After fighting in the Trojan War, Odysseus spends years trying to return home to Itaka. [Theatrical version of the 1968 mini-series.]

Once a Satanist who surrendered her soul and body to the devil himself, Carlotta Rhodes begins to regret her tryst with Lucifer when her teenage daughter, Daria, starts showing the evil influence of dear old Dad. Convinced that she can stop the devil's power on earth, Carlotta calls upon an exorcist for help.

A young painter returns to his hometown, Mystras, where he falls in love with the daughter of a family with whom his own family has a feud. The girl's father will kill her, thinking she is a man, since she had disguised herself as a man to save her lover.

Jeremy Rodock is a tough horse rancher who strings up rustlers as soon as looks at them. Fresh out of Pennsylvania, Steve Miller finds it hard to get used to Rodock’s ways, although he takes an immediate shine to his Greek girl Jocasta.

Most enjoyable outing from Mr Lenzi and whilst giallo-esquire is really quite a mixed bag. Starting off as a bit of a hippy drippy affair with a young uninhibited couple using their bodies and their guile to get a free holiday, this turns into something much darker. There is real suspense including a splendid Hitchcockian scene in an aviary, lots of nudity and some pretty nasty moments. Irene Papas ( 'Zorba the Greek' and 'Don't Torture a Duckling') lends considerable gravitas with her impressive performance as the mature woman with something of a problem to sort out. Ray Lovelock is appealing as the handsome young man who likes fast cars and faster women but it is the lovely 16 year old Ornella Muti who is always catching the eye. Apparently the almost too perfect nude shots are of a body double but we still get plenty of up the shorts shots as she bends obligingly forward. All three are a great asset and with a decent script and Lenzi's constant inventiveness, this is a fine piece of exploitation cinema.

Saverio Mazzacolli - young Roman lawyer who wants to build a tourist complex in Salerno. He has enough Ideas and relationships, but lack of funds. But a lot of money has Countess Raymonda, which looks forward Saverio. However, it is tricky and requires in exchange for financing the project with a high rate of interest income. To overcome this lawyer decides to marry a beautiful but mentally retarded daughter of Countess Clotilde. Donna Raymond agrees, but not retreating from her claims. Then Saverio arranges the kidnapping of Clotilde and unexpectedly falls in love with her ... Alberto Lattuada also directed Stay As You Are and Bianco, rosso e…

本片是由曾执导过《美国狼人在伦敦》的约翰．兰迪斯导演，是一部风格特异的悬疑惊险片。还邀请了《魔鬼克星》的丹．艾克罗伊德、摇滚乐巨星戴维．鲍伊、大导演保罗．马泽斯基等人。 剧中讲述一个住在洛杉矶的工程师艾德，在赌城拉斯维加斯巧遇美女黛安娜。黛安娜正受人之托准备把宝石秘密交给别人，但收货人却被人暗算，残暴的杀手组织对黛安娜仍紧追不放，这使她和艾德陷入危机四伏的处境中。

当政的罗马皇帝过于年轻，根本不懂治国之道，皇太后只能启用被打入死牢的原军队统帅埃迪厄斯，把拯救罗马的希望寄托在他的身上。
狡猾的埃迪厄斯一面利用阿提拉兼并邻国，一面设法置他于死地。终于，英武的阿提拉喝下了新婚妻子的毒酒，征服世界的壮志顷刻间化为泡影。
罗马帝国刚刚勉强保住了世界霸主的地位，已经成熟的皇帝便将目光转向了埃迪厄斯……

Two decades after the war, a former camp inmate refuses to testify against a war criminal, her torturer from the concentration camp. Unable to find peace and forgetfulness in the post-war world, weighed down with anonymous neo-Nazi threatening letters, in spite of support which an ex-friend gives her, in the moment of disorder, she escapes to death. Produced by Aleksander Krstic, Artur Brauner, Peter Hahne, Die Zeugin aus der Holle is a 1967 Drama film directed by Zivorad 'Zika' Mitrovic, starring Irene Papas, Daniel Gélin, Heinz Drache and written by Frida Filipovic, Michael Mansfeld.
The prosecuting attorney Hoffmann from the central office of the regional administration of justice for the enquiry into national socialist crimes in Ludwigsburg visits the writer Bora Petrovic in Belgrade who, shortly after the war, reported in a book about the crimes in German extermination camps which mentioned the statements made by Lea Weiss. Lea Weiss must now repeat her statement which she gave Petrovic in court as a witness against a concentration camp doctor. She refuses and claims that her starements were purely fictional. Hoffmann asks Petrovic to come to Germany with him to try and change Lea Weiss`mind. But all of Petrovic's attempts are in vain. The victim`s sense of shame is too large, in contrast to the notoriously good conscience of the perpetrator. In the concentration camp, Lea Weiss was forced into sexual activities with the camp commander and was later abused at medical examinations. 20 years after the end of the war, suicide becomes the solution to her desperate situation. The film reacts to the Auschwitz trial in Main from 1964-1965 in great detail.

内容描述在第二次世界大战之前，利比亚回教游击队领袖奥玛穆德在北非沙漠对抗墨索里尼的意大利占领军，终因寡不敌众而被意军杀害。但他的精神鼓舞着利比亚人们，他们坚持不懈地进行反抗，最终取得了独立。

伊丽莎白（奥黛丽·赫本 Audrey Hepburn 饰）的父亲山姆是制药公司的总裁，在一场意外中，山姆不幸遇难丧生，伊丽莎白接替了父亲未尽的事业，坐上了公司领导人的交椅。检察官马克思（杰特·弗罗比 Gert Fröbe 饰）负责调查山姆的死因，刚开始，他也以为这只是一场意外事故，但随着时间的推移，重重的疑点将这场事故变为了谋杀。
伊丽莎白也觉得父亲死有蹊跷，表面上她按兵不动，暗地里，伊丽莎白在公司里开始了秘密调查。她确定，自己的杀父仇人就潜伏在公司内部，潜伏在天天和自己共事的下属们之中。调查的结果让伊丽莎白大为震惊，她怎么也不会想到，真正的凶手竟然会是那个人。

在特洛伊城堡攻陷后，那里的女性面对奴役的命运，本片通过另一个视角展现了这一段广为人知的历史事件。

在奥利维拉那部美得让人心颤的杰作《聚会》中，那些内心欲望和禁忌交织的男男女女聚集在一个岛上，其间一男一女伫立在海边的礁岩上，下面是激荡的海浪，内心是激荡的欲望，女人看着一汪在岩石上凿出的泳池说：“看看这个游泳池。是在岩石上挖成的。这是我丈夫的母亲送给她儿子的礼物。在我看来，它象征着女人的子宫。”而男人只是回答：“我对种种象征都无动于衷。您喜欢赌博吗？”女人的回答是：“不喜欢，我喜欢散步。”这个男人对这个女人的询问与回答，这个女人对这个男人陈述与回答，都包裹着欲望的攻击和对欲望的遮掩和逃避。人在自己欲望面前的审慎和闪躲，直接指点出这些欲望本身的虚饰和沉沦，这个世界变得如此暧昧和纠缠，那些低垂在耳边被语言所裹胁的欲望，被语言所放逐的欲望，成为从红唇中吹出话语，内心的陈述看似整洁和典雅，但是一如碎片和泡沫交待给我们对自己历史的测不准的回忆，对现实的测不准的把握，对未来的测不准的忧郁。这就是奥利维拉对情感世界的展示，在静寂中还原情感运动的紊乱了的轨迹，这个轨迹向一条无法测准的曲线。——cinekino

纳粹军队在爱琴海上的某希腊小岛上，安装了两支火力超强的巨炮，威协到邻近岛屿英军的安危，于是六名同盟国与希腊士兵受英国之命，在军官法兰克林少校的带领下潜入该岛，与岛上游击队会合后，执行摧毁巨炮的任务。但是，当法兰克林少校在任务中受伤后，凯西上校因为经验不足而坏了大事。不久后，他们发觉小队中有叛徒，导致凯西上校、爆破专家米勒下士与希腊游击队员安德瑞亚之间起了嫌隙。这六名壮士是否能完成这项艰巨的任务呢？

埃伦迪拉年仅15岁，和她的奶奶住在拉丁美洲的荒漠地带。祖孙俩本来应该是相依为命的，但奶奶生性凶恶，对年幼的埃伦迪拉经常加以责难。一天，埃伦迪拉在点蜡烛时不慎引起火灾，百万比索的家产付之一炬。凶残的奶奶居然逼迫埃伦迪拉以卖淫来偿还她所造成的损失。后来，埃伦迪拉遇到一个年轻小伙子，两个人产生感情相爱了。勇敢的恋人为爱情承担起了责任，把埃伦迪拉救出了火坑，从此逃脱了奶奶的魔掌，过上了幸福的生活。

当维卡里欧兄弟知道其妹在新婚之夜被发现不是处女时，便认定纳沙尔是偷情者，于是把即将杀死纳沙尔的计划，告诉了小镇上所有的人，但这种四处散布的警告，却未能阻止这项刺杀行动，在一个致命的早晨……
本片改编自哥伦比亚魔幻现实主义大师、诺贝尔奖得主马尔克斯的作品，时空跨越近30年，采用倒叙方式。一位医生回到故里，为的是揭发20多年前其好友被杀的真相。以前在父系社会中的南美，女性在结婚前必须保持处女身，结果新娘在成婚当晚被发现已非完璧，新郎一气之下远走他方；新娘的两位兄长一口认定青年纳夏尔是与其妹私通者，于是便将要杀死纳夏尔的计划散布小镇上，众人无动于衷，纳夏尔在广场上众目睽睽下被杀死，整个小镇的人都是帮凶。

加麦，七世纪，穆罕默德与城市的强权者们斗争着，他揭露他们的专横，以及它造成的疾病－奴隶制，暴力，酗酒，特别是，穆罕默德和他的信徒们鼓励人们忘却旧偶像，只崇拜唯一的真主，他们的对手毫不犹豫的迫害并折磨他们的近亲。然而，和平的穆斯林们明白，该为尊重自己的正义而奋战…

希腊悲剧三部曲终节章
奥斯卡最佳外语片提名(当年仅以一票之差败给布努艾尔的《朦胧的欲望》)
戛纳金棕榈提名
希腊萨撒隆尼基电影节最佳影片、最佳女演员2项奖

迈克尔．柯杨尼斯导演的经典作，故事背景是希腊的克里特岛偏僻的乡下地方，年轻的英国作家艾伦．贝斯已很久没有执笔为文，当他碰到深具智慧的希腊老农民安东尼．奎因，看见他自由自在地全心投入生活之后，决意重新开发祖先留下来的文化宝藏。全片制作精致并富娱乐性，安东尼昆的演出更是神彩飞扬，将两个不同阶层和个性的男人之间的友情拍得十分动人。曾获奥斯卡黑白摄影等三项金像奖，后来并改编成百老汇舞台剧。

罗莎（雷奥勒·希尔维拉 Leonor Silveira 饰）是一位大学历史老师，她带着女儿乔纳（Filipa de Almeida 饰）踏上了驶往中东的邮轮，去寻找在那里生活的丈夫。一路上，母女两人经过了法国、意大利和希腊，面对只在书本里见过的壮阔景色，乔纳和罗莎都感到十分兴奋。
一路上，罗莎结识了法国企业家弗朗西斯卡（斯蒂芬尼娅·桑德雷莉 Stefania Sandrelli 饰），意大利模特黛尔菲娜（凯瑟琳·德纳芙 Catherine Deneuve 饰）和希腊的兼职演员海伦娜（艾琳·帕帕斯 Irene Papas 饰），他们彼此交换着人生的故事，谈得十分投机。然而，一场突发的恐怖事件中断了罗莎和乔纳的惬意旅程，有恐怖分子扬言在邮轮上安装了炸弹，而惊慌失措的母女两人未能够登上渐渐远去的救生艇。