杰克（本·斯蒂勒 Ben Stiller）和布莱恩（爱德华·诺顿 Edward Norton）有着各自的信仰。布莱恩是一个天主教徒，为表虔诚，他最好终身不结婚。杰克是个犹太教徒，他可以成家立室，却有一个规矩需要遵守：妻子必须也是一名犹太教徒。于是，当青梅竹马的安娜（珍娜·艾夫曼 Jenna Elfman）重新出现在两人面前时，便掀起了他们生活的波澜。 　　他们心里都着迷于如今出落得明艳大方的童年伙伴安娜，正如很多爱情轻喜剧一样，一段搞笑而又美好的感情开始了。两人在这段感情上都有着宗教信仰的阻碍，布莱恩约会安娜时，更是遮遮掩掩，生怕和安娜这个非犹太教徒一起会招致旁人话柄。信仰会否令真爱错失，安娜最终情归何人，这段感情的悬念还多着呢。

《被爱的人》在巴黎、伦敦以及布拉格三地取景，故事分为两段，一段发生在上世纪六十年代，性开放和女性解放的黄金年代，巴黎女子玛德林随新婚丈夫贾罗米尔来到了布拉格，然而苏联坦克开进这座城市迫使两人的分离。第二段是在三十年后，九十年代的人们体会到了艾滋病的恐怖，害怕承诺是一种世纪病，玛德林的女儿薇拉在伦敦遇到了亨德森，后者却认为自己没有相爱的能力。

This riveting film takes a look behind the scenes at one of the 20th century's cinema classics and at one of contemporary cinema's most maddeningly brilliant directors, Milos Forman. Using never before seen materials, from original costume and set sketches to an innumerable collection of intimate on-set photography, blended with vibrant and revealing new interviews of the cast and crew, The Making of Amadeus weaves a spellbinding tale, filled with drama and humor. ...And at the center of it all is the indisputable creative genius of Milos Forman and a cast of characters behind the lens as unique and idiosyncratic as that of the fictional world of in front of the lens. From start to finish, The Making of Amadeus takes an unblinking look at the trials and tribulations of this mammoth production effort. - From the conflicts as Forman goes head-to-head with the world-renowned playwright Sir Peter Schaffer as they take Amadeus from stage to screen, to the seven months of on location ... Written by Quest Productions, 2002

20世纪70年代是反叛的非常时期，质疑每个接受的想法：政治行动主义，享乐主义，抗议，性革命，妇女运动，民权运动，音乐的革命，愤怒和解放。通过我们设置我们的社会和文化时钟每个标准要么外翻或扔掉完全和彻底改造。对于美国电影，20世纪70年代是一个时代，在此期间新一代的一种新的观众创建工作的电影制片人 - 谁是饿了反映自己的经验和谁是对老年旧的工作室公式把他们背的故事的电影观众。其结果是，对外国导演如戈达尔，黑泽明和费里尼影响新兴制片人再加上社会环境和挣扎演播室系统，融合创造了一种新的电影制作。通过他们选择的材料，电影制片人如弗朗西斯·福特·科波拉，马丁·斯科塞斯，罗伯特·奥特曼，彼得·博格达诺维奇，威廉佛雷金，罗杰科尔曼和保罗·施拉德革命性的主流电影和首次个人异象来的演播室系统出来。

1974年金球奖最佳纪录片。本片并非是完整的慕尼黑世运会纪录片，而是八个导演对此世运会观象的综合。八大导从世运会的众多项目中挑选一项自己最感兴趣的的项目，以表达他们自己的想法。在精心挑选和剪辑之下，每一个镜头下的每一个运动员的动作几乎成了导演有意安排下的演出。

The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.
The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.
The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.
Part 1 comments on:
■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher
■"Konkurs" ("Audition," 1963) by Miloš Forman
■"Křik" ("The Cry," 1963) by Jaromil Jireš
■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt
■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm
■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec
■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer
■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa
■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos
■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra
■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová
■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel
Part 2 comments on:
■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko
■"Stud" ("Shame," 1967) by Ladislav Helge
■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík
■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner
■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil
■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek
■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz
■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová
■"Pasťák" ("The Decoy," 1968) by Hynek Bočan
■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček
■"322" ("322," 1969) by Dušan Hanák
■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta
■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

The son of acclaimed cinematographer Haskell Wexler confronts his complex father by turning the camera on him. What results is a portrait of a difficult genius and a son's path out of the shadow of a famous father.

An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.

米洛斯·福曼是当之无愧的艺术家，也是个普通人。这部饱含深情的纪录片总结了奥斯卡获奖导演米洛斯·福曼的一生。影片以时间顺序叙事，使用不同类型的素材，包括福曼的电影片段、家庭录影、报刊文章、早期采访、私人档案等，以及由其子彼得诉说的回忆，呈现了福曼的不同方面。本片导演力求完整地描绘福曼的生活，尤其是他人生中的转折点：从纳粹魔爪下的捷克斯洛伐克的青年时期，到他在捷克新浪潮中的崭露头角；从因“布拉格之春”而流亡纽约，到他最终的誉满天下。