Whether you want to criticize, kill, or use AI, you have to get through the hype and uncover the real story. Start with labor: in automation theory, a centaur is a person who chooses to use technology to help them do the things that matter to them. A reverse centaur is a person who has been conscripted to serve as a helper for a machine, at an inhuman, machine pace: a driver made to deliver all day long, nonstop; a warehouse worker made to work without food or bathroom breaks; a programmer made to crank out impossible amounts of code. As Doctorow says: it's not enough to ask what the technology does - we have to understand who it's doing it for and who it's doing it to.

The intended audience for AI hype isn't the people who are forced to use AI. The AI show is a performance staged for bosses and investors. . Investment bankers claim AI will to be worth more than $16 trillion: a number that only makes sense if AI replaces vast swathes of the wage-earning human workforce. To justify that level of "value," every story about AI must be presented as inevitable, world-changing disruption. Even the tales of the robot apocalypse are a calculated attempt to bolster the fearsome power of AI.

Anything that can't go on forever eventually stops. When the AI bubble bursts, what will we salvage? Is there something in the wreckage that everyday people will find useful? In The Reverse Centaur's Guide to Life After AI - as he so successfully did in Enshittification - Doctorow recounts both how we found ourselves in this dire situation and how we can get through it, to a life "after" AI in which the tools work for us, not the other way around.

A call to action for the creative class and labor movement to rally against the power of Big Tech and Big Media
Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both.
In Chokepoint Capitalism, scholar Rebecca Giblin and writer and activist Cory Doctorow argue we’re in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon’s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook’s siphoning away of ad revenues from news media, and the Big Three record labels’ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere.
By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices.
In the book’s second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work.
Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that’s being heisted away—before it’s too late.

Told through one of the most on-pulse genre voices of our generation--New York Times bestselling author Cory Doctorow--Radicalized is a timely novel comprised of four science fiction novellas connected by social, technological, and economic visions of today and what America could be in the near, near future.

Unauthorized Bread is a tale of immigration, the toxicity of economic and technological stratification, and the young and downtrodden fighting against all odds to survive and prosper.

In Model Minority, a Superman-like figure attempts to rectifiy the corruption of the police forces he long erroneously thought protected the defenseless...only to find his efforts adversely affecting their victims.

Radicalized is a story of a darkweb-enforced violent uprising against insurance companies told from the perspective of a man desperate to secure funding for an experimental drug that could cure his wife's terminal cancer.

The fourth story, Masque of the Red Death, harkens back to Doctorow's Walkaway, taking on issues of survivalism versus community.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Short fiction from science fiction author, activist, and journalist Cory Doctorow!

A contentious election and radicalized locals interfere with Canadian recovery workers' efforts at the site of a catastrophic flood in near-future Mississippi. This story is set in the same future as Cory Doctorow's novel The Lost Cause .

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

New York Times bestseller Cory Doctorow's The Bezzle is a high stakes thriller where the lives of the hundreds of thousands of inmates in California’s prisons are traded like stock shares.
The year is 2006. Martin Hench is at the top of his game as a self-employed forensic accountant, a veteran of the long guerrilla war between people who want to hide money, and people who want to find it. He spends his downtime on Catalina Island, where scenic, imported bison wander the bluffs and frozen, reheated fast food burgers cost 25$. Wait, what? When Marty disrupts a seemingly innocuous scheme during a vacation on Catalina Island, he has no idea he’s kicked off a chain of events that will overtake the next decade of his life.
Martin has made his most dangerous mistake yet: trespassed into the playgrounds of the ultra-wealthy and spoiled their fun. To them, money is a tool, a game, and a way to keep score, and they’ve found their newest mark―California’s Department of Corrections. Secure in the knowledge that they’re living behind far too many firewalls of shell companies and investors ever to be identified, they are interested not in the lives they ruin, but only in how much money they can extract from the government and the hundreds of thousands of prisoners they have at their mercy.
A seething rebuke of the privatized prison system that delves deeply into the arcane and baroque financial chicanery involved in the 2008 financial crash, The Bezzle is a sizzling follow-up to Red Team Blues.

Explaining the process of the “enshittification” of digital platforms over time and what to do about it.

Cory Doctorow's Enshittification takes a witty yet incisive look at the tech landscape, where platforms like TikTok, Facebook, and Google start off great—before they inevitably turn terrible. In this contemporary moment of digital decline, Doctorow explores how tech giants lure users in with convenience and then degrade their services over time, squeezing profit at the cost of user experience. With a mix of sharp humor and deep insight, he unveils the slow creep of "enshittification," turning the online world into a worse place, one algorithm at a time.

A collection of some of the best original short fiction published on Tor.com in 2013.

Contents:
“A Rumor of Angels” by Dale Bailey
“The Too-Clever Fox” by Leigh Bardugo
“Thief of War” by Beth Bernobich
“A Window or a Small Box” by Jedediah Berry
“Contains Multitudes” by Ben Burgis
“The Water That Falls on You from Nowhere” by John Chu
“Old Dead Futures” by Tina Connolly
“The Elephant in the Room” by Paul Cornell
“Lawful Interception” by Cory Doctorow
“Wakulla Springs” by Andy Duncan and Ellen Klages
“A Terror” by Jeffrey Ford
“The Hanging Game” by Helen Marshall
“In the Greenwood” by Mari Ness
“The Ink Readers of Doi Saket” by Thomas Olde Heuvelt
“Burning Girls” by Veronica Schanoes
“Rag and Bone” by Priya Sharma
“Equoid” by Charles Stross
“Sing” by Karin Tidbeck
“Terrain” by Genevieve Valentine
“The Best We Can” by Carrie Vaughn
“Super Bass” by Kai Ashante Wilson

A grabby next-Tuesday thriller about cryptocurrency shenanigans that will awaken you to how the world really works.
Martin Hench is 67 years old, single, and successful in a career stretching back to the beginnings of Silicon Valley. He lives and roams California in a very comfortable fully-furnished touring bus, The Unsalted Hash, that he bought years ago from a fading rock star. He knows his way around good food and fine drink. He likes intelligent women, and they like him back often enough.
Martin is a―contain your excitement―self-employed forensic accountant, a veteran of the long guerilla war between people who want to hide money, and people who want to find it. He knows computer hardware and software alike, including the ins and outs of high-end databases and the kinds of spreadsheets that are designed to conceal rather than reveal. He’s as comfortable with social media as people a quarter his age, and he’s a world-level expert on the kind of international money-laundering and shell-company chicanery used by Fortune 500 companies, mid-divorce billionaires, and international drug gangs alike. He also knows the Valley like the back of his hand, all the secret histories of charismatic company founders and Sand Hill Road VCs. Because he was there at all the beginnings. He’s not famous, except to the people who matter. He’s made some pretty powerful people happy in his time, and he’s been paid pretty well. It’s been a good life.
Now he’s been roped into a job that’s more dangerous than anything he’s ever agreed to before―and it will take every ounce of his skill to get out alive.

Hacking Politics is a firsthand account of how a ragtag band of activists and technologists overcame a $90 million lobbying machine to defeat the most serious threat to Internet freedom in memory. The book is a revealing look at how Washington works today – and how citizens successfully fought back.

Written by the core Internet figures – video gamers, Tea Partiers, tech titans, lefty activists and ordinary Americans among them – who defeated a pair of special interest bills called SOPA (“Stop Online Piracy Act”) and PIPA (“Protect IP Act”), Hacking Politics provides the first detailed account of the glorious, grand chaos that led to the demise of that legislation and helped foster an Internet-based network of amateur activists.

Included are more than thirty original contributions from across the political spectrum, featuring writing by Internet freedom activist Aaron Swartz; Lawrence Lessig of Harvard Law School; novelist Cory Doctorow; Rep. Zoe Lofgren (D-CA.); Jamie Laurie (of the alt-rock/hip-hop group The Flobots); Ron Paul; Mike Masnick, CEO and founder of Techdirt; Kim Dotcom, internet entrepreneur; Tiffiniy Cheng, co-founder and co-director of Fight for the Future; Alexis Ohanian, co-founder of Reddit; Nicole Powers of Suicide Girls; Josh Levy, Internet Campaign Director at Free Press, and many more.

New York Times bestselling author Cory Doctorow returns to the world of Red Team Blues to bring us the origin story of Martin Hench and the most powerful new tool for crime ever the personal computer.

The year is 1986. The city is San Francisco. Here, Martin Hench will invent the forensic accountant--what a bounty hunter is to people, he is to money--but for now he's an MIT dropout odd-jobbing his way around a city still reeling from the invention of a revolutionary new technology that will change everything about crime forever, one we now take completely for granted.

When Marty finds himself hired by Silicon Valley PC startup the Three Wise Men to investigate a group of disgruntled ex-employees who've founded a competitor startup, he quickly realizes he's on the wrong side. Marty ditches the greasy old guys running Three Wise Men without a second thought, utterly infatuated with the electric atmosphere of Magenta Women's Enterprise. Located in the heart of the Mission, this group of brilliant young women found themselves exhausted by the predatory business practices of Three Wise Men and set out to beat them at their own game, making better computers and driving Three Wise Men out of business. But this optimistic startup, fueled by young love and California-style burritos, has no idea the depth of the evil they're seeking to unroot or the risks they run.

In this company-eat-company city, Martin and his friends will be lucky to escape with their lives.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

New York Times bestseller Cory Doctorow's The Bezzle is a high stakes thriller where the lives of the hundreds of thousands of inmates in California’s prisons are traded like stock shares.

The year is 2006. Martin Hench is at the top of his game as a self-employed forensic accountant, a veteran of the long guerrilla war between people who want to hide money, and people who want to find it. He spends his downtime on Catalina Island, where scenic, imported bison wander the bluffs and frozen, reheated fast food burgers cost 25$. Wait, what? When Marty disrupts a seemingly innocuous scheme during a vacation on Catalina Island, he has no idea he’s kicked off a chain of events that will overtake the next decade of his life.

Martin has made his most dangerous mistake yet: trespassed into the playgrounds of the ultra-wealthy and spoiled their fun. To them, money is a tool, a game, and a way to keep score, and they’ve found their newest mark—California’s Department of Corrections. Secure in the knowledge that they’re living behind far too many firewalls of shell companies and investors ever to be identified, they are interested not in the lives they ruin, but only in how much money they can extract from the government and the hundreds of thousands of prisoners they have at their mercy.

A seething rebuke of the privatized prison system that delves deeply into the arcane and baroque financial chicanery involved in the 2008 financial crash, The Bezzle is a sizzling follow-up to Red Team Blues.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A call to action for the creative class and labor movement to rally against the power of Big Tech and Big Media


Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)--or both.

In Culture Heist , scholar Rebecca Giblin and writer and activist Cory Doctorow argue that thanks to "chokepoint capitalism," exploitative businesses create insurmountable barriers to competition that enable them to capture value that rightfully belongs to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's role in radically changing publishing's economics, to the influence of Spotify in leveraging digital rights management, these few vicious monopsonists have lobbied for more barriers for new entrants.

By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow first deftly show how powerful corporations construct "anti-competitive flywheels" designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices.

In the book's second half, Giblin and Doctorow explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work.
Culture Heist is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's been siphoned away--before it's too late.

Amusement park rides are the ultimate battleground in this Locus Award–winning dystopian sci-fi novel by the acclaimed author of Little Brother.In the near-future world of the Bitchun Society, scarcity is a thing of the past, death has been conquered, and a constant internal interface allows everyone to monitor their ultimate pursuit: the esteem of others. At barely a century old, Jules is still a young man when he realizes his dream of living and working at Disney World. He devotes himself to keeping the classic attractions intact, with only minor adjustments to their original twentieth-century designs.But when the Hall of Presidents is overtaken by a rival group, the old animatronic designs are replaced with a new, direct-to-brain immersive experience. For Jules, this assault on the artistic purity of Disney World cannot stand. And it only upsets him more when someone has him killed. After rebooting in a new body, Jules is ready for war. “A black-comedic sci-fi prophecy on the dangers of surrendering our consensual hallucination to the regime. Fun to read, but difficult to sleep afterwards.” —Douglas Rushkoff, author of Cyberia

In a new Little Brother novella, there is no security in obscurity. But there can be redemption in mutual aid.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Hieroglyph-Inspired by New York Times bestselling author Neal Stephenson, an anthology of stories, set in the near future that reignites the iconic and optimistic visions of the golden age of science fiction. A remarkable anthology uniting twenty of today's leading thinkers, writers, and visionaries, among them Cory Doctorow, Gregory Benford, Elizabeth Bear, Bruce Sterling, and Neal Stephenson, to contribute works of "techno-optimism" that challenge us to dream boldly and do Big Stuff. Engaging, mind-bending, provocative, and imaginative, Hieroglyph offers a forward-thinking approach to the intersection of art and technology that has the power to change our world.
Contents:
Foreword (Hieroglyph: Stories and Visions for a Better Future) • essay by Lawrence M. Krauss
Preface: Innovation Starvation (Hieroglyph: Stories and Visions for a Better Future) • essay by Neal Stephenson
Introduction: A Blueprint for Better Dreams • essay by Kathryn Cramer and Ed Finn
Atmosphaera Incognita (2013) / novelette by Neal Stephenson
Girl in Wave: Wave in Girl (2014) / novelette by Kathleen Ann Goonan
By the Time We Get to Arizona (2014) / novelette by Madeline Ashby
The Man Who Sold the Moon (2014) / novella by Cory Doctorow
Johnny Appledrone vs. the FAA (2014) / novelette by Lee Konstantinou
Degrees of Freedom (2014) / novelette by Karl Schroeder
Two Scenarios for the Future of Solar Energy (2014) / short story by Annalee Newitz
A Hotel in Antarctica (2014) / novelette by Geoffrey A. Landis
Periapsis (2014) / novelette by James L. Cambias
The Man Who Sold the Stars (2013) / novelette by Gregory Benford
Entanglement (2014) / novella by Vandana Singh
Elephant Angels (2014) / novelette by Brenda Cooper
Covenant (2014) / short story by Elizabeth Bear
Quantum Telepathy (2014) / novelette by Rudy Rucker
Transition Generation (2014) / short story by David Brin
The Day It All Ended (2014) / short story by Charlie Jane Anders
Tall Tower (2014) / novelette by Bruce Sterling
Science and Science Fiction: An Interview with Paul Davies • interview of Paul Davies (1946-) • interview by uncredited
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Trent McCauley is sixteen, brilliant, and obsessed with one thing: making movies on his computer by reassembling footage from popular films he downloads from the net. In near-future Britain, this is more illegal than ever. The punishment for being caught three times is to cut off your entire household from the internet for a year - no work, school, health or money benefits.

Trent thinks he is too clever for that to happen, but it does, and nearly destroys his family. Shamed and shattered, Trent runs away to London, where slowly he learns the ways of staying alive on the streets. He joins artists and activists fighting a new bill that will jail too many, especially minors, at one stroke. Jem introduces him to the Jammie Dodgers, beautiful brilliant "26" to love and cemetery parties.

Things look bad. Parliament is in power of a few wealthy media conglomerates. But the powers-that-be haven’t entirely reckoned with the power of a gripping movie to change people’s minds ...

A comedy of loyalty, betrayal, sex, madness, and music-swapping

Art is an up-and-coming interface designer, working on the management of data flow along the Massachusetts Turnpike. He's doing the best work of his career and can guarantee that the system will be, without a question, the most counterintuitive, user-hostile piece of software ever pushed forth onto the world.

Why? Because Art is an industrial saboteur. He may live in London and work for an EU telecommunications megacorp, but Art's real home is the Eastern Standard Tribe.

Instant wireless communication puts everyone in touch with everyone else, twenty-four hours a day. But one thing hasn't changed: the need for sleep. The world is slowly splintering into Tribes held together by a common time zone, less than family and more than nations. Art is working to humiliate the Greenwich Mean Tribe to the benefit of his own people. But in a world without boundaries, nothing can be taken for granted-not happiness, not money, and most certainly not love.

Which might explain why Art finds himself stranded on the roof of an insane asylum outside Boston, debating whether to push a pencil into his brain....

It’s thirty years from now. We’re making progress, mitigating climate change, slowly but surely. But what about all the angry old people who can’t let go?

For young Americans a generation from now, climate change isn't controversial. It's just an overwhelming fact of life. And so are the great efforts to contain and mitigate it. Entire cities are being moved inland from the rising seas. Vast clean-energy projects are springing up everywhere. Disaster relief, the mitigation of floods and superstorms, has become a skill for which tens of millions of people are trained every year. The effort is global. It employs everyone who wants to work. Even when national politics oscillates back to right-wing leaders, the momentum is too great; these vast programs cannot be stopped in their tracks.

But there are still those Americans, mostly elderly, who cling to their red baseball caps, their grievances, their huge vehicles, their anger. To their "alternative" news sources that reassure them that their resentment is right and pure and that "climate change" is just a giant scam.

And they're your grandfather, your uncle, your great-aunt. And they're not going anywhere. And they’re armed to the teeth.

The Lost Cause What do we do about people who cling to the belief that their own children are the enemy? When, in fact, they're often the elders that we love?

A detailed disassembly manual for people who want to dismantle Big Tech<br /><br />We have recently seen the enshittification of the internet. The tech platforms have created monopolies whose high walls make it expensive to move freely online. They built self-serving, artificial barriers to maintaining connections across platforms. The cost of leaving X or Facebook grew higher, holding hostage the people you love, the communities that matter to you, and the audiences and customers you rely on. None of this is caused by technological it was a business decision, intended to commodify every part of your personal life.<br /><br />We can choose we can dismantle the tech platforms. In  The Internet Con , Cory Doctorow explains how to seize the means of computation. We must force upon Silicon Valley the thing it fears interoperability. That means tearing down the walls between platforms, allowing users to mix, match, plug in, and repair without restrictions.<br /><br />Interoperability is the only route to the rapid and total annihilation of the platforms.  The Internet Con  is the disassembly manual we need to fix tech for good, and take back our Internet.

From the New York Times bestselling author of Little Brother , a major novel of the booms, busts, and further booms in store for America Perry and Lester invent things—seashell robots that make toast, Boogie Woogie Elmo dolls that drive cars. They also invent entirely new economic systems, like the “New Work,” a New Deal for the technological era. Barefoot bankers cross the nation, microinvesting in high-tech communal mini-startups like Perry and Lester’s. Together, they transform the country, and Andrea Fleeks, a journo-turned-blogger, is there to document it. Then it slides into collapse. The New Work bust puts the dot.combomb to shame. Perry and Lester build a network of interactive rides in abandoned Wal-Marts across the land. As their rides, which commemorate the New Work’s glory days, gain in popularity, a rogue Disney executive grows jealous, and convinces the police that Perry and Lester’s 3D printers are being used to run off AK-47s. Hordes of goths descend on the shantytown built by the New Workers, joining the cult. Lawsuits multiply as venture capitalists take on a new investment backing litigation against companies like Disney. Lester and Perry’s friendship falls to pieces when Lester gets the ‘fatkins’ treatment, turning him into a sybaritic gigolo. Then things get really interesting.