1968 film by Werner Jacobs

The country estate of American emigre Abel Bellamy is haunted by the ghost of the Green Archer, a 14th century Robin Hood type figure who terrorised the former lords of the manor. Now, with the gangster coming home on vaguely defined business and his niece Valerie arriving with her adoptive father to take up residence in the adjacent mansion, much to Bellamy's annoyance, the archer has returned. Who is he and what does he want?

Firehand and his Apache friend Winnetou are determined to get justice for the murder of four young braves. They set off to track down the gang responsible for the horrendous act.

'The Oilprince' is an unscrupulous businessman. He looks forward to a lucrative deal with the "Western Arizona Bank'. He sells the bank oil wells at Shelly Lake that do actually not exist. The Oilprince learns that the colonists would like to settle at Shelly Lake. So The Oilprince exchanges the scout of the settlers by one of his minions to give them another route. But soon The Oilprince has to recognize that he has not counted on Winnetou, the righteous leader of the Apaches, and his blood brother Old Surehand.

On her b-day, settler's daughter Apanatschi receives her father's secret gold mine but greedy neighboring prospectors resort to murder and kidnapping in order to get the gold, forcing the girl and her brother to seek Winnetou's protection.

1988 film by Vicco von Bülow

Rollins' gang wants to grab land by inciting the settlers in a war against the Indians but Winnetou and Old Shatterhand try to keep the peace, until Rollins frames Winnetou up for the murder of Jicarilla Chief's son.

Two outlaws: "The doctor" (Bud Spencer) and the indian Gironamo (Amidou) are helping villagers to fight a gang and a corrupt sheriff who has discover gold under the village.

The Weird Countess can easily stand in line with the best film noir masterpieces. It builds a nightmarish mood up to the point when the viewer is sickened by not knowing what exactly is going on. It's structurally very well crafted and employs some very good actors - such as the legends of German cinema Marianne Hoppe and Lil Dagover, breathtakingly beautiful at 74. There's also the very young Klaus Kinski, giving a performance you wouldn't want to miss.

A Chinese detective breaks up a drug smuggling ring and tries to find the "Daffodil Killer". The drug smugglers had devised the ingenious method of smuggling heroin from Hong Kong in the stems of daffodils.

Scotland Yard goes after a gang that drowns its victims for their insurance money

A serial killer who calls himself "The Laughing Corpse" dresses up in a skeleton costume and kills his victims with a poison-filled scorpion-shaped ring. | add synopsis
Plot Keywords:Detective

Scotland Yard is after a homicidal maniac called The Blue Hand, which is what he uses to kill his victims.

Arthur Milton aka Der Hexer (The Magician/Ringer) must return to London after his calling card was left at the scene of a murder he did not commit.

The film was one of a series that attempted for the first time to capture the unique and high romantic Western novels of Germany's greatest adventure writer Karl May. Now, more than 30 years later, and with a video copy of the film in my library to look at when in the mood, I find this version of Karl May's novel rather quaint and clumsy in terms of script/screenplay and certainly out of step with the more popularised versions of the Wild West.
However, May's portrayal of late 19th century America was always a mixture of well researched facts mingled with high romantic fantasy adventure in the "Knights of the Round Table" or "Star Wars" vein. In this regard, the film does capture the spirit of Karl May's novels pretty well, if rather geared towards an assumed prior knowledge by the audience of the characters and of May's novels. From today's sophisticated movie audience's perspective this film version of "Winnetou I" is still noteworthy for its magnificent soundtrack rivaling any John Williams score, and for the noble portrayal of the hero by French actor Pierre Brice, who made this role his own in numerous sequels and stage shows.

Forester, a ruthless oil baron, wants to create a war between the native American tribes and the white men. Old Shatterhand, Winnetou and their sidekick Castlepool try to prevent this.