Em Fazenda Modelo, Chico Buarque tece uma alegoria sobre a sociedade dos homens - falando, no entanto, exclusivamente de bois e vacas.
Trata-se de uma parábola sobre o poder, a respeito das formas de dominação social sobre o rebanho humano. E a forma de dominação mais radical é usurpar do indivíduo - sempre em nome dos mais santos princípios - qualquer possibilidade de assumir seu próprio destino pessoal.

Not just one of Brazil's most influential and beloved composers and musicians, Chico Buarque has won high praise as a poet, playwright, and novelist. Now with Budapest, his third novel, he offers a darkly comic social satire and a transcontinental love story of sex, violence, and comedy. Brazilian ghostwriter Jose Costa has just attended the Anonymous Writers Congress in Istanbul and is on his way back to Rio when a technical problem with his Lufthansa flight forces him to spend a night in Budapest. Fascinated by the Hungarian language, he falls under the sway of Kriska, an apparent teacher of the language. After misadventures in Hungary that include a round of Russian roulette with a couple of gypsies, he returns to Rio to find that his wife has vanished and the entire country is reading a book that he ghostwrote. Has his wife run off with the author? Costa manages to forget Copacabana and the samba in order to immerse himself in the Hungarian language and nights in Budapest. Chico Buarque's novel coils around the reader like a magical snake from the Arabian Nights-and recalls Borges and Calvino in its literary playfulness.