Danièle Huillet — 编剧 (3)
新郎,女骗子和皮条客 (1968) [电影] 豆瓣 IMDb 维基数据 TMDB
Bräutigam, die Komödiantin und der Zuhälter
7.0 (6 个评分) 导演: Jean-Marie Straub / Danièle Huillet 演员: Irm Hermann / Kristin Peterson
其它标题: Bräutigam, die Komödiantin und der Zuhälter / 더 브라이드그룸, 더 액트리스 앤 더 핌프
三个序列在通过本斯特劳布短膜连接在一起;第一序列是从汽车妓女做着自己对德国的夜间街道贸易的长期跟踪拍摄;第二个是分阶段的发挥,由斯特劳布削减到10分钟,并在一个单一的取拍摄;最终序列包括詹姆斯和莉莉丝的婚姻,和莉莉丝的后续的执行她的皮条客,由法斯宾德扮演。
工人,农民 (2001) [电影] 豆瓣 TMDB IMDb 维基数据
Operai, contadini
导演: 达尼埃尔·于伊耶 / 让-马里·斯特劳布 演员: Angela Nugara / Giacinto Di Pascoli
其它标题: Operai, contadini / Workers, Peasants
"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum