When Woolf debuted in 1961, audiences and critics alike could not get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek keenly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art-an excoriating theatrical experience, surging with shocks of recognition and dramatic fire that will be igniting Broadway for some time to come."

WAR William Mandela is a reluctant hero, drafter to fight in a distant interstellar war against unknowable and unconquerable aliens. But his greatest test will be returning to Earth. A few months of his tour of duty equate to centuries on his homeworld, during which he becomes increasingly isolated from the world he has been fighting to protect FREE Mandela returns home for the last time - to find humanity has evolved into a group conciousness which excludes him. Alone, alieneated and missing the certainties of combat, he and his fellow verterans search for an escape - and finally look towards space. PEACE A war is raging, fought by indestructible machines operated remotely by soldiers miles away - and for soldiers like Julian Class, war is truly hell. So when he anc his companion, Dr Amelia Harding, uncover something which could take the universe back to square one, the prospect isn't so much terrifying, as terrifyingly tempting ...

"Twelve times a week," answered Uta Hagen, when asked how often she'd like to play Martha in Who's Afraid of Virginia Woolf? Like her, neither audiences nor critics could get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art-an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come."

On his 50th birthday, Martin, a world-famous architect prepares for a recorded interview by an old friend in the TV business; but in the course of the conversation a secret emerges that threatens to turn celebration to tragedy. The Goat is hugely enjoyable parable that plumbs the deepest questions of social constraints on the individual expression of love."My plays are an examination of the American Scene, an attack on the substitution of artificial for real values in our society, a condemnation of complacency, cruelty and emasculation and vacuity, a stand against the fiction that everything in this slipping land of ours is peachy keen" - Edward Albee Winner of the 2001 Tony Award for Best Play Shortlisted for the Pulitzer Prize for Drama, 2002 --This text refers to an out of print or unavailable edition of this title.

Jose Twombly (Cy Twombly) has been hailed as the New York times "one of the greatest contemporary artists in the 20th century", as a set of abstract expressionism, in a minimalist and pop art, and rewrite the history of the American post-war art master "eccentric", Twombly directly affected include Jean Michel gods (jean-michel Basquiat), Anselm Kiefer (Ms. Anselm Kiefer), large quantities of contemporary artist, his writing is thinking, narrative, the combination of history, myth, and formalism. He not only raised abstract expressionism to a higher level, but also changed the history of art to some extent.

George, a disillusioned academic, and Martha, his caustic wife, have just come home from a faculty party. When a handsome young professor and his mousy wife stop by for a nightcap, an innocent night of fun and games quickly turns dark and dangerous. Long-buried resentment and rage are unleashed as George and Martha turn their rapier-sharp wits against each other, using their guests as pawns in their verbal sparring. By night's end, the secrets of both couples are uncovered and the lies they cling to are exposed. Considered by many to be Albee's masterpiece, Who's Afraid of Virginia Woolf? is a "brilliantly original work of art -- an excoriating theatrical experience, surging with shocks of recognition and dramatic fire" (Newsweek).