Convoy Busters may not be the best Polizi movie ever to come out of Italy, but it's certainly an above average crime romp with a great cast and more action packed stunt sequences than you can shake a stick at! The film is set up a little differently to most of the Polizi movies that I've seen, as it's a movie of two halves and a lot of it takes place in settings unlike the thick urban atmosphere I've come to associate with this sort of movie; namely, a quiet seaside town and the rural countryside. Most of these films take influence from Dirty Harry, and Convoy Buster is no different as Maurizio Merli's maverick copper has a definite Clint Eastwood vibe about him; but the fact that it's a little different gives Convoy Busters a lot of credibility in my opinion. The story starts when the dead body of a young girl is found with her throat cut. Commissioner Olmi takes the case, but when his violent methods leave an innocent man dead; he gets transferred to a quiet coastal town. However, the fact that it's quiet doesn't mean there isn't any organised crime...

A low-rent private investigator and former cop is sent to Austria on a job, and while there sees a number of seemingly unrelated coincidences that lead him into a strange web of corruption and decadence.

A maverick cop must protect a female photographer who witnessed a murder and is now targeted by a ruthless biker gang.

A hot-shot police officer has more guts than brains, often landing him in hot water with his middle-aged mentor, who was once a legendary cop responsible for numerous large scale arrests.

Thriller about a reporter who comes home from an overseas assignment to find his baby in the hospital and his wife dead...

Emergency Squad/Squadra Volante (the latter actually translating as 'Flying Squad') is an okayish no-budget poliziotteschi that there's absolutely no reason to watch but which fills the time slightly better than expected if you do. The usual cop out to find his wife's killer plot suffers from having a lead who is barely present (the usually reliable Tomas Milian is a surprisingly dull turn in an almost non-existent role), but there are a few minor flourishes (such as Milian imagining crooks standing in front of the targets in a pistol range) and it fulfils every exploitation film's remit: always include an explosion for the trailer and book a helicopter for one day's shooting. The best moment comes not in the film itself but on the DVD extras in a brief but rambling interview with the film's dying director, Stelvio Massi, when he tries to remember the name of some American director who wrote him a fan letter until his wife suddenly remembers: "Tarantino?" "Yes, I think that's it."

An insatiable nymphomaniac with a wheelchair-bound writer husband finds that her lurid exploits rejuvenate his creativity and libido, but soon enough, all of her lovers end up being murdered by an unknown assailant.

The final official installment in the "Mondo Cane" series dares to go where no other Mondo film has gone before.

new age Mondo film that explores the realm of urban decay and various oddities of the modern world, ranging from underground club scenes to sex change operations.@