核岛安装分包人的地位――然而，董事长梁栋的女儿、作为新一代知识女性代表的梁小可却跟法方的看法一致，认为中国人连个厕所都管不好，所以中方既做不好安装分包人又无力承担一座核电站的施工管理。
果然，在随后的施工中，中和公司盲目搞大会战、加班抢工、劳动竞赛等中国人惯有的施工作法，很快就发生了辅助设备拖期、贮油管道及贮油罐漏油事故；不仅如此，核岛的土建也发生了混凝土中漏放钢筋事件。也就在这时，以业主副总经理周至为代表的一小部分中国人，不是认真从自身查找原因，而是将责任往外方身上推，甚至以一种狭隘的爱国主义出发，提出甩掉外方的施工标准、以中国人自己的标准干！到底是按周至的做法迁就中国人盲目自大的民族劣根性、保护我们落后的生产和管理模式，还是以雷默的做法低下头来虚心向外方学习并接受国际先进的管理和施工经验，就成了摆在全体南海人面前的一次选择难关。这，实际上也是落后和先进生产力之间的交锋。
作为决策人的南海公司董事长梁栋，可以说是老一代无产阶级革命家的缩影和代表；正是他及雷默等一大批真正爱国的中国人，经过一个异常痛苦的抉择过程，终于认识到在新的世界形势下我们只有在铁人王进喜式的艰苦奋斗民族精神中再注入科学精神，才是实现民族复兴的必由之路。于是，南海人进行了一次彻底的思想解放，用"拿来主义"式的全新思想观念取代了"自力更生"式的落后思维模式，开始虚下心来卧薪尝胆采用所谓"影子跟踪"式的方法，向外方学习并至上而下全面接受了外方的管理。当然，这个过程是异常艰难和痛苦的，这些"两弹一艇"的功臣们一夜之间变成了傲慢的法国人的副手甚至电脑录入员，特别是长期作为核工业战线一面旗帜的中和公司，突然变成仅仅给法国人出劳力提供劳务的时候，无论情感上还是具体做法中，接受起来都是那样的难……然而他们深深懂得，为了国家和民族未来的兴旺，他们必须这样做必须经历这次阵痛。
在今天中国已加入WTO的形势下看来，南海人十多年前以一种实事求是的科学态度做出的选择是无比正确的；因为，他们等于在十多年前就一步登天地在世界最尖端的核电技术领域，提前从管理及生产等方面实现了和国际的接轨！最为难能可贵的是，在南海地区建第二座核电站时他们将自己掌握到的世界先进管理和生产模式开始向国内相关制造业推广，在自身实现自主化国产化进程中也改造了一大批国有企业向国际水平靠拢，带动他们共同走上了一条正确的民族工业振兴之路。
已在南部海滨巍然矗立的两座核电站，是改革开放的标志性成果。南海所走过的历程，可以说是"三个代表"思想的一次集中体现；而南海人的选择和作为，也可以说是在今天WTO形势下，对爱国主义的一种全新诠释。

80后男孩易小川（胡歌 饰）来到父亲工作的考古现场，意外地卷入了一场夺宝斗争，与好友高要（张世 饰）一起穿越到了2200多年前的秦朝。小川先后遇到了项羽（谭凯 饰）与刘邦（李易祥 饰），遂与二人结为兄弟，并阴差阳错的被大将军蒙恬（丁子峻 饰） 认成了弟弟蒙毅，小川由于现代人的鬼马搞笑被众多女子爱慕着，其中就有吕雉（陈紫函 饰）与吕素（金莎 饰）两姐妹，但是小川心中只有意外相识的图安公主玉漱（白冰 饰）。而高要则成为了大奸臣赵高，认了跟妹妹高岚（张萌 饰）长相一样的宫女小月当义妹。小川的第27任女友高岚在和小川哥哥易大川（任泉 饰）一起寻找他们下落时日久生情。眼看秦国将亡，小川与玉漱公主能否长相厮守？高要又将何去何从？

讲述了周筱风（赵又廷 饰）、方筱然（毛晓彤 饰）和林逸（金世佳 饰）三位心脏科医生机缘巧合下，在东立医院心脏中心相遇。三人因专业背景、职业理念不同而产生摩擦碰撞，随后在治病救人的过程中逐渐磨合达成默契，最终在生命战场并肩作战的故事。

有这样一个鲜为人知的机构，为万家灯火保驾护航。有这样一群默默无闻的人，为岁月静好负重前行。首次揭开平安建设神秘面纱，为你找到中国社会保持长期稳定奇迹的关键之匙。

《太太学堂》讲述巴黎城里富有的阿诺夫是个夫权主义者，为了培养一个百依百顺的妻子，他将一个四岁的小女孩阿涅丝送进修道院培养。在他看来，一个妻子只要懂得祷告上帝、爱丈夫、缝缝纺纺就足矣，最好她是一个什么都不懂的傻瓜。十三年后，阿涅丝被接出修道院，终于变成了一个符合阿诺夫标准的姑娘——漂亮、寡言、温顺、单纯，就像是一只沉默的羔羊。某天，阿涅丝偶然间与社会接触，青春的觉醒让她爱上了青年贺拉斯。禁锢与束缚抵挡不住爱情的力量，阿涅丝马上变得聪明起来……
L’École des femmes est une comédie de Molière en cinq actes (comportant respectivement quatre, cinq, cinq, neuf et neuf scènes) et en vers (1779 dont 1737 alexandrins), créée au théâtre du Palais-Royal le 26 décembre 1662.
La pièce, novatrice en ce qu'elle mêlait de manière alors inédite les ressources de la farce et de la grande comédie en vers, fut un immense succès, et suscita une série de débats connus sous le nom de « Querelle de L'École des femmes. » Cette querelle, habilement exploitée par Molière, lui donna l'occasion de répondre aux critiques qui lui avaient été adressées et de préciser son projet dramatique dans une comédie intitulée La Critique de l'École des femmes, représentée sur la scène du même théâtre au mois de juin de l'année suivante.

《太太学堂》讲述巴黎城里富有的阿诺夫是个夫权主义者，为了培养一个百依百顺的妻子，他将一个四岁的小女孩阿涅丝送进修道院培养。在他看来，一个妻子只要懂得祷告上帝、爱丈夫、缝缝纺纺就足矣，最好她是一个什么都不懂的傻瓜。十三年后，阿涅丝被接出修道院，终于变成了一个符合阿诺夫标准的姑娘——漂亮、寡言、温顺、单纯，就像是一只沉默的羔羊。某天，阿涅丝偶然间与社会接触，青春的觉醒让她爱上了青年贺拉斯。禁锢与束缚抵挡不住爱情的力量，阿涅丝马上变得聪明起来……
L’École des femmes est une comédie de Molière en cinq actes (comportant respectivement quatre, cinq, cinq, neuf et neuf scènes) et en vers (1779 dont 1737 alexandrins), créée au théâtre du Palais-Royal le 26 décembre 1662.
La pièce, novatrice en ce qu'elle mêlait de manière alors inédite les ressources de la farce et de la grande comédie en vers, fut un immense succès, et suscita une série de débats connus sous le nom de « Querelle de L'École des femmes. » Cette querelle, habilement exploitée par Molière, lui donna l'occasion de répondre aux critiques qui lui avaient été adressées et de préciser son projet dramatique dans une comédie intitulée La Critique de l'École des femmes, représentée sur la scène du même théâtre au mois de juin de l'année suivante.