罗拉（弗兰卡•波滕特 饰）和曼尼（莫里兹•克雷多 饰）是一对年轻的恋人，其中曼尼是一个不务正业的小混混，而罗拉则是相信“天大的事情有爱情顶着”的爱情至上主义者。
一天，曼尼为老大完成一项钻石交易，带着装有10万马克的钱袋等候罗拉的接应，然而罗拉的自行车被人抢走，耽误了约定的接应时间，曼尼只好乘地铁回去。在地铁车厢里，曼尼扶起身边的乞丐，同时，看见两名警察向他走来。慌乱中，曼尼下了车，竟然把钱袋忘在了车厢里。显然，钱袋被乞丐拿走了。此时距离曼尼和老大约定见面交钱的时间只剩下20分钟，如果20分钟之内筹集不到10万马克，曼尼就会被老大杀死。走投无路的曼尼打电话向罗拉求救，如果罗拉20分钟之内不能赶到，曼尼只能铤而走险抢劫电话亭对面的超市。
考验罗拉爱情的时候到了，为了在20分钟内筹到10万马克，救出曼尼，她狂奔在向银行家父亲求助的路上。

A genius musician lives a lonely life in a surreal, floating world. He plays the piano every day in a gigantic concert hall, but there is nobody to listen. One day his animated world …

《阿富汗之旅》1939年，世界第一位女冒险作家安玛莉和人类学博士艾拉一同踏上到喀布尔旅游的路，同行的两人心中却埋藏著各自追寻的目标。这两名同样从人生中逃跑的女人，一路上始终不停在相互为自己的观点而辩论，并享受棋逢对手的乐趣。在相濡以沫的旅程中，进而谱出一段温暖的友谊之爱。在她们到达阿富汗之时，正巧爆发二次世界大战，她们原本的计划也就此终结，但这趟旅程，是否就此结束了呢？

碧碧（西多尼·凡·克罗斯克 Sidonie von Krosigk 饰）是一个活泼可爱又善良正直的小巫女，因为用魔法做了好事，魔法协会决定提前给碧碧举办成人礼，这也就意味着，碧碧能够早一步的拿到可以看到过去和预知未来的魔法水晶球。然而，邪恶的女巫拉比亚（科琳娜·哈弗奇 Corinna Harfouch 饰）故意摔坏了碧碧的水晶球，为了惩罚拉比亚，魔法协会将拉比亚的水晶球给了碧碧。
失去了水晶球，拉比亚感到非常的愤怒，她制定了一个邪恶的计划，不仅要夺回属于自己的东西，还要将碧碧一家人永远的赶出魔法界。不幸的是，拉比亚的阴谋诡计成功了，但在最后的节骨眼上，碧碧还是识破了她的骗局。

1937年夏天，斯大林主义盛行时最黑暗时期里，穷苦可怜的Parana流浪到苏联边远地区的一个小村庄。村民们对这个身上裹者麻袋布、毫不起眼的小女孩没有施与同情，他们反而对她百般折磨与无情奚落。斯大林的海报下是她的庇护处，于是村民称她为“斯大林的新娘”。自从她在村里出现，便引发了恐惧和愤怒，导致了一系列意想不到的后果。

This dark psychological thriller draws us slowly but surely into Maria's strange world. Tension mounts as she is buffeted by interactions with her abusive husband, demanding father, and meek paramour. This housewife, who initially appears outwardly unassuming and unremarkable, is shown to possess an inner landscape of the mind which is twisted and scarred. Techniques of German Expressionist cinema gradually give us insight into her psyche. Why does she write letter after letter to herself, stashing them in a living room cabinet? Secret after secret is gradually revealed, until the chilling and disturbing conclusion.

Sibel和Max是两名居住在汉堡市的医生，而且都分别独立抚养自己的孩子。因为一次机缘巧合，他们互相认识而且为自己还未成年的孩子即将为人父母而操碎了心。两个40多岁的中年人又会如何往下发展呢？

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals.
Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

In 1939, after barely escaping the Nazis, a Gypsy family returns to Switzerland only to be torn apart by racial persecution in the benign guise of children's welfare. This fictionalized story of Jana, an eight-year-old Gypsy girl snatched from her parents and consigned to a life of orphanages and bleak foster homes, is based on a little-known chapter of Swiss history: From 1926 to 1972, the state-supported Pro Juventute, a children's aid foundation, forcibly removed some 700 Gypsy children from their families, in order to sever the ties with their culture and assimilate them to a "better way of life." The underlying aim was to preempt a new generation's caravans from following their nomadic traditions along Switzerland's country lanes.