A grabby next-Tuesday thriller about cryptocurrency shenanigans that will awaken you to how the world really works.
Martin Hench is 67 years old, single, and successful in a career stretching back to the beginnings of Silicon Valley. He lives and roams California in a very comfortable fully-furnished touring bus, The Unsalted Hash, that he bought years ago from a fading rock star. He knows his way around good food and fine drink. He likes intelligent women, and they like him back often enough.
Martin is a―contain your excitement―self-employed forensic accountant, a veteran of the long guerilla war between people who want to hide money, and people who want to find it. He knows computer hardware and software alike, including the ins and outs of high-end databases and the kinds of spreadsheets that are designed to conceal rather than reveal. He’s as comfortable with social media as people a quarter his age, and he’s a world-level expert on the kind of international money-laundering and shell-company chicanery used by Fortune 500 companies, mid-divorce billionaires, and international drug gangs alike. He also knows the Valley like the back of his hand, all the secret histories of charismatic company founders and Sand Hill Road VCs. Because he was there at all the beginnings. He’s not famous, except to the people who matter. He’s made some pretty powerful people happy in his time, and he’s been paid pretty well. It’s been a good life.
Now he’s been roped into a job that’s more dangerous than anything he’s ever agreed to before―and it will take every ounce of his skill to get out alive.

A collection of some of the best original short fiction published on Tor.com in 2013.

Contents:
“A Rumor of Angels” by Dale Bailey
“The Too-Clever Fox” by Leigh Bardugo
“Thief of War” by Beth Bernobich
“A Window or a Small Box” by Jedediah Berry
“Contains Multitudes” by Ben Burgis
“The Water That Falls on You from Nowhere” by John Chu
“Old Dead Futures” by Tina Connolly
“The Elephant in the Room” by Paul Cornell
“Lawful Interception” by Cory Doctorow
“Wakulla Springs” by Andy Duncan and Ellen Klages
“A Terror” by Jeffrey Ford
“The Hanging Game” by Helen Marshall
“In the Greenwood” by Mari Ness
“The Ink Readers of Doi Saket” by Thomas Olde Heuvelt
“Burning Girls” by Veronica Schanoes
“Rag and Bone” by Priya Sharma
“Equoid” by Charles Stross
“Sing” by Karin Tidbeck
“Terrain” by Genevieve Valentine
“The Best We Can” by Carrie Vaughn
“Super Bass” by Kai Ashante Wilson

Explaining the process of the “enshittification” of digital platforms over time and what to do about it.

Cory Doctorow's Enshittification takes a witty yet incisive look at the tech landscape, where platforms like TikTok, Facebook, and Google start off great—before they inevitably turn terrible. In this contemporary moment of digital decline, Doctorow explores how tech giants lure users in with convenience and then degrade their services over time, squeezing profit at the cost of user experience. With a mix of sharp humor and deep insight, he unveils the slow creep of "enshittification," turning the online world into a worse place, one algorithm at a time.

New York Times bestseller Cory Doctorow's The Bezzle is a high stakes thriller where the lives of the hundreds of thousands of inmates in California’s prisons are traded like stock shares.
The year is 2006. Martin Hench is at the top of his game as a self-employed forensic accountant, a veteran of the long guerrilla war between people who want to hide money, and people who want to find it. He spends his downtime on Catalina Island, where scenic, imported bison wander the bluffs and frozen, reheated fast food burgers cost 25$. Wait, what? When Marty disrupts a seemingly innocuous scheme during a vacation on Catalina Island, he has no idea he’s kicked off a chain of events that will overtake the next decade of his life.
Martin has made his most dangerous mistake yet: trespassed into the playgrounds of the ultra-wealthy and spoiled their fun. To them, money is a tool, a game, and a way to keep score, and they’ve found their newest mark―California’s Department of Corrections. Secure in the knowledge that they’re living behind far too many firewalls of shell companies and investors ever to be identified, they are interested not in the lives they ruin, but only in how much money they can extract from the government and the hundreds of thousands of prisoners they have at their mercy.
A seething rebuke of the privatized prison system that delves deeply into the arcane and baroque financial chicanery involved in the 2008 financial crash, The Bezzle is a sizzling follow-up to Red Team Blues.

Short fiction from science fiction author, activist, and journalist Cory Doctorow!

A contentious election and radicalized locals interfere with Canadian recovery workers' efforts at the site of a catastrophic flood in near-future Mississippi. This story is set in the same future as Cory Doctorow's novel The Lost Cause .

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Told through one of the most on-pulse genre voices of our generation--New York Times bestselling author Cory Doctorow--Radicalized is a timely novel comprised of four science fiction novellas connected by social, technological, and economic visions of today and what America could be in the near, near future.

Unauthorized Bread is a tale of immigration, the toxicity of economic and technological stratification, and the young and downtrodden fighting against all odds to survive and prosper.

In Model Minority, a Superman-like figure attempts to rectifiy the corruption of the police forces he long erroneously thought protected the defenseless...only to find his efforts adversely affecting their victims.

Radicalized is a story of a darkweb-enforced violent uprising against insurance companies told from the perspective of a man desperate to secure funding for an experimental drug that could cure his wife's terminal cancer.

The fourth story, Masque of the Red Death, harkens back to Doctorow's Walkaway, taking on issues of survivalism versus community.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A call to action for the creative class and labor movement to rally against the power of Big Tech and Big Media
Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both.
In Chokepoint Capitalism, scholar Rebecca Giblin and writer and activist Cory Doctorow argue we’re in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon’s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook’s siphoning away of ad revenues from news media, and the Big Three record labels’ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere.
By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices.
In the book’s second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work.
Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that’s being heisted away—before it’s too late.