Jeffrey Lockhart has been summoned to The Convergence: a remote and secret compound where death is exquisitely, cryogenically controlled.

He is there to say goodbye to his stepmother, Artis, who has chosen to surrender her dying body; preserving it until a future time when biomedical advances and new technologies can return her to a life of transcendent promise.

And his healthy father, Ross, might join her.
Hypnotic and seductive, Zero K is a visionary novel about the legacies we leave, the nobility of death, and the ultimate worth of 'the mingled astonishments of our time, here, on earth.'

Bill Gray, a famous, reclusive novelist, emerges from his isolation when he becomes the key figure in an event staged to force the release of a poet hostage in Beirut. As Bill enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms, Bill's dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott, and the strange young woman who is Scott's lover - and Bill's. An extraordinary novel from Don DeLillo about words and images, novelists and terrorists, the mass mind and the arch-individualist, Mao II explores a world in which the novelist's power to influence the inner life of a culture now belongs to bomb-makers and gunmen. Mao II is the work of an ingenious writer at the height of his powers. -- Publisher's description.

NATIONAL BOOK AWARD WINNER • An “eerie, brilliant, and touching” (The New York Times) modern classic about mass culture and the numbing effects of technology.

“Tremendously funny . . . A stunning performance from one of our most intelligent novelists.”—The New Republic

The inspiration for the award-winning major motion picture starring Adam Driver and Greta Gerwig

Jack Gladney teaches Hitler Studies at a liberal arts college in Middle America where his colleagues include New York expatriates who want to immerse themselves in “American magic and dread.” Jack and his fourth wife, Babette, bound by their love, fear of death, and four ultramodern offspring, navigate the usual rocky passages of family life to the background babble of brand-name consumerism.
 
Then a lethal black chemical cloud floats over their lives, an “airborne toxic event” unleashed by an industrial accident. The menacing cloud is a more urgent and visible version of the “white noise” engulfing the Gladney family—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous.

There is September 11 and then there are the days after, and finally the years.

Falling Man is a magnificent, essential novel about the event that defines turn-of-the-century America. It begins in the smoke and ash of the burning towers and tracks the aftermath of this global tremor in the intimate lives of a few people.

First there is Keith, walking out of the rubble into a life that he'd always imagined belonged to everyone but him. Then Lianne, his estranged wife, memory-haunted, trying to reconcile two versions of the same shadowy man. And their small son Justin, standing at the window, scanning the sky for more planes.

These are lives choreographed by loss, grief and the enormous force of history.

'Searing, profoundly unsettling. An unforgettable novel' - "Sunday Times". "Falling Man" begins on September 11, in the smoke and ash of the burning towers. In the days and the years following, we trace the aftermath of this global tremor in the private lives of a few reticulated individuals. Theirs are lives choreographed by loss, by grief and by the enormous force of history. From these intimate portraits, DeLillo shifts to an extrapolated vision: he charts the way the events have reconfigured our emotional landscape, our memory and our perception of the world. This is an unforgettable novel, at once cathartic and beautiful and heartbreaking. 'These are pages of magnificent force and control, DeLillo's genius at full pelt. Reading them, you have to remind yourself to keep breathing' - "New Statesman".

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Prosperous, good-looking and empty inside, 28-year-old advertising executive David Bell appears on the surface to have everything. But he is a man on the brink of losing his sanity. Trapped in a Manhattan office with soulless sycophants as his only company, he makes an abrupt decision to leave New York for Americas mid-west. His plan: to film the small-town lives of ordinary people and make contact with the true heart of his homeland. But as Bell puts his films together in his hotel room, he grows increasingly convinced that there is no heart to find. Modern America has become a land that has reached the end of its reel

"Falling Man" is a magnificent, essential novel about the event that defines turn-of-the-century America. It begins in the smoke and ash of the burning towers and tracks the aftermath of this global tremor in the intimate lives of a few people. "DeLillo's most affecting novel yet...A dazzling, phosphorescent work of art."--Michiko Kakutani, "The New York Times" "The clearest vision yet of what it felt like to live through that day." --Malcolm Jones, "Newsweek" "A metaphysical ghost story about a woman alone...intimate, spare, exquisite." --Adam Begley, "The New York Times Book Review" "A brilliant new novel....Don DeLillo continues to think about the modern world in language and images as quizzically beautiful as any writer." -- "San Francisco Chronicle"

It is an April day in the year 2000 and an era is about to end. The booming times of market optimism -- when the culture boiled with money and corporations seemed more vital and influential than governments -- are poised to crash. Eric Packer, a billionaire asset manager at age twenty-eight, emerges from his penthouse triplex and settles into his lavishly customized white stretch limousine. Today he is a man with two missions: to pursue a cataclysmic bet against the yen and to get a haircut across town. Stalled in traffic by a presidential motorcade, a music idol's funeral, and a violent political demonstration, Eric receives a string of visitors -- experts on security, technology, currency, finance, and a few sexual partners -- as the limo sputters toward an increasingly uncertain future."Cosmopolis, " Don DeLillo's thirteenth novel, is both intimate and global, a vivid and moving account of the spectacular downfall of one man, and of an era.

For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin’s iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today.

Winner of the 1985 National Book Award,
tells the story of Jack Gladney, his fourth wife, Babette, and their four ultramodern offspring, as they navigate the rocky passages of family life to the background babble of brand-name consumerism.

A factional reconstruction of the events leading up to John Kennedy's assassination. The antihero of the book is, of course, Lee Harvey Oswald, who is as hauntingly real in this book as he was elusive in real life. --This text refers to an out of print or unavailable edition of this title.

The twenty-fifth anniversary edition of one of the most iconic novels of our time-now in a dazzling graphic package Winner of the National Book Award, "White Noise" tells the story of Jack Gladney, his fourth wife, Babette, and four ultraA-modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an "airborne toxic event," a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys-radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings-pulsing with life, yet suggesting something ominous.

From one of the greatest writers of our time, his first collection of short stories, written between 1979 and 2011, chronicling—and foretelling—three decades of American life
Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, these nine stories are a mesmerizing introduction to Don DeLillo’s iconic voice, from the rich, startling, jazz-infused rhythms of his early work to the spare, distilled, monastic language of the later stories.
In “Creation,” a couple at the end of a cruise somewhere in the West Indies can’t get off the island—flights canceled, unconfirmed reservations, a dysfunctional economy. In “Human Moments in World War III,” two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood’s miracle, the apparition of a dead child, Esmeralda.
Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. DeLillo’s sentences are instantly recognizable, as original as the splatter of Jackson Pollock or the luminous rectangles of Mark Rothko. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.

Mao II, published in 1991, is Don DeLillo's tenth novel. It was the winner of the PEN/Faulkner Award in 1992. The title is derived from a series of Andy Warhol silkscreen prints depicting Mao Zedong.

The "Body Artist" opens with a breakfast scene in a rambling rented house somewhere on the New England coast. We meet Lauren Hartke, the body artist of the title, and her husband Rey Robles, a much older, thrice-married film-director. Through their delicate, intimate, half-complete thoughts and words DeLillo proves himself a stunningly unsentimental observer of marriage, and of the idiosyncrasies that both isolate and bind us. Rey says he's taking a drive and he does, all the way to the Manhattan apartment of his first wife. Lauren is left alone, or so she thinks. She is soon to discover, however, that there is a stranger in the house. An eery individual who often speaks in Rey's voice or in her own, who knows both intimate moments of their past life and things that haven't yet happened. "A novel that is both slight and profound, a distilled meditation on perception and loss, and a poised, individual ghost story for the twenty-first century" - "Observer". "A masterful talent is behind its language, so magnificent in simplicity. Inspiring. God, but it's a beautiful book" - "Independent on Sunday".

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In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.

Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life; she is an artist who has made a blood struggle for independence.
Underworld is a story of men and women together and apart, seen in deep, clear detail and in stadium-sized panoramas, shadowed throughout by the overarching conflict of the Cold War. It is a novel that accepts every challenge of these extraordinary times -- Don DeLillo's greatest and most powerful work of fiction.

Set against the backdrop of a lush and exotic Greece, The Names is considered the book which began to drive "sharply upward the size of his readership" ("Los Angeles Times Book Review"). Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses. A thriller, a mystery, and still a moving examination of family, loss, and the amorphous and magical potential of language itself, The Names stands with any of DeLillo's more recent and highly acclaimed works. "The Names not only accurately reflects a portion of our contemporary world but, more importantly, creates an original world of its own."--"Chicago Sun-Times" "DeLillo sifts experience through simultaneous grids of science and poetry, analysis and clear sight, to make a high-wire prose that is voluptuously stark."--"Village Voice Literary Supplement" "DeLillo verbally examines every state of consciousness from eroticism to tourism, from the idea of America as conceived by the rest of the world to the idea of the rest of the world as conceived by America, from mysticism to fanaticism."--"New York Times"