The Found Footage Phenomenon is an independent documentary charting the origins of the found footage sub-genre, tracking it through to the technique's current form and asks what the future is.

1974年诞生的《德州电锯杀人狂》源自于美国在地的时代阴影和地景恐惧，却在上映后煞翻全球，彻底翻新恐怖电影的思维逻辑与叙事手法。原以为不行不义便能明哲保身，谁知灾厄会在路边招手，不请自来；曾相信梦魇只存在至暗黑夜，直到亲见魔鬼挥舞电锯，在黎明中张牙舞爪；本自认对暴力和残虐深恶痛绝，却默默对凶手的疯狂心生共情，甚至对受害者的逃脱感到可惜？

Is horror a man’s world? You might assume so – but you won’t be thinking that way for long once you investigate the vast contribution women have made to horror movies for well over a century. In 2020, award-winning Australian critic Alexandra Heller-Nicholas released the definitive book on the subject: 1000 Women in Horror, 1895–2018, an encyclopaedic work celebrating the many women – filmmakers, actors, producers and technicians – who have shaped the genre since the moment cinema’s light first flickered.