改编自经典安徒生童话故事，由母国丹麦打造，场景为纯手绘图画制作，风格独特。故事主角为北欧某王国的公主，他拥有十一个哥哥，但他的哥哥因为邪恶后母的魔法，而变成了野天鹅飞向远方。为了寻找哥哥的下落，公主展开了这段旅程…。

克努特·汉姆生是挪威最著名而受爱戴的作家。自他早年时已经对英国人怀有愤恨心理，因为一战期间英国人使挪威遭受饥荒。当德军在1940年9月占领挪威时，他欢迎军队到来，免受英国的侵害。他支持民族社会主义理想.
挪威大文豪汉姆生曾获诺贝尔文学奖，是挪威文学的骄傲。不过，这位 作家在二战挪威沦陷期间，却站在·了纳粹傀儡政府一边，并是著名的亲德派。战后，他被挪威政府监禁，并处以高额罚金。1978年，芬兰作家Thorkild Hansen出版了《审判汉姆生》，引进巨大争议。瑞典导演Ja n Troell即根据此书，拍摄了这部《汉姆生》。

托马斯的妹妹在一次事故中神秘死去，而妹妹的死亡很可能与他们过世父亲参加的一项秘密军事研究有关。托马斯随即展开了调查，不料却让自己和家人都陷入了极大的危险之中。一伙不明身份的人开始对他们展开了天罗地网式的监察。

旅客和工作人员因为极端天气被困在了机场，大家的命运因此产生碰撞，被迫共度圣诞节前的最后几小时。

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur.

Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio.

The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural.

Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight during the war, living together unmarried, her mother's hunger strike when they won't baptize their son. Regitze is passionate and forthright; she speaks her mind. He remembers her inviting a derelict for Christmas dinner, and the man shows up with five bashful friends. He recalls her taking on their son's teacher when the man slaps the lad. He remembers her love of dancing and his fear that his social clumsiness might end their relationship. Now, in twilight, he has other things to face.

A good looking female social welfare worker makes Egon Olsen forget about crimes for some time, but when an American gangster breaks into a local bank and the police think its Egon's work, he has to get back to work to prove he's innocent.

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.

Steffen is a good kid, a teenager who has recently finished school and is looking for work. He lives with his widowed mother, a newspaper reporter. Very little throws him off his stride, whether it is his girlfriend's jealousy of his friendship with Charly, a reform-school boy, or his mother's drunken, playful amorousness one night, because he reminds her of his father.