一个秘密的私人公司专为大企业提供保护，防止企业遭受环保恐怖分子以及反商业激进人士的攻击。秘密特工为了一次任务潜入了一个神秘的无政府激进组织“东方”（The East），并爱上了组织的首领。

1934年，经济大萧条越来越严重，10岁的女孩Kit（阿比吉尔·布莱斯林 Abigail Breslin 饰）的家庭也遭到连累，父亲前往芝加哥寻找工作，为了维持生计，母亲把房子的空余房间出租，各色各样的住客搬了进来。包括流动图书馆的馆长Miss Bond、健美操小姐Miss Dooley、魔术师、还有Kit的同学Stirling以及他母亲，无业游民Will和弟弟Countee在此打工，做些修补工作以换取食物。Kit的志愿是当一名伟大的新闻记者，当她了解新闻是需要新鲜的题材，便随时挖掘新鲜事件。当地一直发生游民抢劫的恶性案件，这次轮到Kit的好友Ruthie家被抢，继而是Kit家的保险箱而被偷走了，所有的矛头都指向了Will，只有Kit相信他是无辜的。一个偶然的机会下，Kit和她的小伙伴们发现了真凶，并且打算用计谋擒住对方。他们能在感恩节到来之前让生活回复正常吗？
经济大萧条让人们的生活变得艰辛，却又使他们更坚强。

居住在新塞勒姆小镇的奥布里·弗莱明（琳德赛·洛翰 Lindsay Lohan 饰）是一个正在读高中的青春女孩，她的家境优渥，受着良好的教育，弹得一手好钢琴，并热爱写作。在学校里奥布里有着倾慕自己的男友和一众无话不说的闺蜜，生活无忧无虑。某晚校际球赛结束后，奥布里神秘失踪。适逢此时，邪恶的蓝色杀手甚嚣尘上，奥布里的父母朋友分外焦急。不久，被摧残得奄奄一息的奥布里被人发现，她苏醒后，却坚称自己是名叫达科塔•摩丝的脱衣舞女。一切变得扑朔迷离……
本片获2008年金酸梅奖最差女主角奖（Lindsay Lohan，双角色）、最差导演奖、最差恐怖片奖、最差画面奖、最差银幕情侣奖和最差剧本奖。

美国拍摄的影片，描写了在鲁吉亚出生的前苏联领导人约瑟夫·斯大林的传奇一生。一方面他运用自己的领导能力将苏联推上了世界舞台。另一方面他又是狡猾，多疑，无情和残酷的人，为掌牢政权和权利，他向消灭敌人一样冷酷无情的清除自己的朋友及下属......

根据Madeleine St John所著同名畅销小说改编，设定在1959年的悉尼夏季，在澳大利亚的文化觉醒、阶级结构瓦解和妇女解放的背景下，讲述郊区女学生丽莎的成长故事。丽莎在等待高考成绩、梦想着去悉尼大学时，在一家大型百货商店打暑期工，与一群女售货员并肩工作，在此期间打开了眼界，也发生了蜕变。

电影改编自乔治奥威尔的经典同名小说。琼斯先生（皮特·波斯尔思韦特 Pete Postlethwaite 饰）经营着一间农场，然而，他的心思却全然没有放在如何照顾好自己的动物们身上，他沉迷于打猎和喝酒，整日浑浑噩噩。在连续两天都没有吃饭的情况下，动物们愤怒了，它们设计将琼斯先生赶出了农场，自己当家做主。
就在大家以为公平自由的生活即将来临之时，公猪拿破仑（帕特里克·斯图尔特 Patrick Stewart 配音）站了出来，在它的领导之下，动物们每日依旧要干活，依旧过着受冻挨饿的日子，而拿破仑呢，喝着牛奶吃着面包，体型日益肥硕起来。动物们受到了拿破仑的蒙骗，将它的话视作圣旨，却依然无法改变被奴役的命运。

Julia Ormond was swept off to Hollywood to become a star - but somehow it didn't happen. Now she's in London to appear in David Hare's new play. She tells Harriet Lane why she came back

Five years ago, the smart Hollywood money was on Julia Ormond becoming the new Julia Roberts or the new Meg Ryan. Instead, she went off at a different angle and became the new Geena Davis. Like Davis, Ormond enjoyed a spectacular launch in Hollywood, buoyed by gallons of publicity rocket fuel: a dazzling ascent swiftly followed by a tumble back to earth at the end of a blackened stick.
There is something rather Hilaire Belloc about Julia Ormond's story, something a little cautionary. Or rather, there would be if she would only play along with it, cast herself as The Fallen Star, or The Girl From Surrey Who Thought She Was Audrey Hepburn. But one role she's simply not interested in is that of victim. 'For sure, you don't believe the good stuff,' says Ormond, referring to the hullaballoo that surrounded her in 1995 when Legends of the Fall , First Knight and Sabrina all opened more or less simultaneously. 'I mean, the good stuff is just insane - wacky. If you don't take it too much to heart, it does help when the negative stuff hits. And you know the negative stuff is coming. It's got to! What comes up must come down.'


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And it's true: she did know it was coming. At 29, Ormond hadn't submitted rapturously to the star machine. There were sacrifices she didn't want to make. On-set admirers called her 'formidable' and 'flinty' and 'honest'; unnamed sources grumbled about 'attitude'. Looking back at her earliest interviews, conducted amid a swarm of excitable movie execs and publicists, with superagent Michael Ovitz himself on hand to fetch her glasses of water, you note a rich seam of ho-hum scepticism. 'They seem to be very sure things are going to be a success,' Ormond told Vogue in 1995. 'I'm not being negative about it, but I'm hedging my bets.'
Certainly, the timing was unfortunate. Legends of the Fall, where she played the love interest, was quickly followed by First Knight, a hilarious turkey in which a trumpet-sleeved Ormond was Guinevere, torn between Sean Connery and Richard Gere. Then came a remake of Sabrina, in which director Sydney Pollack misguidedly steered her into Audrey Hepburn's ballet pumps. Though she knows Sabrina was a mistake, Ormond has no regrets. 'It was a fantastic learning experience and OK, I got slammed because I wasn't Audrey Hepburn... but you could have predicted that, really, if you'd opened your eyes wide enough. But I was hungry for the learning experience and didn't feel secure enough to say no. You need to be bloody secure to say no.'

She knew she was lucky, but she also knew she was out of her depth - not with the acting, but with the stuff that surrounded it. 'The odd thing for me is the focus on looks which happened in the States. I'd always felt that was not going to be a strong point. That made me feel very disturbed, because it never seemed to be about how much hard work was involved. Ever. It was about... "hazel eyes". It does help if you can brush that stuff off.'

Billed by the publicists as an ingénue, Surrey-born Ormond was no such thing, and this may have saved her bacon. After drama school and an advert for cottage cheese, she had spent a decade as a jobbing actor in the UK, carving out a strong reputation on stage (in 1989, she'd won the London Critics' Award for Best Newcomer, in Christopher Hampton's Faith Hope and Charity at the Lyric Hammersmith) and television (in particular, as a drug addict in Traffik) before landing Legends.

'I found it all very scary. This fairytale gets built around you - as if you've been walking through the streets and then Sydney Pollack sees you and goes, "I'll put you in something!" When really you've gone to drama school and rep and then you've come to London and gone to auditions... and you've worked, solidly, for years. But that all gets forgotten. At first I was a bit indignant about it, and then I realised, "No, that's what people want, so that's what is given." But it's not in your control. It's just what happens to you, and that's what's frightening.'

The roles, on the other hand, were a gas. In the UK, 'I'd seemed to play a lot of people who'd slit their wrists or cut off their hair or shot themselves or died of the plague. And if you do anything for too long, it starts to lack edge, to become too easy. Easy is the kiss of death. And so for me what I needed was to get my head out of my bottom, and so to go off and do First Knight - gallivanting around on a horse, with a cape, and knights in blue corduroy - was quite fun.'

So Ormond gallivanted for a bit, airing her famous, transfixing smile as required ('You watch her just to wait for it to happen,' wrote one journalist), and then... vanished, at least from the mainstream. Stepping off the red carpet, she took bigger risks. A doomed film version of Miss Smilla's Feeling for Snow , directed by Bille August. A three-hour Russian epic, The Barber of Siberia, directed by Nikita Mikhalkov. When she was white-hot she'd been offered the Holy Grail of movie-star accessories, her own production company, and Ormond actually did something with hers, making a documentary about Bosnian women in Serbian detention camps, and working with Harold Pinter on a Karen Blixen short story that she hopes to direct. Last year she married an American who works in e-commerce.

For her next trick, she's coming back to the London stage for the first time in nine years. At the Royal Court, in a break from rehearsing David Hare's new play My Zinc Bed , Ormond looks very London, very theatre. She's wearing a black jersey, chinos and navy flipflops, and her hair is rather tangled, as if it hasn't been brushed for days. No make-up. Her face has more character, more shade, than I was expecting. You do find yourself staring at her, just so you won't miss the wild energy that surges across it when she laughs.

Ormond hasn't turned her back on film (the marital home is in LA, and The Prime Gig, a comedy co-starring Vince Vaughn and Ed Harris, is in post-production) but the Hare project was too good to miss. What swung it for her? 'The fact that David had written it and David was directing it at the Royal Court and it was a new three-hander. Plus, it's a brilliant play. I'm not making any comment on how we execute it or what we achieve through doing it, but reading it, it's a phenomenal play.'

Since there's some sort of unofficial embargo about My Zinc Bed, neither Ormond nor her co-stars Tom Wilkinson and Steven Mackintosh will spell out what actually happens in the play, other than saying that it's about an entrepreneur who recruits a young poet to jazz up his internet empire. Ormond, who plays Elsa, the entrepreneur's wife, says the Hare script outshone every film script that was coming her way. In any case, she'd been keen to get back to theatre.

'I ride,' says Ormond, who has a way with analogies, 'and doing theatre after doing film is a bit like doing dressage or showjumping after you've been out for endless hacks, having just a wild old time. You're put through your paces in a different way. And it's not that going out for a hack is wrong or bad, I certainly don't view it as that; it's just that there's something about the dressage, being put through your paces, that makes you better.'

Yes, she feels the stakes are high this time around. 'I feel that David took a risk with me. I have a sense that by starting off in the theatre and going off to do films you are seen to sell out in some way. I don't hold truck with that, but you can't stop people from feeling it. So I think people are a little guarded about me. Oh, God! It's never just about the piece. Something else always washes over it.'

She's anxious that her own trajectory, her own reputation, should not obscure Hare's work. When she adds, 'But then, my sense is that that' s all something in the past - I've escaped it', she sounds like she really means it.

•

FBI探员赫维斯（Bill Pullman 饰）与伊丽莎白（Julia Ormond 饰）抵达某小镇警局调查一桩公路命案。赫维斯将三名幸存者：吸毒少女鲍比，警员杰克，以及女孩斯蒂芬妮分开问询，还原了事情经过……杰克与搭档在公路上执勤时经常击爆路人轮胎，然后勒索或是非礼对方。进行旅行度假的斯蒂芬妮一家与夹带大量毒品的鲍比和男友同时被杰克拦下，两名恶警羞辱这些无辜过客之后，按照斯蒂芬妮提供的情况搜寻一辆白色可疑货车。警察离开不久，货车与鲍比的轿车相撞，车上的蒙面人大开杀戒后扬长而去……案情厘清之际，斯蒂芬妮意外发现真正的凶手就在自己周围。
本片获2008年加泰罗尼亚电影节最佳影片奖，纽约恐怖电影节最佳导演、最佳女主角奖。导演珍妮佛·林奇（Jennifer Chambers Lynch）是大卫·林奇之女。

基于Bob Zellner的自传《The Wrong Side of Murder Creek: A White Southerner in the Freedom Movement》，Zellner出生于阿拉巴马州，是某个三K党成员的孙子，1961年，他被卷入民权运动的中心。
提尔饰演Zellner，海尔饰演Zellner的大学女友Carol Ann，丹内利饰演Zellner的爷爷，福曼饰演Zellner的爸爸。

圆桌武士兰思洛一次在森林中意外营救了亚瑟王的未婚妻Guinevere，两人虽一见钟情，但碍于Guinevere早已是亚瑟王的未婚妻，所以只好无奈地将他婉拒。后来亚瑟王揭发了他们两人的恋情，在痛心之余，亚瑟王决定要公审他们，不过此时亚瑟王却受到敌人的大举入侵，全国人民束手无策，兰思洛见势立刻拔刀相助，拯救亚瑟王于危难中。

June and Oscar are a married couple who live a comfortable-but-predictable life in suburban California. For years, they've had the same conversations, eaten the same meals, and taken vacations at the same rented lakehouse. But when June talks Oscar into shaking things up by taking a ski trip, the couple suddenly find themselves in completely unfamiliar territory -- raising questions about love, commitment and their marriage.

1940年，一个32岁的美国记者，Varian Fry，利用他的关系，将数百位艺术家从法国和西班牙边境偷送至中立国家和美国。其中包括俄裔犹太画家夏加尔，政治理论学家汉娜·阿伦特等巨匠。

A beautiful young dentist (Ormond) working in a tough British prison starts to become attracted to a violent inmate (Roth) after the break-up of her marriage, and embarks upon an illicit affair with him, with terrible consequences for all. <Written by Jonathan Broxton>

私立学校的同志老师迈克尔（贾森·巴特内·哈勒 Jason Butler Harner 饰）出于善意对一个在学校受到霸凌的少年伸出援手，却被陷入财务窘境的少年家人指控性骚扰。校方选择站到他的对立面，邻居、朋友还有同事内心深处的恐同阴暗也悄悄浮出水面。他面临重罪指控以及失去工作、自由和家庭。别无选择的他决定反抗，但若干年前的秘密却无奈浮出水面…...
电影反向利用人们将同志与亵童划等号的扭曲世俗观，对人性做出深刻解剖。背景之所以设定在同志权益已经合法化的康涅狄格州，因为“哪怕法律赋予了权利，不代表人心和观念就此反转。美国中产阶级仍然充满各种妖魔化同志的偏见。”早期美国东部曾用绿色作为市民精神的象征，如今这抹代表公民良知和永远的颜色是否还在？

一部以二战为背景的影片，描述的是一个美军飞行员因飞机在比利时坠毁而被当地地下抵抗组织救助的故事，战火纷飞中，飞行员和救助他的抵抗组织已婚女成员之间一段恋情无可救药地……

1859年，一颗陨石坠落在格陵兰，掀起的冰雪覆盖了茫茫大地……时间回到当代，一名因纽特男孩以赛亚坠楼身亡，他的邻居——冰原学者史米拉（Julia Ormond 饰）发现现场疑点重重，更为重要的是，史米拉清楚有恐高症的以赛亚不会去房顶玩耍。史米拉为了不辜负她和以赛亚的友情，决意将真相调查到底。
以赛亚的父亲生前为格陵兰矿业公司雇佣，结果不幸死于野外事故，同时陪同父亲工作但幸免于难的以赛亚开始定期接受丹麦顶尖医生的体检，而医生背后则是矿业公司总裁。各种神秘人物不断阻扰史米拉的调查，同一栋楼内的失语症机械师站到了史米拉身边予以保护让调查得以继续。从一系列谋杀与陷害事件中逃离后，史米拉终于发现一切都源于那颗陨石……

朱莉娅·奥蒙德将主演杰克·马哈菲执导([神迹男孩])惊悚片[重聚](Reunion，暂译)。影片讲述了一对母女打包出售老房子的故事，随着超自然现象发生，女儿必须面对她的家系带来的创伤。本片目前已在惠灵顿开拍。

这个系列的重点是纽约警察局的重案组，一支调查高调案件的侦探队伍，同时也从罪犯的角度向观众展示部分犯罪。

　　AMC《行尸走肉:外面的世界》为《行尸走肉》（The Walking Dead）第二部衍生剧，背景设定在观众熟知的末日到来时，聚焦在两名女主角以及在末日期间成长到法定年龄的角色们。他们之中有些人会成为英雄，有些人则会变成反派。最终，他们所有人将永远改变，随著成长，牢牢地发展出好与坏的性格。

乔安娜（朱莉娅·奥蒙德 Julia Ormond 饰）育有两个貌美如花的女儿——弗雷亚（珍娜·迪万-塔图姆 Jenna Dewan-Tatum 饰）和英格丽德（瑞秋·波士顿 Rachel Boston 饰），然而，两个女孩所不知道的是，她们的母亲来自于古老的伯查家族，是拥有不朽生命的女巫，而这神秘又充满了诅咒的女巫之血，自然也在弗雷亚和英格丽德的血管中流动着。

　　弗雷亚即将和达什（艾里克·温特 Eric Winter 饰）订婚，可很显然，她对达什的弟弟肯利亚（丹尼尔·迪托马索 Daniel DiTomasso 饰）更感兴趣，因为对于弗雷亚来说，肯利亚身上散发出的神秘感有着致命的吸引力。乔安娜久违的妹妹温蒂（梅晨·阿米克 Mädchen Amick 饰）现身了，她带来了一个噩耗，有一群不轨之徒企图断绝查伯家的血脉，而乔安娜必须向女儿们揭开她们的身世之谜。