一个男人扇了另一对夫妇的品行不端的孩子一个耳光，结果引发一连串不可预知的后果——家庭因此破裂，隐瞒已久的黑暗秘密因此曝光，一场震惊全国的诉讼案彻底改变了美国人的价值观念。

In this genre-bending tale, Errol Morris explores the mysterious death of a U.S. scientist entangled in a secret Cold War program known as MK-Ultra.

The life of the patriarch of a rural merchant family in 1910 Indiana is suddenly disrupted by a charismatic industrialist who has engaged in a secret affair with his wife. When rising tensions mistakenly lead to a customer's death, his wounded authority and manhood leave him vulnerable to truly bizarre and horrifying forces causing unimaginable chaos and terror.

CBS All Access过去直接预订真实罪案剧《审讯 Interrogation》，这部Anders Weidemann及John Mankie wicz主创的剧集改编自一宗横跨30多年的真实事件，讲述一个年轻人被指控谋杀了母亲，剧中会有多条时间线。

　　在《审讯》每一集中都围绕在案件的警察审讯，致在让观众成为警探。而CBS All Access表示为配合这设定，他们将探取较不寻常的播放方式，就是2至9集是可任意乱序观看。

在 1972 年慕尼黑奥运会期间，一个美国体育广播团队发现自己被推入了报道涉及以色列运动员的人质危机。

　　改编自杰姆士．李．柏克(James Lee Burke)畅销小说，汤米李琼斯再度演出警探，由贝特杭塔维涅(Bertrand Tavernier)执导。
　　故事讲述路易斯安纳州的警探Dave Robicheax(汤米李琼斯饰)，负责侦办连续杀人案，这个受害者都是年轻女性的案子，陷入胶著，让Dave苦恼不已。
　　此时好莱坞大明星Elrod Sykes(彼特沙特饰)与电影制片Balboni(约翰古德曼饰)来到当地拍片，Balboni是著名的黑道老大，在办案的过程中，Elrod居然说出曾目击Balboni在沼泽毁尸灭迹，这个惊人的消息，让Dave与家人陷入一场风暴中，Dave要如何保护家人...

在 1972 年慕尼黑奥运会期间，一个美国体育广播团队发现自己被推入了报道涉及以色列运动员的人质危机。

In the 1930s, a lonely Frankenstein travels to Chicago to seek the aid of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.

为了躲避1918年的西班牙流感，一名进步的记者和他的交际花妻子在他们的海边别墅里收留了一个神秘的骗子作为私人厨师。但是当瘟疫降临这个豪华的岛屿时，这个家庭和工作人员发现他们与社会隔绝，就像漂流者一样，挣扎着生存。这位新厨师看到了一个机会，可以激励他的同事们重新思考他们的地位，并为自己管理这座大厦。他们的雇主怀疑库克的政变是一个更加邪恶的计划的一部分。不久，主仆之间的心理游戏就会引发一场争夺家庭主导权的全面战争。社会约束瓦解了。礼貌让位于潜藏在下面的动物本能…

性格冲动的Alejandro（达里奥·亚斯贝克·贝纳尔 Darío Yazbek Bernal 饰）与宠物店店员Jack（杰克·厄夫 Jack Irv 饰）之间产生了一段情事，也因此在纽约的腹地坠入了犯罪旋涡。

一桩骇人听闻的谋杀案闹得芝加哥检察官办公室天翻地覆，因为该办公室的一名成员成了这起犯罪的嫌疑人，使其不得不为维系家庭而战。

一家公司如何引发美国历史上最严重的毒品流行的故事。 看看美国与阿片类药物成瘾斗争的中心，从陷入困境的弗吉尼亚矿业社区，到缉毒局的走廊，再到曼哈顿“百分之一”的大型制药公司的富裕。

哈姆雷特快要疯了。父亲由于奇怪的病症暴毙，母亲改了嫁。在那么多人之中，她偏偏嫁给了亡夫的弟弟，还在父亲过世短短一个月之后。哈姆雷特总是能在夜间看见父亲的鬼魂，他呼喊着自己被弟弟毒害，并恳求哈姆雷特替他报仇，去杀死他的继父。哈姆雷特为了复仇大计装疯卖傻，却在实施的过程中迷失了现实。世界，对他来说成了污浊的泥淖。对性的渴望和唤醒成了恐怖的深渊。周围的朋友变成了继父的耳目，为了时刻监视他。甚至奥菲利亚，他的爱人，也变成了密谋中的一颗棋子。
哈姆雷特的偏执并非全无依据，一个告密者在幕帘后对他密切监视、窃听，终于，复仇者成了凶恶的捕食者。愚蠢的行为变成了彻底的疯狂，哈姆雷特错杀了波洛涅斯——奥菲利亚的父亲。哈姆雷特的母亲和继父为他掩盖了谋杀的罪行，并有意安排他远离公众的实现。哈姆雷特的大计似乎要化为泡影。他迷失了自我，失去了人生的方向。面对这一切，奥菲利亚再也无法承受，她自杀了。当哈姆雷特的继父决定让哈姆雷特永远不再发声的时候，哈姆雷特也抓住了这手边的机会，给了继父最后的沉痛一击，迫使他臣服。
莎士比亚再现了丹麦皇室堕落的政治网络，让哈姆雷特的人生变成了彻底迷幻的悲剧。谋杀、背叛、篡权和对性的渴望成了这场战争中捍卫皇权的武器。哈姆雷特因为无法采取行动，对抗这场在皇廷中充满冷嘲热讽的游戏规则，他变得沉郁、闭塞、甚至自我伤害。他生性犹疑，在好坏两方面难以抉择，这也成为他复仇之路上难以逾越的障碍。除他之外，再无他人对皇室存疑，他的人生注定是场悲剧。

Act I

Act one begins with Olga (the eldest of the sisters) working as a teacher in a school, but at the end of the play she is made Headmistress, a promotion she had no interest in. Masha, the middle sister and the artist of the family (she was trained as a concert pianist), is married to Feodor Ilyich Kulygin, a schoolteacher. At the time of their marriage, Masha, younger than he, was enchanted by what she took to be wisdom, but seven years later, she sees through his pedantry and his clownish attempts to compensate for the emptiness between them. Irina, the youngest sister, is still full of expectation. She speaks of her dream of going to Moscow and meeting her true love. It was in Moscow that the sisters grew up, and they all long to return to the sophistication and happiness of that time. Andrei is the only boy in the family and the sisters idolize him. He is in love with Natalia Ivanovna (Natasha), who is somewhat common in relation to the sisters and suffers under their glance. The play begins on the first anniversary of their father's death, but it is also Irina's name-day, and everyone, including the soldiers (led by the gallant Vershinin) bringing with them a sense of noble idealism, comes together to celebrate it. At the very close of the act, Andrei exultantly confesses his feelings to Natasha in private and asks her to marry him.
Act II

Act two begins about 21 months later with Andrei and Natasha married with their first child (offstage), a baby boy named Bóbik. Natasha is having an affair with Protopopov, Andrei's superior, a character who is mentioned but never seen onstage. Masha comes home flushed from a night out, and it is clear that she and her companion, Lieutenant-Colonel Vershinin, are giddy with the secret of their mutual love for one another. Little seems to happen but that Natasha manipulatively quashes the plans for a party in the home, but the resultant quiet suggests that all gaiety is being quashed as well. The play turns on such subtle, lifelike touches. Tuzenbach and Solyony declare their love for Irina.
Act III

Act three takes place about a year later in Olga and Irina's room (a clear sign that Natasha is taking over the household as she asked them to share rooms so that her child could have a different room). There has been a fire in the town, and, in the crisis, people are passing in and out of the room, carrying blankets and clothes to give aid. Olga, Masha and Irina are angry with their brother, Andrei, for mortgaging their home, keeping the money to pay off his gambling debts and conceding all his power to his wife. However, when faced with Natasha's cruelty to their aged family servant Anfisa, Olga's own best efforts to stand up to Natasha come to naught. Masha, alone with her sisters, confides in them her romance with Vershinin ("I love, love, love that man."). At one point, Kulygin (her husband) blunders into the room, doting ever more foolishly on her, and she stalks out. Irina despairs at the common turn her life has taken, the life of a schoolteacher, even as she rails at the folly of her aspirations and her education ("I can't remember the Italian for 'window'.") Out of her resignation, supported in this by Olga's realistic outlook, Irina decides to accept Tuzenbach's offer of marriage even though she does not love him. Chebutykin drunkenly stumbles on and smashes a clock belonging to the sister's and Andrei's mother, whom he loved. Andrei gives vent to his self-hatred, acknowledges his own awareness of life's folly and his disappointment in Natasha's character, and begs his sisters' forgiveness for everything.
Act IV

In the fourth and final act, outdoors behind the home, the soldiers, who by now are friends of the family, are preparing to leave the area. A flash-photograph is taken. There is an undercurrent of tension because Solyony has challenged the Baron (Tuzenbach) to a duel, but Tuzenbach is intent on hiding it from Irina. He and Irina share a heartbreaking delicate scene in which she confesses that she cannot love him, likening her heart to a piano whose key has been lost. Just as the soldiers are leaving, a shot is heard, and Tuzenbach's death in the duel is announced shortly before the end of the play. Masha has to be pulled, sobbing, from Vershinin's arms, but her husband willingly, compassionately and all too generously accepts her back, no questions asked. Olga has reluctantly accepted the position of permanent headmistress of the school where she teaches and is moving out. She is taking Anfisa with her, thus rescuing the elderly woman from more of Natasha's blunt cruelties. Irina's fate is uncertain but, even in her grief at Tuzenbach's death, she wants to persevere in her work as a teacher. Natasha remains as the chatelaine, in charge and in control—of everything. ("What is this fork doing here?" Natasha hollers.). Andrei is stuck in his marriage with two children, the only people that Natasha truly dotes on. As the play closes, the three sisters stand in a desperate embrace, gazing off as the soldiers depart to the sound of a band's gay march. As Chebutykin sings "Ta-ra-ra-boom-di-ay" to himself, Olga's final lines call out for an end to the confusion all three feel at life's sufferings and joy: "If we only knew… If we only knew."

Sylvia是一名社会工作者，过着简单而有条理的生活：她的女儿，她的工作，她的戒酒互助会。当Saul从高中同学聚会上跟着她回家后，一切都改变了，他们的意外相遇将深刻地影响他们，因为他们打开了通往过去的大门。

Sven lives with his mother Edeltraut, she suffers from dementia. They share their lives, their flat and even the bed. During the day Sven works at a bank and Daniel looks after his mother. He accompanies her to the hairdresser, they go shopping or for a walk and Daniel keeps the flat tidy. One day, Edeltraut locks Sven on the balcony and goes for a walk into town on her own. Both men desperately start to look for the old woman. They do not only find her, but also an affection for each other that creates confusion in their lives.

维克多（约翰·雷吉扎莫 John Leguizamo 饰）生活在车水马龙的大都市纽约，在这里，他经营着自己的毒品生意。维克多靠着贩卖一种名为“帝国”的毒品发家致富，过着奢靡无度的生活，与此同时，他还邂逅了名为卡门（丹妮丝·理查兹 Denise Richards 饰）的美丽女子，两人走到了一起。
卡门怀孕了，这让维克多开始意识到，自己不能够再靠着作奸犯科来赚钱了，他必须找到一个能够给他提供稳定收入但是又合理合法的行当。抱着这样的念头，维克多结识了银行家杰克（彼得·萨斯加德 Peter Sarsgaard 饰），在杰克的带领这下，维克多开始野心勃勃的向纽约上流社会进发。

Justine Juel Gillmer(《地球百子》《荒原》)编写剧本，基于哈夫特之子Alan Scott Haft写作的书籍《Harry Haft: Survivor Of Auschwitz, Challenger Of Rocky Marciano》，讲述一个男人在奥斯维辛集中营被迫与狱友进行残酷的角斗，胜利意味着能活着等待另一天的考验，而他击败的76名对手则走上了死亡之路。哈夫特承担了沉重的内疚之情，他尝试通过参加二战后备受瞩目的拳击大赛、与洛基·马西安诺等传奇人物比赛而重新找到活下去的理由，并希望能找到他在战争前爱上的那个女子，她激励了他在纳粹手中活下去的斗志。