Gaza is a 14-year-old boy who lives on the Aegean coast of Turkey. Together with his domineering father, he helps smuggle refugees from war-torn countries to Europe, giving them temporary lodgings and scant food until they attempt the crossing. Gaza dreams of escaping this life, but can't help being drawn into a dark world of immorality, exploitation and human suffering. Can you avoid becoming a monster when you've been raised by one? Onur Saylak's debut feature, adapted from the award-winning novel of the same title by Hakan Günday, one of the first novels to document the refugee crisis in Europe, "More" is the gripping story of a boy that gets to grow up in a world where there's no room for innocence.

A biopic about the Turkish vocal artist Müslüm Gürses. Born into a poor household, Muslum found his redemption in music from the initial trauma that lingered over his musical and personal life as internalizing the grief. He rose through his ashes of shattered dreams like a phoenix. He walked in darkness, sang songs filled with sorrow which stirred people's souls and created a cult following. They were calling him "Baba" (The Father).

A story of six siblings—Azize, Cemo, Zeliha, Fidan, Samet, and Balım—who, after suddenly losing their parents, struggle to stay united and survive. The roots of their tragedy trace back to their parents, Bala and Rıfat, whose forbidden love began in a village in Mardin. Rıfat, a teacher, falls in love with Bala, but Yavuz, the wealthy and obsessive son of Mardin’s richest family, kidnaps her. Despite his abuse, Bala escapes with Rıfat, and they build a secluded life in the forest, raising six children in peace. However, Yavuz’s revenge shatters their world when he finds and attacks them. Fleeing to Istanbul, the siblings face the dangers of the city while seeking refuge with “Uncle Aslan,” their father’s trusted friend. The story highlights resilience, as the older siblings are forced to grow up quickly to protect their younger brothers and sisters in the face of overwhelming challenges.