How did the popularity of underwear in the twelfth century lead to the invention of the printing press? How did the waterwheel evolve into the computer? How did the arrival of the cannon lead eventually to the development of movies? In this highly acclaimed and bestselling book, James Burke brilliantly examines the ideas, inventions, and coincidences that have culminated in the major technological advances of today. With dazzling insight, he untangles the pattern of interconnecting events: the accidents of time, circumstance, and place that gave rise to the major inventions of the world.Says Burke, "My purpose is to acquaint the reader with some of the forces that have caused change in the past, looking in particular at eight innovations -- the computer, the production line, telecommunications, the airplane, the atomic bomb, plastics, the guided rocket, and television -- which may be most influential in structuring our own futures....Each one of these is part of a family of similar devices, and is the result of a sequence of closely connected events extending from the ancient world until the present day. Each has enormous potential for humankind's benefit -- or destruction."Based on a popular TV documentary series, "Connections" is a fascinating scientific detective story of the inventions that changed history -- and the surprising links that connect them.

In much the same way that a cluttered home can stop you from living your best life, it can also sabotage your best efforts at controlling your weight. Most people who diet don't just go on one diet and succeed; they go on three or five or ten. And for most people, the diets fail because most diets are only about losing weight - they don't drill down into why you are carrying that weight around and why you want to lose it. In his years as a professional organiser, Walsh found time and again that people hid their real problems behind their "stuff." Peter believes that the secret to understanding how you got here and how to fix it all starts with one simple question: "Are you living the life you imagined?"
This is not a diet, it's a complete life overhaul: The key to Peter's success is his ability to unlock people's psychological reasons for doing things and help them want to change. He brings that expertise to this book by showing how the obsession to accumulate and hoard does not just stop at possessions but is also how we approach and consume food. He shows with simple steps how to clear out the clutter in your life so you can clear out the clutter in your kitchen, on your plate and in your body. In his classic straightforward style he will show readers how to stop the mindless accumulation once and for all so that they lose the weight and live the life they imagine.

One of the most anticipated autobiographies of this generation, Arnold Schwarzenegger’s Total Recall is the candid story by one of the world’s most remarkable actors, businessmen, and world leaders. Born in the small city of Thal, Austria, in 1947, Arnold Schwarzenegger moved to Los Angeles at the age of twenty-one. Within ten years, he was a millionaire businessman. After twenty years, he was the world’s biggest movie star. In 2003, he was elected governor of California and a household name around the world. Chronicling his embodiment of the American Dream, Total Recall covers Schwarzenegger’s high-stakes journey to the United States, from creating the international bodybuilding industry out of the sands of Venice Beach, to breathing life into cinema’s most iconic characters, and becoming one of the leading political figures of our time. Proud of his accomplishments and honest about his regrets, Schwarzenegger spares nothing in sharing his amazing story.

Best Books of 2017 Selection by * The Washington Post * O Magazine * NPR * Bitch * Medium *
“Stunning…heartrending…this year’s When Breath Becomes Air.” —Nora Krug, The Washington Post
“Beautiful and haunting.” —Matt McCarthy, MD, USA TODAY
“Deeply affecting…simultaneously heartbreaking and funny.” —People (Book of the Week)
“Vivid, immediate.” —Laura Collins-Hughes, The Boston Globe
Starred reviews from * Kirkus Reviews * Publishers Weekly* Library Journal *
Most Anticipated Summer Reading Selection by * The Washington Post * Entertainment Weekly * Glamour * The Seattle Times * Vulture * InStyle * Bookpage * Bookriot * Real Simple * The Atlanta Journal-Constitution *
An exquisite memoir about how to live—and love—every day with “death in the room,” from poet Nina Riggs, mother of two young sons and the direct descendant of Ralph Waldo Emerson, in the tradition of When Breath Becomes Air.
“We are breathless, but we love the days. They are promises. They are the only way to walk from one night to the other.”
Nina Riggs was just thirty-seven years old when initially diagnosed with breast cancer—one small spot. Within a year, the mother of two sons, ages seven and nine, and married sixteen years to her best friend, received the devastating news that her cancer was terminal.
How does one live each day, “unattached to outcome”? How does one approach the moments, big and small, with both love and honesty?
Exploring motherhood, marriage, friendship, and memory, even as she wrestles with the legacy of her great-great-great grandfather, Ralph Waldo Emerson, Nina Riggs’s breathtaking memoir continues the urgent conversation that Paul Kalanithi began in his gorgeous When Breath Becomes Air. She asks, what makes a meaningful life when one has limited time?
Brilliantly written, disarmingly funny, and deeply moving, The Bright Hour is about how to love all the days, even the bad ones, and it’s about the way literature, especially Emerson, and Nina’s other muse, Montaigne, can be a balm and a form of prayer. It’s a book about looking death squarely in the face and saying “this is what will be.”
Especially poignant in these uncertain times, The Bright Hour urges us to live well and not lose sight of what makes us human: love, art, music, words.

EIGHTEEN YEARS AGO , Billy Peters disappeared. Everyone in town believes Billy was murdered—after all, serial killer Arnold Avery later admitted killing six other children and burying them on the same desolate moor that surrounds their small English village. Only Billy’s mother is convinced he is alive. She still stands lonely guard at the front window of her home, waiting for her son to return, while her remaining family fragments around her. But her twelve-year-old grandson Steven is determined to heal the cracks that gape between his nan, his mother, his brother, and himself. Steven desperately wants to bring his family closure, and if that means personally finding his uncle’s corpse, he’ll do it. Spending his spare time digging holes all over the moor in the hope of turning up a body is a long shot, but at least it gives his life purpose. Then at school, when the lesson turns to letter writing, Steven has a flash of inspiration . . . Careful to hide his identity, he secretly pens a letter to Avery in jail asking for help in finding the body of "W.P."—William "Billy" Peters. So begins a dangerous cat-and-mouse game. Just as Steven tries to use Avery to pinpoint the gravesite, so Avery misdirects and teases his mysterious correspondent in order to relive his heinous crimes. And when Avery finally realizes that the letters he’s receiving are from a twelve-year-old boy, suddenly his life has purpose too. Although his is far more dangerous . . . Blacklands is a taut and chillingly brilliant debut that signals the arrival of a bright new voice in psychological suspense.

Abner Marsh has had his wish come true – he has built the Fevre Dream, the finest steamship to sail the Mississippi. Abner hopes to race the boat some day, but his partner is making it hard for him to realise his dreams. Joshua York put up the money for the Fevre Dream, but now rumours have started about his the company he keeps, his odd eating habits and strange hours. As the Dream sails the great river, it leaves in it’s a wake one too many dark tales, forcing Abner to face down the man who made his dreams become reality.
When struggling riverboat captain Abner Marsh receives an offer of partnership from a wealthy aristocrat, he suspects something's amiss. But when he meets the hauntingly pale, steely-eyed Joshua York, he is certain. For York doesn't care that the icy winter of 1857 has wiped out all but one of Marsh's dilapidated fleet. Nor does he care that he won't earn back his investment in a decade. York has his own reasons for wanting to traverse the powerful Mississippi. And they are to be none of Marsh's concern—no matter how bizarre, arbitrary, or capricious his actions may prove.Marsh meant to turn down York's offer. It was too full of secrets that spelled danger. But the promise of both gold and a grand new boat that could make history crushed his resolve—coupled with the terrible force of York's mesmerizing gaze. Not until the maiden voyage of his new sidewheeler Fevre Dream would Marsh realize he had joined a mission both more sinister, and perhaps more noble, than his most fantastic nightmare…and mankind's most impossible dream.Here is the spellbinding tale of a vampire's quest to unite his race with humanity, of a garrulous riverman's dream of immortality, and of the undying legends of the steamboat era and a majestic, ancient river.

From award-winning columnist and journalist Gillian Tett comes a brilliant examination of how our tendency to create functional departments—silos—hinders our work…and how some people and organizations can break those silos down to unleash innovation.
One of the characteristics of industrial age enterprises is that they are organized around functional departments. This organizational structure results in both limited information and restricted thinking. The Silo Effect asks these basic questions: why do humans working in modern institutions collectively act in ways that sometimes seem stupid? Why do normally clever people fail to see risks and opportunities that later seem blindingly obvious? Why, as psychologist Daniel Kahneman put it, are we sometimes so “blind to our own blindness”?
Gillian Tett, journalist and senior editor for the Financial Times, answers these questions by plumbing her background as an anthropologist and her experience reporting on the financial crisis in 2008. In The Silo Effect, she shares eight different tales of the silo syndrome, spanning Bloomberg’s City Hall in New York, the Bank of England in London, Cleveland Clinic hospital in Ohio, UBS bank in Switzerland, Facebook in San Francisco, Sony in Tokyo, the BlueMountain hedge fund, and the Chicago police. Some of these narratives illustrate how foolishly people can behave when they are mastered by silos. Others, however, show how institutions and individuals can master their silos instead. These are stories of failure and success.
From ideas about how to organize office spaces and lead teams of people with disparate expertise, Tett lays bare the silo effect and explains how people organize themselves, interact with each other, and imagine the world can take hold of an organization and lead from institutional blindness to 20/20 vision.

One of our shrewdest political observers traces thirty years of volatile political history and finds that on point after point, liberals and conservatives are framing issues as a series of "false choices," making it impossible for politicians to solve problems, and alienating voters in the process.

We all know the headiness and excitement of the early days of love. But what comes after? In Edinburgh, a couple, Rabih and Kirsten, fall in love. They get married, they have children—but no long-term relationship is as simple as “happily ever after.” The Course of Love is a novel that explores what happens after the birth of love, what it takes to maintain love, and what happens to our original ideals under the pressures of an average existence. You experience, along with Rabih and Kirsten, the first flush of infatuation, the effortlessness of falling into romantic love, and the course of life thereafter. Interwoven with their story and its challenges is an overlay of philosophy—an annotation and a guide to what we are reading.
This is a Romantic novel in the true sense, one interested in exploring how love can survive and thrive in the long term. The result is a sensory experience—fictional, philosophical, psychological—that urges us to identify deeply with these characters, and to reflect on his and her own experiences in love. Fresh, visceral, and utterly compelling, The Course of Love is a provocative and life-affirming novel for everyone who believes in love.

Diane is the frank and compelling story of an extraordinary woman and her adventures in fashion, business, and life. "Most fairy tales end with the girl marrying the prince. That's where mine began," says Diane Von Furstenberg. She didn't have to work, but she did. She lived the American Dream before she was thirty, building a multimillion-dollar fashion empire while raising two children and living life in the fast lane. Von Furstenberg's wrap dress, a cultural phenomenon in the seventies, hangs in the Smithsonian Institution. "No one was making a little bourgeois dress, so I did," she told Newsweek in her 1976 cover story. The dress achieved such popularity that in the five years it was on the market, Diane sold more than five million of them. Her entry into the beauty business in 1979 was as serendipitous and as successful. Diane learned her trade in the trenches, crisscrossing the country to make personal appearances at department stores, selling her dresses and cosmetics. "As I was learning to be a woman and enjoying being one, I was sharing my discoveries, designing for my needs, and making a business of it," she writes. That business had its ups and downs. Eventually, there was so much demand for and exposure of the dress that the market became saturated; on the verge of bankruptcy, she licensed that part of the business, focusing on her fragrance and beauty products. Von Furstenberg's personal world unraveled a bit in 1980 when her mother, Lily, a survivor of Auschwitz, had a breakdown. Diane of course knew about her mother's experience in the camps, though her mother had never wanted to dwell on it. She understood that her own need for freedom came from her mother's lack of it, and that her resilience derived from her mother's life lesson to always turn a negative into a positive. Leaving the glitz of Manhattan and the music of Studio 54 behind, Diane escaped to Bali with her children, returning inspired and renewed. With all of this energy, the cosmetics business flourished. But it grew so fast that in 1983 she found herself undercapitalized and was forced to sell. In 1985, having given up control of her brand to licensees and with her children away at school, Diane turned her back on America and packed for Paris. She spent four years in her new role as part of the literary scene there, trading in her spike heels for flat shoes and tweed. In 1990, she found she missed the chase and returned to New York to regain control of her name and relaunch her company. Frustrated by the degraded status of her brand and dismissed by the retail community, she searched for a new way to reconnect with her customers. She found it through the revolutionary new medium of teleshopping and once again became a success. However, she still wanted to return to retail. In 1997, as the wrap dress was making a comeback with the nostalgia for the seventies, Von Furstenberg, with the help of her beautiful daughter-in-law, Alexandra, redesigned the dress for the nineties and made her name relevant to a whole new generation. Now, at fifty, Diane works to make sense of the contradictions in her life: glamour vs. hard work, European vs. American, daughter of a Holocaust survivor vs. wife of an Austro-Italian prince, mother vs. entrepreneur, lover vs. tycoon. She emerges wiser, stronger, and ever more determined never to sacrifice her passion for life.

For more than forty years Miles Davis has been in the front rank of American music. Universally acclaimed as a musical genius, Miles is one of the most important and influential musicians in the world. The subject of several biographies, now Miles speaks out himself about his extraordinary life. Miles: The Autobiography, like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence. He speaks frankly and openly about his drug problem and how he overcame it. He condemns the racism he has encountered in the music business and in American society generally. And he discusses the women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus, and many others. The man who has given us some of the most exciting music of the past few decades has now given us a compelling and fascinating autobiography, featuring a concise discography and thirty-two pages of photographs.

Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people - their private natures and their inter-relationships - that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House? These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behaviour - and to develop his dramatic conflict on the basis of that behaviour. Premise, character, conflict: this is Egri's ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.

Following his blockbuster biography of Steve Jobs, The Innovators is Walter Isaacson’s revealing story of the people who created the computer and the Internet. It is destined to be the standard history of the digital revolution and an indispensable guide to how innovation really happens.
What were the talents that allowed certain inventors and entrepreneurs to turn their visionary ideas into disruptive realities? What led to their creative leaps? Why did some succeed and others fail?
In his masterly saga, Isaacson begins with Ada Lovelace, Lord Byron’s daughter, who pioneered computer programming in the 1840s. He explores the fascinating personalities that created our current digital revolution, such as Vannevar Bush, Alan Turing, John von Neumann, J.C.R. Licklider, Doug Engelbart, Robert Noyce, Bill Gates, Steve Wozniak, Steve Jobs, Tim Berners-Lee, and Larry Page.
This is the story of how their minds worked and what made them so inventive. It’s also a narrative of how their ability to collaborate and master the art of teamwork made them even more creative.
For an era that seeks to foster innovation, creativity, and teamwork, The Innovators shows how they happen.

A nuanced investigation into the sexual, economic, and emotional lives of women in America. In a provocative, groundbreaking work, National Magazine Award finalist Rebecca Traister, “the most brilliant voice on feminism in the country” (Anne Lamott), traces the history of unmarried and late-married women in America who, through social, political, and economic means, have radically shaped our nation.
In 2009, the award-winning journalist Rebecca Traister started All the Single Ladies—a book she thought would be a work of contemporary journalism—about the twenty-first century phenomenon of the American single woman. It was the year the proportion of American women who were married dropped below fifty percent; and the median age of first marriages, which had remained between twenty and twenty-two years old for nearly a century (1890–1980), had risen dramatically to twenty-seven.
But over the course of her vast research and more than a hundred interviews with academics and social scientists and prominent single women, Traister discovered a startling truth: the phenomenon of the single woman in America is not a new one. And historically, when women were given options beyond early heterosexual marriage, the results were massive social change—temperance, abolition, secondary education, and more.
Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a “dramatic reversal.” All the Single Ladies is a remarkable portrait of contemporary American life and how we got here, through the lens of the single American woman. Covering class, race, sexual orientation, and filled with vivid anecdotes from fascinating contemporary and historical figures, All the Single Ladies is destined to be a classic work of social history and journalism. Exhaustively researched, brilliantly balanced, and told with Traister’s signature wit and insight, this book should be shelved alongside Gail Collins’s When Everything Changed.

Book Description
As his parents finished packing the few personal belongings they were permitted to take out of Germany, the bespectacled 15-year-old stood in the corner of the apartment memorizing the details of the scene. He was a bookish and reflective child, with that odd mixture of ego and insecurity that can come from growing up smart yet persecuted. "I'll be back someday," he said to the customs inspector who was surveying the boxes. Years later, he would recall how the official looked at him "with the disdain of age" and said nothing.
Henry Kissinger was right: he did come back to his Bavarian birthplace, first as a soldier with the U.S. Army counterintelligence corps, then as a renowned scholar of international relations, and eventually as the dominant statesman of his era.
By the time he was made secretary of state in 1973, he had become, according to the Gallup Poll, the most admired person in America. In addition, as he conducted foreign policy with the air of a guest of honor at a cocktail party, he became one of the most unlikely celebrities ever to capture the world's imagination. Yet Kissinger was reviled by large segments of the American public, ranging from liberal intellectuals to conservative activists, who in varying ways considered him a Strangelovean power manipulator dangerously devoid of moral principles.
Kissinger's power-oriented approach to global politics resulted in a messy conclusion to the Vietnam War that included the secret bombing and invasion of Cambodia and the Christmas bombing of Hanoi. Yet he was also able to design a triangular balance based on detente with Russia and an opening to China that preserved America's influence in the world. He had an instinctive feel for power, but it was not matched by a feel for the openness of America's democratic system or for the moral values that are a basic source of its world influence.
This book, the first full biography of Kissinger, explores the relationship between his complex personality - brilliant, conspiratorial, furtive, prone to power struggles, charming yet at times deceitful - and the foreign policy he pursued. It draws on extensive interviews with Kissinger as well as 150 other sources, including Richard Nixon, Gerald Ford, H.R. Haldeman, former South Vietnamese President Nguyen Van Thieu, Russian diplomats, cabinet colleagues, disillusioned aides, childhood friends, and business clients. In addition, it makes use of many of Kissinger's private papers, personal letters, recorded telephone conversations, his desk diaries and those of various officials, memos of classified meetings, and transcripts of FBI wiretaps.
The result is an intimate narrative, filled with surprising revelations, that takes this century's most colorful statesman from his childhood as a persecuted Jew in Nazi Germany, through his tortured relationship with Richard Nixon, to his twilight years as a globe-trotting business consultant.
From Publishers Weekly
The fullest account of Kissinger's life and career to date, other than for his memoirs, this massive biography provides plenty of ammunition for the former Secretary of State's supporters and detractors. Growing up in Nazi Germany as an Orthodox Jew, Kissinger faced beatings and virulent anti-Semitism, and in Isaacson's view these burdened him with lifelong feelings of insecurity and distrust, as well as a yearning for stability and order. Isaacson, assistant managing editor of Time , sees Kissinger as the foremost American negotiator of this century, but one whose furtive, conspiratorial, at times deceitful personality shaped his conservative realpolitik and diplomatic maneuvering. He maintains that Kissinger's foreign policy, rooted in stealth and surprise, mirrored and reinforced the darker side of his increasingly jealous patron, President Nixon, and goes on to reveal how Chief of Staff Alexander Haig undercut his rival. He also pierces the secretive world of Kissinger's lucrative, globetrotting post-White House career as a business consultant. A spooky, engrossing portrait of the only European-style realist ever to guide U.S. foreign policy. Photos. First serial to Vanity Fair; BOMC main selection; QPB and History Book Club alternates; Reader's Digest Condensed Book selection; author tour.
From Library Journal
Isaacson, assistant managing editor of Time , has produced much more than another unauthorized biography, giving extensive insights into the younger years of Heinz Kissinger in Bavaria and how they shaped his character, his style in dealing with others, and his worldview. Over 150 interviews with Kissinger intimates, enemies, subordinates, and the man himself generate a less-than-flattering portrayal of the man behind the intellect and the myths. Isaacson covers Kissinger's Americanization, his use of Harvard ties to enhance his career, his forays into the stratosphere of the Council on Foreign Relations (NY), and his Washington years and exploits. He also examines Kissinger's ill-fated negotiations with the North Vietnamese, empire building as national security assistant, shuttle diplomacy in the Middle East, arms control efforts, and later years as private citizen and consultant. While there are other excellent Kissinger biographies (Stephen Graubard's Kissinger , LJ 6/1/73; John Stoessinger's Henry Kissinger: The Anguish of Power , LJ 9/15/76; Bruce Mazlich's Kissinger: The European Mind in American Policy , LJ 9/15/76), this work is the best to date on Henry K. Superstar. Essential for general libraries. Previewed in Prepub Alert, LJ 5/1/92.
- Frank Kessler, Missouri Western State Coll., St. Joseph
From Kirkus Reviews
A critical but resolutely objective and utterly fascinating biography of the guileful, egocentric geopolitical scientist who became America's most celebrated secretary of state. Drawing on access to his subject's private papers, family members, friends, and foes, as well as on archival sources, Isaacson (an assistant managing editor at Time; coauthor, The Wise Men, 1986) offers an authoritative and comprehensive account. Tracking Kissinger from his boyhood as a persecuted Jew in Nazi Germany through his current estate as a globe-trotting business consultant who turns 70 next May, the author notes that Kissinger has displayed a knack for attracting influential patrons throughout his career. This talent served Kissinger well as an Army intelligence operative during WW II, at Harvard (where he earned a Ph.D. and professorship), and as a cold-war strategist who made a name for himself advising think tanks and government agencies. Latching on to an ultimate sponsor, he joined the Nixon Administration in 1969; survived Watergate largely unscathed; gained worldwide fame (plus a Nobel Peace Prize) for negotiating an end to the Vietnam War; and won even greater renown for feats of shuttle diplomacy in Africa, the Mideast, and elsewhere. While Isaacson gives Kissinger full marks for his many accomplishments in foreign policy, he minces few words in recounting the secretiveness, devotion to Realpolitik, and personal insecurities that gained Kissinger a reputation for Dr. Strangelove-like duplicity. Although Kissinger consistently had the courage of his conviction--that those engaged in statecraft must deal with ambiguities and accommodations--Isaacson concludes that a general perception of Kissinger's ruthlessness frequently cost him dearly owing to Americans' allegiance to human rights, democratic principles, the rule of international law, and other idealistic values. An evenhanded, warts-and-all portrait of a larger-than-life individual who has left his mark behind. (Sixteen pages of b&w photographs--not seen.) (Book-of-the-Month Dual Selection for October)
About Author
Walter Isaacson, an assistant managing editor of Time magazine, is also the coauthor of The Wise Men: Six Friends and the World They Made.

The Greater Journey is the enthralling, inspiring—and until now, untold—story of the adventurous American artists, writers, doctors, politicians, architects, and others of high aspiration who set off for Paris in the years between 1830 and 1900, ambitious to excel in their work. After risking the hazardous journey across the Atlantic, these Americans embarked on a greater journey in the City of Light. Most had never left home, never experienced a different culture. None had any guarantee of success. That they achieved so much for themselves and their country profoundly altered American history. As David McCullough writes, “Not all pioneers went west.” Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, who enrolled at the Sorbonne because of a burning desire to know more about everything. There he saw black students with the same ambition he had, and when he returned home, he would become the most powerful, unyielding voice for abolition in the U.S. Senate, almost at the cost of his life. Two staunch friends, James Fenimore Cooper and Samuel F. B. Morse, worked unrelentingly every day in Paris, Cooper writing and Morse painting what would be his masterpiece. From something he saw in France, Morse would also bring home his momentous idea for the telegraph. Pianist Louis Moreau Gottschalk from New Orleans launched his spectacular career performing in Paris at age 15. George P. A. Healy, who had almost no money and little education, took the gamble of a lifetime and with no prospects whatsoever in Paris became one of the most celebrated portrait painters of the day. His subjects included Abraham Lincoln. Medical student Oliver Wendell Holmes wrote home of his toil and the exhilaration in “being at the center of things” in what was then the medical capital of the world. From all they learned in Paris, Holmes and his fellow “medicals” were to exert lasting influence on the profession of medicine in the United States. Writers Ralph Waldo Emerson, Nathaniel Hawthorne, Mark Twain, and Henry James were all “discovering” Paris, marveling at the treasures in the Louvre, or out with the Sunday throngs strolling the city’s boulevards and gardens. “At last I have come into a dreamland,” wrote Harriet Beecher Stowe, seeking escape from the notoriety Uncle Tom’s Cabin had brought her. Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris and even more atrocious nightmare of the Commune. His vivid account in his diary of the starvation and suffering endured by the people of Paris (drawn on here for the first time) is one readers will never forget. The genius of sculptor Augustus Saint-Gaudens, the son of an immigrant shoemaker, and of painters Mary Cassatt and John Singer Sargent, three of the greatest American artists ever, would flourish in Paris, inspired by the examples of brilliant French masters, and by Paris itself. Nearly all of these Americans, whatever their troubles learning French, their spells of homesickness, and their suffering in the raw cold winters by the Seine, spent many of the happiest days and nights of their lives in Paris. McCullough tells this sweeping, fascinating story with power and intimacy, bringing us into the lives of remarkable men and women who, in Saint-Gaudens’s phrase, longed “to soar into the blue.” The Greater Journey is itself a masterpiece.