This special collector's box set includes all 3 volumes of the Grey's Anatomy soundtracks.



The Grey's Anatomy soundtracks feature an eclectic mix of indie pop and rock artists whose music is heard during the wildly popular ABC drama about surgical interns in Seattle. The albums' tracks, many of which can be heard during key emotional scenes in various episodes, were chosen by the show's creator and executive producer, Shonda Rhimes, and executive producer Betsy Beers from a large pool of artists introduced to them by music supervisor Alex Patsavas. "We fall in love with the songs," says Rhimes. "We ride around listening to them in our cars. We call each other to talk about them on the phone. We get them into our heads and into our souls. And then we weave them into the show because we can't live without them."



Vol. 1 features electrifying music from such beloved indie artists as Rilo Kiley, The Postal Service, Ben Lee, and Medeski, Martin & Wood, as well as undiscovered talent such as London-based electropop duo Psapp, who supply the show's main title song "Cosy in the Rocket."



Vol. 2 features The Fray's smash hit "How To Save A Life" as well as a special acoustic version of "Chasing Cars" by Snow Patrol.



Vol. 3 features buzzing artists Brandi Carlile and The Bird and The Bee, along with Mat Kearney's beautiful "Breathe In Breathe Out," John Legend's spare and compelling "Sun Comes Up," Gomez's moving "Moon And Sun," and poignant compositions from Grace Potter & The Nocturnals ("Falling Or Flying") and Paolo Nutini ("Million Faces").

Aussie 2-track single taken from Hilary's self-titled 2004 album, backed with the non-album track 'My Generation'. Hollywood. 2005.

Jesse McCartney is an American actor and singer. He achieved fame in the late 1990s on the daytime drama All My Children as JR Chandler. He later joined boy band Dream Street, and eventually branched out into a solo musical career.

From the opening beats of Breathing Underwater, the listener encounters a bold new Marié Digby. In marked contrast to the stripped-down vibe of her debut disc, Unfold, the album's fuller sound enhances Marié's (pronounced Mar-ee-AY) emotionally rich storytelling and dramatic vocals. The album is a deeply personal snapshot of her life--full of the kind of exposed emotions that make great songs.

"Everything was born right there in the moment," says Digby.

Written, produced and recorded over a three and a half month period in a Los Angeles studio, alongside renowned producers Brian Kennedy (Jennifer Hudson, Jesse McCartney, Rihanna), Ezekiel "Zeke" Lewis for the Clutch and The Movement among others, Breathing Underwater marks Digby's evolution from "the girl with the guitar" to a fully-emerged artist. Familiar themes continue to dominate her writing--love and all the conflicted emotions that come with it. But as much as Digby matured creatively during the making of Breathing Underwater, she grew even more personally.

"When I was making the album I was falling for someone--someone real and someone in front of me--and that was really scary," she continues. "There were days when I thought, this most wonderful thing I've ever felt. And there were days when I was tormented. That intensity came through in the songs."

So Digby pleads in the moving opening track, "Daybreak," a song about "not wanting a night to end, because you don't know what daylight will bring." The first single, "Avalanche," tracks a couple on the brink of falling apart. Even amidst catchy grooves and hooks, Digby's lyrical honestly shines through.

A tougher Digby surfaces on "Feel" and "Love With A Stranger." The former is taunt to an emotionally unavailable partner, while the latter is an endorsement of no-strings-attached encounters.

"'Feel' is about when you're pouring your heart out and you're not getting any kind of message back," she says. "Give me something, at least let me know that you're alive." The darkly hypnotic "Love With A Stranger" chronicles the desire to connect with another person physically, in the absence of something deeper.

"Come to Life," is a piano-laden pop track that puts the listener smack in the middle of Digby's most intimate thoughts. "It's a message to myself to be patient," she says. "I've learned that love is one of the few things in life that you can't force."

Things lighten up on "Know You By Heart," maybe the most surprising track on the album with its huge pop sensibility and rhythmic, club-worthy hook. "I`ve always loved dance music," admits Digby. "This was my chance to unleash my inner Kylie Minogue."

But it's perhaps "Symphony" that best sums up Digby's mindset. The song is a direct message to her fans--the ones who followed her though her YouTube stardom, open mic shows and first album. "I'm saying, `this is me needing the freedom to express myself musically and I hope you'll be open to it,'" she explains. "What a boring place this world would be if we all stayed still."

SWISH serves as Joywave’s official response to Kanye West’s The Life of Pablo cover, which closely resembles the aesthetic in Joywave’s promotional art dating back to April 2015.
The “album” itself is comprised of many Kanye-esque elements:
The title is one of the many titles Ye had considered prior to settling on The Life of Pablo.
The concept is revolutionary, similar to everything Kanye does. Tracks 2-9 are all “Destruction;” each coming with a different intro and title. Combined together, these titles form “Why Be Credible When You Can Be Incredible?” — the title of a series Joywave lead vocalist Daniel Armbruster wrote for The Huffington Post.
The cover is extremely minimalistic and reflects previous artwork designed by DONDA
All in all, the humorous release was most likely just a publicity stunt to promote their new single, “Life in a Bubble I Blew.”

Japanese pressing includes the bonus tracks 'Take Your Sweet Time' (Sugar Mix), 'Best Day Of My Life' & 'Stupid Things' ( Acoustic Version ). Avex.

美国演员，流行歌手Sabrina Carpenter新专辑"Singular Act II"将于2019年7月19日发行！