After the death of her husband, a mother takes her kids off to live with their grandparents in a huge, decrepit old mansion. However, the kids are kept hidden in a room just below the attic, visited only by their mother who becomes less and less concerned about them and their failing health, and more concerned about herself and the inheritence she plans to win back from her dying father.

Two brilliant research scientists have invented a device capable of recording and playing back sensory experiences only to have devastating results when one of them records their own death.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

Rookie cop Megan Turner orders a burglar to drop his gun. He whirls to shoot. Too late. Turner fires, killing him instantly. When someone lifts the assailant's gun from the crime scene, the police hold Turner accountable for killing an unarmed man. That same someone carves Turner's name into the bullets and uses them in a series of murders. Turner teams up with detective Nick Mann to clear her name and catch the killer. But she is drawn into a deadly game of wits with a psychopath who's always one step ahead… and much closer than she thinks!

Frank and Monica rekindle their self-destructive relationship after Frank's mother returns from prison to wreak havoc. Fiona is thrown for a loop when Steve returns from Rio with a surprise. Lip makes big changes in preparation for the arrival of his and Karen's baby. Karen and Sheila clash over Karen's new husband Jody, a good-hearted but weird guy she met in Sexaholics Anonymous. Ian tries to get into West Point. Debbie prepares for the onset of puberty. Kev and Veronica contemplate starting a family.

A boy tries to stop aliens that have taken over his town and are brainwashing its inhabitants.

Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.

A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients—and an enemy to the cruel, domineering nurse who runs the ward.