In artist Su Hui-yu’s signature style, a moody slow-motion pan captures a wild, glitter-scattered, blood-splattered orgy during the Tang dynasty. The film is an invocation of scenes from 1985 Taiwanese cult film Tang Chao Chi Li that only existed in the screenplay, unfilmed until now due to what can only be imagined as budgetary restrictions and censorship pressures during the Martial Law era. Presented without narrative context, the orgiastic murder scene plays out like an unsettling nightmare.

女子過著日復一日的枯燥主婦生活，和丈夫之間的熱情已如蒼白斑駁的屋牆，也似同住屋簷下關係疏離的公公與婆婆。一日洗澡時，透過浴室窗戶發現對面頂樓有一對偷窺的雙眼，女子開始自我窺視日漸初老的身軀，刻骨銘心的青春回憶，以及內心深處暗潮洶湧的慾望。她難以壓抑體內無以名狀的蠢蠢欲動，決定作出行動。