1977 film directed by René Cardona Jr.

Susanna travels to Paris with her small group of actors. There she saves Emperor Napoleon from rather painful predicaments, uncovers a number of nasty court intrigues and finds, with much skill and ability, the man of her choice.

Carlo Danieli, an industrialist of Sicilian origins, manages a French fries company. The man marries Elena, his girlfriend for years, who has decided to remain a virgin until the wedding day. The man is a great womanizer and is surprised by the revelation, so much so that on the first night he is unable to consummate the relationship. The word soon spread and the mother of the bride, Donna Virginia, urged her son-in-law to apply. Carlo then tries to find a solution before it's too late and his mother-in-law thinks that throwing him into the arms of a professional is the ideal ploy.

1975 film directed by Lucio Fulci

1965 film by Nanni Loy

兰多·布赞卡（Lando Buzanca）饰演一个迫切希望成为男性继承人的男人。然而，他的妻子（Roseanne Podesta饰）显然没有生育能力。他们决定使用代孕母亲，因为这是在人工授精前几天，这意味着Buzanca将不得不以“老式”的方式让代孕母亲怀孕。在一次涉及一个非常没有吸引力但能生育的寡妇的不幸事件后，Buzanca将目光投向了一家未婚母亲孤儿院的年轻女孩（GloriaGuida饰）（她已经把一个私生子交给了别人收养）。他们雇她当女佣，但她以为他们会收养她，这导致了一些准乱伦的误解。。。

兰多·布赞卡（Lando Buzanca）饰演一个迫切希望成为男性继承人的男人。然而，他的妻子（Roseanne Podesta饰）显然没有生育能力。他们决定使用代孕母亲，因为这是在人工授精前几天，这意味着Buzanca将不得不以“老式”的方式让代孕母亲怀孕。在一次涉及一个非常没有吸引力但能生育的寡妇的不幸事件后，Buzanca将目光投向了一家未婚母亲孤儿院的年轻女孩（GloriaGuida饰）（她已经把一个私生子交给了别人收养）。他们雇她当女佣，但她以为他们会收养她，这导致了一些准乱伦的误解。。。

兰多·布赞卡（Lando Buzanca）饰演一个迫切希望成为男性继承人的男人。然而，他的妻子（Roseanne Podesta饰）显然没有生育能力。他们决定使用代孕母亲，因为这是在人工授精前几天，这意味着Buzanca将不得不以“老式”的方式让代孕母亲怀孕。在一次涉及一个非常没有吸引力但能生育的寡妇的不幸事件后，Buzanca将目光投向了一家未婚母亲孤儿院的年轻女孩（GloriaGuida饰）（她已经把一个私生子交给了别人收养）。他们雇她当女佣，但她以为他们会收养她，这导致了一些准乱伦的误解。。。

The myths of the sixties are satirized in 20 episodes.
Most of the patrons of the good cinema know that Italian film industry has always been at the forefront of serious as well as good cinema movement.So by that yardstick,it is important to make a note of Italian comedy.This was one of the most interesting chapters of Italian cultural life after the dreadful harsh realities of the treacherous World War 2.As Italy made a meticulously planned recovery after the harsh destruction of an alien invasion,its society witnessed numerous sociological as well as economical upheavals.This was the primary reason which gave birth to Italian cinema movement.Dino Rosi's film "I Mostri" is the perfect example of Italian ribaldry. It was made as a result of many people's collective efforts. Apart from Ugo Tognazzi and Vittorio Gassman, famous filmmaker Ettore Scola also lent a helping hand. Although there are short humorous episodes in this film, due to its 2 hour length,this film gives subtle impression of a feature film.A must for all those who are interested in good cinema, Italian culture and the strengths and weaknesses of human behavior.

Rosario Trapanese is determined to show he is not the typical old-fashion Sicilian. When his firm sends him to Denmark, a more sexual liberated nation than Italy, he immediately adopts the Danish "free-sexual-taboo" way of life. He meets and married Karen and succeeded to come back in Italy. Once here, he discovers Karen did a porn movie and his determination on being open minded is over. The typical Sicilian jealousy drives him crazy. Anyway, after a while, Rosario understands that what his wife did before to meet him it has not to be an issue for him. Karen confesses Rosario she signed a contract for a second movie and she could refuse only by paying a fine. The couple doesn't have enough money so they need to find a solution. And what a solution!

Giovanni Percolla lives in Catania surrounded by the attentive cares of his three sisters. He permanently acts like a Don Giovanni to hide his real poor "knowledge" of women. With his friend he moves also to Rome but women still continues to remain part of his fantasies. But Giovanni succeeded to build anyway a fame of "tombeur de femmes". One day he meets the real love of Maria Antonietta and decides to marry. Will things change?

A middle-aged plumber quits his job and questions his life after seeing somebody his own age suddenly die from a heart attack on his way to work.

影片改编自意大利作家、散文家、记者和翻译卢恰诺·比安恰尔迪（Luciano Bianciardi；1922年12月14日~1971年11月14日）发表于1968年的小说《讨厌的乐团》（Il complesso di Loth）。
尼科洛·维瓦尔迪Niccolo Vivaldi（兰多·布赞卡饰）饰维罗纳交响乐团的一名专业大提琴手。他在维罗纳竞技场排练威尔第《阿依达》时常遇到乐团指挥的冷眼而自尊全无，非常沮丧，这使原本就自卑的他更加丧失了事业能够成功的信心，便开始动起成名的歪脑筋。当他发现他美丽又听话的妻子科丝坦扎Costanza（劳拉·安托内利饰）非常遭其他男人喜欢，于是认为她的漂亮身段将会使他成功，便大拍她的裸照，还在他乐团好友面前展示。他倾注了他达达主义艺术表现的疯狂——在2万名观众欣赏《阿依达》时，用他美丽贤淑妻子的身体替代他演奏的大提琴——科丝坦扎的裸体演唱。其结果是他被“请”了进疯人院。

Senator Pupis feels a strong and uncontrollable urge to grab women's bottoms, a habit than can lead to embarrassment, especially if the woman in question is head of another state and the occasion a state visit. In his desperation Pupis turns to the clergy for spiritual and psychological help.

本片为《多亏了这些飞行器里的好小伙，否则我怎么能花25小时11分从伦敦飞到巴黎呢！ Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 hours 11 minutes》的续集，叙述一场疯狂赛车就要展开，世界古怪好手纷纷聚集在一起展开航跨欧洲的生死斗，搞笑过程令人喷饭。

1964 film by Pietro Germi