家住川崎贫民街的初三学生正夫（藤川弘志 饰）和母亲、妹妹过着困苦的生活。母亲（伊藤道子 饰）常年在街上给人擦鞋，妹妹（望月優子 饰）因疏于家庭关爱而有些自闭，经常独自一人对着死老鼠画画。正夫虽然学习优秀，但为了贴补家用不得不上街做起买卖。他出售自己驯养的白鸽，聪明的白鸽会趁新主人不注意的时候飞回正夫家里。正夫便利用这种伎俩赚钱。
某天，他结识了精密机械会社老板重役久原（須賀不二夫 饰）的女儿京子（富永ユキ 饰），两人渐渐熟捻。在京子的介绍下，正夫参加了精密机械会社的考试。虽然考试通过，但他利用鸽子行骗的行为被人拆穿。愤怒的正夫再次返回街上卖鸽子，京子对其充满同情，然而他们终究是属于两个阶层的人……

红透京都的艺妓阿部定（松田英子 饰）从良成为某户富人家的佣人后，被男主人石田吉藏（藤 竜也 饰）看上，而他的英俊、风流和潇洒也让阿部定倾倒，两人在短短时间内陷入肉欲之欢中难以自拔。为更酣畅地体验到性爱的快感，阿部定和石田吉藏私奔到一家旅馆，开始了更大胆更狂妄更旁若无人的交合， 令旅馆上下为之目瞪口呆。而在渐渐感觉不到性爱的乐趣后，他们开始追求类似死亡的高潮，两人的交欢逐渐演变成一种旁人无法理解的爱与死亡并存的仪式。

主人公是个贫困青年，一天，侵吞机关公款的官吏来访，决定在服刑之前把自己私吞的公款存放青年那里。因为这个官吏亲眼目睹了青年杀人的现场，所以青年不敢把这笔公款报告警察。然而，这个青年因为失恋，失去了生活的目标，于是想把公款挥霍一空，然后自杀。他开始过上了从前梦想的用钱征服女人的生活，他象对待奴隶一样对待每个女人。但这种喜悦是徒劳的。
影片拍摄的时代，是日本经济正处于高峰时期的“黄金时代”。人们被经济的发达、生活的富裕搞得不知所措。昨天还是失败者和穷人，今天就变成梦想中的富人，生活的急速转变把人们从正常的心理轨道上大力抛出，人们莫名其妙地发现了自己的喜悦。大岛渚正是看到了这一现实，并敏锐地发觉其中蕴藏的绝望和无助，于是拍摄了这部讽刺和警告的影片。
这部让很多影评人失望的影片最大的遗憾是过于程式化和概念化，以及大岛渚对《青春残酷物语》等前作的的关联和模仿。不过，影片在上映前遭到警视厅的严格审查和删减，完整性已经受到很大的破坏，恐怕也是影片并不成功的原因之一。

英国外交官彼得•琼斯（Anthony Higgins 饰）和妻子玛格丽特（Charlotte Rampling 夏洛特•莱普宁 饰）、儿子尼尔森（Christopher Hovik 饰）共同生活在驻巴黎的大使馆内。妻子频繁外出令彼得产生怀疑，他通过侦探得知玛格丽特在外面租住的公寓，并跟踪而去。却发现妻子和一只猩猩躺在一起。
彼得一度想杀掉这只名叫马克斯的猩猩，不过最终仍将它接到家中，只是马克斯和玛格丽特的暧昧关系始终令他不知所措……
日本新浪潮导演大岛渚执导的外语片作品。

directed by Adrian Maben and published by NHK, Arte broadcasted as part of NHK Special series in 2006 - English, Japanese Multilanguage narrationalso known as Mao, Une Histoire Chinoise Mao Zedong Mou Taku-tou Mao, Eine Chinesische Geschichte

Information
The 4 films of this series are drawn from the biography written by Philip Short entitled Mao Tsé-Toung (Mao a life) published in the USA, in England, in France and even in China.
Mao Tse tung (other way of writing: Mao Zedong) belongs to the coining/shaping figures of world history. He was a military strategist, politician, visionary, philosopher and a poet at the same time; an ingenious manipulator and propagandist, who understood to connect sensuality, politics and revolution. It has, like Richard Nixon said, "moved a nation and changed the world". Mao governed China 30 years long. He was admired in the own country like a God, in the western world, he was the concept of the enemy to some and modern redeemer and revolutionary idol to those waving their "Mao Bible" in their hands. Until today the icon of Mao has not fallen in China, despite all changes even to a red capitalism. 25 years after his death, combining previously classified Chinese archived material with unseen documents, biographic studies and interviews with people having known Mao himself, a comprehensive film biography in four parts could be created.

01. Against the Tide - Mao's Early Years (1893-1945)

Part one of the series describes Mao Zedong's youth, his formative adulthood, and his consolidation of power. Archival photographs from Mao's childhood and education, film clips from his campaigns against foreign invaders and Chinese nationalists, and lavish, government-produced reconstructions of the Long March detail the drama of those decades. Film excerpts featuring Jiang Qing, the actress who became Mao's fifth wife and a feared political force, highlight the Chairman's unpredictable life choices.


02. The Sorcerer's Apprentice - Founding the Republic (1945-1959)

Part two of the series China: Through Mao's Eyes explores the formation of the People's Republic of China, its complicated relationship with the Soviet Union, and events that prefaced the Cultural Revolution. Footage documenting the turmoil of the Anti-Rightist movement, China's role in the Korean War, and the misnamed Great Leap Forward reveals Mao's uneven leadership as the young nation struggled to define itself. Interviews with close associates illuminate the Chairman's personal side, including his unusual eating habits, attire, and leisure activities.


03. Not A Dinner Party - The Cultural Revolution (1958-1969)

Part three of the series China: Through Mao's Eyes examines the origins of the Cultural Revolution, Mao's orchestration of it, the political and economic shockwaves it created, and its human cost. Rarely seen archival footage of young Red Guard operatives raiding and ransacking a home—combined with present-day interviews featuring former Red Guards and their victims—create an in-depth portrayal of the tumultuous period. One commentator links the Cultural Revolution with the entrepreneurial freedom that China's government now fosters.


04. Mao Is Not Dead (1970 and Beyond)

Part four of the series China: Through Mao's Eyes details the watershed Nixon-Mao diplomacy, Mao's death and its aftermath, and the legacy of his rule and philosophy. Scenes showing an aged and infirm Mao meeting with foreign emissaries and CPC assemblies reveal his determination to shape policy and preserve his imposing image as long as possible. Today's citizens who look back nostalgically on Mao's reign are contrasted with a young, materialistic, sexually uninhibited generation—although the program makes clear that the Chairman still inspires awe and reverence throughout Chinese society.

一个放荡的女孩与她的性伴侣偶然间发现一批武器，这些都是属于一个黑帮团伙的危险品。最后他们被禁锢在一所废弃的房子里，受尽一个带有武器的神秘男子的羞辱折磨以及暴力对待……

2013年1月、大島渚監督が逝った。｢大島渚は不器用で、反国家むきだしにして体を張って闘っていた｣そんな大島の魂がこめられたドキュメンタリーが、日本テレビに遺されている。『忘れられた皇軍』(1963年放送) 日本軍属として戦傷を負い、戦後、韓国籍となった旧日本軍の兵士たち。片腕と両眼を失った白衣の傷痍軍人が何の補償も受けられぬまま、街頭で募金を集める…大島は一体何を訴えようとしたのか？当時の制作スタッフや妻・小山明子の証言からひもとき、テレビと映画2つのフィールドで活躍する是枝裕和監督や同時代を生きたジャーナリスト田原総一朗と共に考える。50年を経た今、大島の映像は少しも古びることなく、見る者を激しく揺さぶる。テレビを考え抜いた映画監督、大島の遺言とは？

大岛渚为松竹几位电影新星拍摄的宣传片，其中有津川雅彦、山本丰三、美雪、杉浦直树、九条映子等等。

13集电视剧集，根据曾参加孙文二次革命的日本人山中峯太郎的自传改编。

The Village of the Blind Musicians
(Goze : Momoku no Onna)
de Nagisa Ôshima
Japon/1972/25'/VOSTF/Numérique
Documentaire sur des goze, des artistes ayant perdu la vue pendant leur enfance et qui, pour subvenir aux besoins de leurs familles, ont quitté leurs parents pour apprendre l'art du chant et du shamisen.

本片其实就是法国纪录片，非常平实的用西方的镜头记录中国的正史，一共4集。

第1集：革命家的诞生
第2集：建国与大跃进
第3集：文化大革命
第4集：从文革到改革开放