Penguin celebrates the centennial of Graham Greene's birth with commemorativeeditions of his greatest works.

本书收入作者四、五十年代在刚果等地旅行的日记，主要是叙述作者为创作长篇小说《一个自行发完病毒的病例》而亲身去非洲内地一个麻风病治疗区寻找、熟悉素材的过程。

Graham Greeneas classic Cuban spy story, now with a new package and a new introduction First published in 1959, "Our Man in Havana" is an espionage thriller, a penetrating character study, and a political satire that still resonates today. Conceived as one of Graham Greeneas aentertainments, a it tells of MI6as man in Havana, Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Lambas "Tales from Shakespeare" and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true.

A morally complex and mature work from a modern master IN THIS later novel by Graham Greenea featuring a new introductionathe author continues to explore moral and theological dilemmas through psychologically astute character studies and exciting drama on an international stage. In "The Human Factor" A high- level operative of the British Secret Service acts as a double agent to benefit his family.

巴拉那河岸的一座小小的港口城市中，一场阴差阳错的绑架行动过后，所有当事人都陷入了两难的境地。无辜被绑的名誉领事，骑虎难下的游击队员，备受良心煎熬的英国医生，在情人与丈夫之间犹豫不决的年轻妻子，还有冷酷无情的政客……宗教教义、社会理想、人性底线，在这场阴差阳错的混乱中，他们各自究竟会做出怎样的抉择？

百年来的旅行经典 一卷书胜行万里路
乘火车和卡车穿越塞拉利昂，徒步跨越利比里亚和日内瓦
一次内心的恐惧与新鲜的自然空气的对峙
二十世纪最优秀的游记之一。——《独立报》
“非洲毫无神秘可言，只有赤裸裸的真相。”——《没有地图的旅行》引言，保罗·索鲁
“没有哪个词语能更好地形容这个贫穷、懒散而又美丽的多民族国家了。”——格林
一九三五年，三十岁的格林无法忍受婚姻窒息般的压力，邀请他年轻的表妹陪同他开始长达四周的非洲内陆探险之旅。这是格林首次离开欧洲，他们需要徒步穿越长达三百五十英里的森林，这片森林位于两个国家内，一个是世界上最贫穷的国家塞拉利昂，另一个是世界上最失败和战争影响最深的国家之一利比里亚。格林当时关心利比里亚的奴役劳工状况，本书中有一段秘密任务就是作为反奴隶制社会的耳目。在此次旅行中，他希望能远离文明，探索非洲的“黑暗之心”。

他是双重间谍，他不相信共产主义，但为了共产党朋友，他泄漏情报，《人性的因素》不是一部传统的间谍小说，他着重刻画每个人物更重要的内心世界。
英国特工卡瑟尔被派往白人统治下的南非。他在那里和黑人女子萨拉相爱。为了萨拉不受种族主义迫害，也为了帮助萨拉的同胞，他寻求克格勃的帮助，成为双面间谍。可是克格勃为了自身利益出卖了他，英方也在追杀变节者，具有人性的卡瑟尔成了被剥削人性的工具和牺牲品。

For Arthur Rowe, the trip to the charity fete was a joyful step back into adolescence, a chance to forget the nightmare of the blitzaand the aching guilt of having mercifully murdered his sick wife. He was surviving alone, aside from the war, until he happened to guess both the true and the false weight of the cake. From that moment, he finds himself ruthlessly hunted, the quarry of malign and shadowy forces, from which he endeavors to escape with a mind that remains obstinately out of focus.

Unabridged on mp3 audio disk. How does good spoil, and how can bad be redeemed? In his penetrating novel The Power and the Glory, Graham Greene explores corruption and atonement through a priest and the people he encounters. In the 1930s one Mexican state has outlawed the Church, naming it a source of greed and debauchery. The priests have been rounded up and shot by firing squad--save one, the whisky priest. On the run, and in a blur of alcohol and fear, this outlaw meets a dentist, a banana farmer, and a village woman he knew six years earlier. For a while, he is accompanied by a toothless man--whom he refers to as his Judas and does his best to ditch. Always, an adamant lieutenant is only a few hours behind, determined to liberate his country from the evils of the church. On the verge of reaching a safer region, the whisky priest is repeatedly held back by his vocation, even though he no longer feels fit to perform his rites: "When he was gone it would be as if God in all this space between the sea and the mountains ceased to exist. Wasn't it his duty to stay, even if they despised him, even if they were murdered for his sake? even if they were corrupted by his example?" As his sins and dangers increase, the broken priest comes to confront the nature of piety and love. Still, when he is granted a reprieve, he feels himself sliding into the old arrogance, slipping it on like the black gloves he used to wear. Greene has drawn this man--and all he encounters--vividly and viscerally. He may have said The Power and the Glory was "written to a thesis," but this brilliant theological thriller has far more mysteries--and troubling ideals--than certainties. --Joannie Kervran Stangeland

With a new introduction by James Wood
Scobie, a police officer serving in a wartime west-African state, is distrusted — being scrupulously honest and immune to bribery. But then he falls in love, and in so doing, he is forced to betray everything he believes in, with drastic and tragic consequences.

"Writing A Sort of Life...was in the nature of a psychoanalysis. I made a long journey through time, and I was one of my characters." - Graham Greene in conversation with Marie-Francoise Allain

相信就是《一个自行发完病毒的病例》

Luck seems to have eluded Betram altogether. He doesn't even believe in chance. But when his wedding plans are moved to Monte Carlo, he is drawn to the Casino and is seduced by good fortune. A Miramax film starring Robert Lindsay and Molly Ringwald.

The story is narrated by Alfred Jones, a translator for a large chocolate company in Switzerland. Jones, in his 50s, lost his left hand while working as a fireman during The Blitz. Jones is a widower when he meets the young Anna-Luise Fischer in a local restaurant. Jones is surprised to learn that Anna-Luise is the daughter of Dr. Fischer, who has become rich after inventing a perfumed toothpaste and whose dinner parties are famous (or infamous) around Geneva. After a brief courtship, the two are married.

豁嘴莱文，一个对人生充满仇恨和悲愤的杀手，受雇暗杀某国国防部长，得手后回到伦敦，却遭欺骗，被联络人查姆里用假钞支付酬金，险些遭捕。莱文一心复仇，一路追踪查姆里及其躲在暗处的后台老板到了英格兰中部的诺维治。途中，他抓了一个女演员安当作人质，而安恰好是调查假钞案的警司麦瑟尔的女友。肩负公私双重使命的麦瑟尔也赶赴诺维治追捕莱文。随着这双重追捕趋向白热化，世界也离战争愈来愈近。莱文，这支被出卖的“枪”倒在了警察的子弹下，永远也不会知道他的行径给了世界大战一个借口：这一切的幕后主使军火巨头马尔库斯爵士的真实目的——挑起世界大战，让军火工业大发横财。

Graham Greene's 'lost' novel, reissued with a beautiful new jacket.
In a prison in Occupied France one in every ten men is to be shot. The prisoners draw lots among themselves - and for rich lawyer Louis Chavel it seems that his whole life has been leading up to an agonising and crucial failure of nerve. Hysterical with panic, fear, and a sense of injustice, he offers to barter everything he owns for someone to take his place.
Graham Greene wrote The Tenth Man in 1944, when he was under a two-year contract to Metro-Goldwyn-Mayer, and the manuscript lay forgotten in MGM's archives until 1983. It was published two years later with an introduction by the author.