"Au fond c’est un hommage a Godard.” ——CA

一位年轻母亲，独自与她的女儿在一起，向一位恰好是导演的朋友倾诉。

"My mother because, in one way or another, I talk about her constantly in my films, and often, I wonder if I have really worked so hard for her, about her, in relation to her, also my mother and her relationship with the movies, a relationship sometimes of recognition, sometimes of negation". – Chantal Akerman
In this 2007 interview, an off-camera Chantal Akerman interviews her mother about her films. The producers of the interview originally intended to edit out Akerman’s questions but ultimately decided to keep them in to preserve the candor of the mother-daughter rapport.

Chantal Akerman meets with elderly Jewish women in Paris, all of them survivors of the Shoah, and listens to their family stories. Between interviews, Akerman's mother Natalia speaks of her own family. Made for a French miniseries on grandmothers.

8月15日，在巴黎，一个年轻的芬兰女孩在一间公寓里感到无聊。

The beginnings of Chantal Akerman behind the camera at the ages of 17 and 18: four films shot in Super 8 during the summer, presented to enter the National Higher Institute of Performing Arts and Broadcasting Techniques (INSAS, Brussels) in September 1967, where she was accepted

A 3rd short super 8 film made by Chantal Akerman in Knokke to be used to be accepted at INSAS starring her friends her mother and herself.

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