虽然英格兰曾经推动现代足球运动的诞生，但他们自己的球队已经陷入失利的泥淖，一度创下最差罚球记录。主教练加雷斯·索斯盖特（约瑟夫·费因斯 饰）知道，他需要正视自己职业生涯留下的阴影，也需要破除球队的点球魔咒，在带领“三狮军团”重写神话，重返辉煌的巅峰。

There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory.



Patrick Bateman has it all – looks, money, style and status. Engaged to the beautiful Evelyn Williams, he is about to win the prestigious Fischer account for his investment bank and celebrate by dining at Dorsia. But there’s another side to his life that Patrick keeps secret. And people – including those closest to him – keep disappearing…

Mike Bartlett's play Albion, directed for the stage by Rupert Goold, is a tragicomic drama about national identity, family, passion and the disappointment of personal dreams. Filmed at London’s Almeida Theatre, the play is set in the garden of an English country house. The house has been bought by successful businesswoman Audrey Walters, who intends to restore the ruined garden to its former glory and create a memorial to the son she recently lost in a foreign war.

American Psycho is a musical with music and lyrics by Duncan Sheik and a book by Roberto Aguirre-Sacasa. It is based on the controversial 1991 novel American Psycho by Bret Easton Ellis,[1] which also inspired a 2000 film of the same name, that starred Christian Bale. Set in Manhattan during the Wall Street boom of the late 1980s, American Psycho is about the daily life of Patrick Bateman, a young and wealthy investment banker who is also secretly a serial killer.

The musical received its world premiere at London's Almeida Theatre in 2013, directed by Rupert Goold and starring Doctor Who actor Matt Smith. A Broadway production began preview performances on 24 March 2016, at the Gerald Schoenfeld Theatre, directed by Goold and starring Benjamin Walker as Patrick Bateman.

改变的时刻到了！
虽然英格兰曾经推动现代足球运动的诞生，但他们自己的球队已经陷入失利的泥淖，一度创下最差罚球记录。主教练加雷斯·索斯盖特（Gareth Southgate）知道，他需要正视自己职业生涯留下的阴影，也需要破除球队的点球魔咒，在带领“三狮军团”重写神话，重返辉煌的巅峰。
继《塔米·菲》和《笔墨春秋》两部备受好评舞台剧作品之后，奥利弗奖获奖编剧、导演组合——詹姆斯·格雷厄姆（James Graham）与阿尔梅达剧院艺术总监鲁伯特·古尔德（Rupert Goold）再度携手，将英国国民运动搬上舞台。在这部扣人心弦的作品中，格雷厄姆不仅用幽默感人的笔法着力描绘了英格兰队主帅索斯盖特的革新探索，也通过特蕾莎·梅和鲍里斯·约翰逊等的喜剧客串角色带出了足球运动背后的民族精神与国家叙事。
大热剧集《使女的故事》主演约瑟夫·费因斯（Joseph Fiennes）饰演的索斯盖特获得媒体盛赞；奥利弗奖得主艾斯·德芙琳（Es Devlin）的舞美设计与灯光、音响巧妙配合，为英格兰队从萎靡不前到重振旗鼓的戏剧性转变创造了紧张动感。该剧在英国国家剧院奥利弗大剧场的首轮演出一票难求，目前已经移师伦敦西区，继续“三狮军团”未完的征途。

故事发生在十九世纪的英国。在一个寒冷的深夜，英国伦敦的平民区里，一个婴儿刚刚出世，他母亲便离开了人世。谁也不知道那产妇是谁，她遗下的儿子便成了无名的孤儿。孤儿被本地教会收留，由女管事抚养，给他起了一个名字叫奥利弗。
奥利弗九岁的时候，不能像有钱人家孩子那样进学校念书，女管事还把他送进工厂，和其他童工一起，日夜干力不胜任的苦活，并且不让他吃饱。性格倔强的奥利弗被大家推为代表，提出增加粮食的要求。工厂的职员大惊失色，便不愿继续收留奥利弗，怕他影响其他童工。
当时，殡仪馆的老伴森亚比利正需要学徒，便花了五个金镑把他领了出去。奥利弗换了个新环境，生活过得稍好了一些。他参加出殡行列，行动规矩，合乎礼仪。老伴很满意，但遭到年长学徒的忌妒，故意讥笑、侮辱他人格。奥利弗忍无可忍，拔拳搏斗。老板夫妇将他毒打，他悲愤填胸，星夜出走。一连步行了七天，才到达伦敦。
举目无亲，饥寒交迫，在绝望中他遇到了少年亚狄。亚狄带他到一栋破败的屋子里，这里原来是窝藏匪盗的窟。贼首弗根见奥利弗聪明伶俐，很是喜欢，便要他和亚狄一起上街去偷窃。不料亚狄失手被发现，奥利弗心虚，拔腿逃跑，结果被人抓进了警局。贼首弗根听说奥利弗被抓，痛责亚狄无用，又担心奥利弗在警局招认，便和另一贼首皮利商议，决定由皮利的妻子南珊出面，冒充奥利弗姐姐，具保将他领回。
但是，警局审批时，书店老板证明，他看到当时扒窃的小贼并非奥利弗。被窃的主人是伦敦富翁罗勃特，因自己冤枉奥利弗很感歉疚，又见他可爱又可怜，便将他领回家去。奥利弗到罗勃特家后，受到老人的宠爱，既不愁吃穿，还能上学读书。不料，罗勃特有个名叫孟斯的亲戚，追究奥利弗的身世，发现原来他是罗勃特的外孙，那罗勃特的全部家产便要由他承受。孟斯企图某夺谋夺这笔财产，便将此事严守秘密，还和贼首皮利勾结，企图谋害奥利弗。
某日，皮利和他妻子南珊在街上寻访，遇见奥利弗，立即把他绑回贼窟。弗根将他毒打，几乎丧命。南珊从孟斯处探听到奥利弗的身世后，十分同情，为了救他出险，让他祖孙团员，便暗暗去把消息告诉了罗勃特，答应下次带奥利弗同来。不料事情被皮利发现，和弗根一起，将南珊活活打死。罗勃特在家等候南珊，到了约定之期，不见南珊到来。忽然听到街上传说南珊惨死，便报告警局，随同警察直捣贼窟。市民们也纷纷参加捉贼，声势浩大。弗根和皮利最终难逃法网。奥利弗死里逃生，被罗勃特领回，祖孙团聚。

改变的时刻到了！
虽然英格兰曾经推动现代足球运动的诞生，但他们自己的球队已经陷入失利的泥淖，一度创下最差罚球记录。主教练加雷斯·索斯盖特（Gareth Southgate）知道，他需要正视自己职业生涯留下的阴影，也需要破除球队的点球魔咒，在带领“三狮军团”重写神话，重返辉煌的巅峰。
继《塔米·菲》和《笔墨春秋》两部备受好评舞台剧作品之后，奥利弗奖获奖编剧、导演组合——詹姆斯·格雷厄姆（James Graham）与阿尔梅达剧院艺术总监鲁伯特·古尔德（Rupert Goold）再度携手，将英国国民运动搬上舞台。在这部扣人心弦的作品中，格雷厄姆不仅用幽默感人的笔法着力描绘了英格兰队主帅索斯盖特的革新探索，也通过特蕾莎·梅和鲍里斯·约翰逊等的喜剧客串角色带出了足球运动背后的民族精神与国家叙事。
大热剧集《使女的故事》主演约瑟夫·费因斯（Joseph Fiennes）饰演的索斯盖特获得媒体盛赞；奥利弗奖得主艾斯·德芙琳（Es Devlin）的舞美设计与灯光、音响巧妙配合，为英格兰队从萎靡不前到重振旗鼓的戏剧性转变创造了紧张动感。该剧在英国国家剧院奥利弗大剧场的首轮演出一票难求，目前已经移师伦敦西区，继续“三狮军团”未完的征途。

It’s time to change the game.

The country that gave the world football has since delivered a painful pattern of loss. Why can’t England’s men win at their own game?

With the worst track record for penalties in the world, Gareth Southgate knows he needs to open his mind and face up to the years of hurt to take team and country back to the promised land.

Joseph Fiennes (The Handmaid’s Tale, The Mother) plays Gareth Southgate in this new play by James Graham (Best of Enemies, Sherwood). Following their acclaimed productions, Tammy Faye and Ink, he reunites with director Rupert Goold (Spring Awakening, Judy) for this gripping examination of both nation and game.

Poland, 1949.

Zula is bold and brilliant, a singer who ignites the stage. Wiktor is withdrawn and damaged, a composer longing to write. Irresistibly drawn to each other, they dream of escape. But in communist-controlled Poland that can be a dangerous thing.

Based on Paweł Pawlikowski’s Academy Award-nominated film, Cold War is an epic love story spanning the decades and breadth of Europe at its most divided.

Featuring traditional Polish songs, stirring choral arrangements, alongside music from Grammy Award-winner Elvis Costello, Conor McPherson‘s (Girl from the North Country, The Weir) adaptation of Cold War is a compelling story of passion, redemption, and the journey to be free.

Living the high life in 1980s Manhattan, Patrick Bateman has it all – looks, money, style and status. He and his entourage buy the most expensive designer clothes, eat at the most exclusive restaurants and party at the hottest clubs. But privately, Patrick indulges in another kind of transgression. And people - including those closest to him - keep disappearing.

1991. The Fall of the Soviet Union.

With the dawning of a new Russia, there are winners and losers, and today’s patriot can fast become tomorrow’s traitor.

As a new generation of oligarchs fights to seize control, Patriots follows billionaire businessman Boris Berezovsky from the president's inner circle to public enemy number one.

BAFTA-winning actor Tom Hollander (The Night Manager, Travesties) plays Berezovsky, the ‘kingmaker’ behind Vladimir Putin. A new play from Peter Morgan (Netflix's The Crown, The Audience, Frost/Nixon) and directed by Almeida Artistic Director Rupert Goold (Ink, Albion, Spring Awakening), Patriots is an unflinching story of ambition and the dangers of loyalty and love.

《理查三世》是著名英國劇作家莎士比亞之力作，探討人性的黑暗面、惡魔的魅力。
原本為英國公爵的理查三世受盡身體畸殘的壓抑，咬緊牙關，誓要登上皇位。他運用驚人才智，剷除異己，六親不認，內心受著恨與妒的煎熬，良知與仇恨的掙扎，邁向自我毀滅的一步！劇本本身對於人性的陰暗面，有著精闢的刻畫，劇力萬鈞。

The play tells the story of the revenge of a woman betrayed by her husband. All of the action of the play is at Corinth, where Jason has brought Medea after the adventures of the Golden Fleece. He has now left her in order to marry Glauce, the daughter of King Creon. (Glauce is also known in Latin works as Creusa — see Seneca the Younger's Medea and Propertius 2.16.30. This King Creon is not to be confused with King Creon of Thebes.) The play opens with Medea grieving over her loss and with her elderly nurse fearing what she might do to herself or her children.
Creon, also fearing what Medea might do, arrives determined to send Medea into exile. Medea pleads for one day's delay, and Creon begrudgingly acquiesces. In the next scene Jason arrives to confront her and explain himself. He believes he could not pass up the opportunity to marry a royal princess, as Medea is only a barbarian woman, but hopes to someday join the two families and keep Medea as his mistress. Medea, and the chorus of Corinthian women, do not believe him. She reminds him that she left her own people for him ("I am the mother of your children. Whither can I fly, since all Greece hates the barbarian?"), and that she saved him and slew the dragon. Jason promises to support her after his new marriage, but Medea spurns him: "Marry the maid if thou wilt; perchance full soon thou mayst rue thy nuptials."
Next Medea is visited by Aegeus, King of Athens; he is aggrieved by his lack of children, and does not understand the oracle that was supposed to give him guidance. Medea begs him to protect her, in return for her helping his wife conceive a child. Aegeus does not know what Medea is going to do in Corinth, but promises to give her refuge in any case, provided she can escape to Athens.
Medea then returns to her plotting how she may kill Creon and Glauce. She decides to poison some golden robes (a family heirloom and gift from the sun god), in hopes that the bride will not be able to resist wearing them, and consequently be poisoned. Medea resolves to kill her own children as well, not because the children have done anything wrong, but because she feels it is the best way to hurt Jason. She calls for Jason once more, falsely apologizes to him, and sends the poisoned robes with her children as the gift-bearers.
Forgive what I said in anger! I will yield to the decree, and only beg one favor, that my children may stay. They shall take to the princess a costly robe and a golden crown, and pray for her protection.
The request is granted and the gifts are accepted. Offstage, while Medea ponders her actions, Glauce is killed by the poisoned dress, and Creon is also killed by the poison while attempting to save her. These events are related by a messenger.

Alas! The bride had died in horrible agony; for no sooner had she put on Medea's gifts than a devouring poison consumed her limbs as with fire, and in his endeavor to save his daughter the old father died too.
Medea is pleased with her revenge thus far, but resolves to carry it further: to utterly destroy Jason's plans for a new family, she will kill her own sons. She rushes offstage with a knife to kill her children. As the chorus laments her decision, the children are heard screaming. Jason rushes to the scene to punish her for the murder of Glauce and learns that his children too have been killed. Medea then appears above the stage in the chariot of the sun god Helios; this was probably accomplished using the mechane device usually reserved for the appearance of a god or goddess. She confronts Jason, reveling in his pain at being unable to ever hold his children again:
"I do not leave my children's bodies with thee; I take them with me that I may bury them in Hera's precinct. And for thee, who didst me all that evil, I prophesy an evil doom."
She escapes to Athens with the bodies. The chorus is left contemplating the will of Zeus in Medea's actions:
Manifold are thy shapings, Providence!
Many a hopeless matter gods arrange.
What we expected never came to pass,
What we did not expect the gods brought to bear;
So have things gone, this whole experience through!

《威尼斯商人》讲述了威尼斯富商安东尼奥为了成全好友巴萨尼奥的婚事，向犹太人高利贷者夏洛克借债。由于安东尼奥贷款给人从不要利息，并帮夏洛克的女儿私奔，怀恨在心的夏洛克乘机报复，佯装也不要利息，但若逾期不还要从安东尼奥身上割下一磅肉。不巧传来安东尼奥的商船失事的消息，资金周转不灵，贷款无力偿还。夏洛克去法庭控告，根据法律条文要安东尼奥履行诺言。为救安东尼奥的性命，巴萨尼奥的未婚妻鲍西娅假扮律师出庭，她答允夏洛克的要求，但要求所割的一磅肉必须正好是一磅肉，不能多也不能少，更不准流血。夏洛克因无法执行而败诉，害人不成反而失去了财产。

The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).

《麦克白》故事发生在处于战乱连年的遥远苏格兰。3个命运女巫的出现，道出了改变命运的预言。麦克白和班柯，两员英勇无畏的大将在战斗中力挽狂澜。国王邓肯将叛变的考顿爵士的封号和领地转封给麦克白，将王位传给了长子马尔康。麦克白和夫人合谋杀害了邓肯国王。因为惧怕班柯泄露命运女巫的预言，也杀害了班柯。女巫们提醒他要小心已逃亡到英格兰的麦克德夫。麦克白为求心安，最后还是杀害了麦克德夫的妻儿。马尔康和麦克德夫从英格兰请到了援军，直逼麦克白所在的城堡。3个命运女巫的预言原是一种双关语，麦克德夫最终杀死了麦克白，马尔康得到王位，成为苏格兰的国王。

The Queen is dead: after a lifetime of waiting, the prince ascends the throne. A future of power. But how to rule?

Fleet Street. 1969. The Sun rises.

James Graham’s ruthless, red-topped new play leads with the birth of this country’s most influential newspaper – when a young and rebellious Rupert Murdoch asked the impossible and launched its first editor’s quest, against all odds, to give the people what they want.

'It's England really, isn't it? A climate without cloud and rain isn't honest.'

In the ruins of a garden in rural England, in a house which was once a home, one woman searches for seeds of hope. Albion is a new play by Mike Bartlett, directed by Rupert Goold, their first collaboration following their international award-winning production of King Charles III.

杀人犯克里斯蒂安（詹姆斯·弗兰科 James Franco 饰）一直用纽约时报记者麦克（乔纳·希尔 Jonah Hill 饰）的名义过着隐姓埋名的生活，而正当麦克因假新闻被炒鱿鱼时，克里斯蒂安在墨西哥被捕。为了拯救自己的名声，麦克决定前往探监，并试图从这位神秘男子身上挖出真相。 在他穷追不舍的调查之下，揭开了克里斯蒂安真实的一面，包含谋杀、爱情、欺骗、救赎……