First published in 1933, the novel portrays a series of encounters in Berlin between the narrator and the camp and mildly sinister Mr. Norris. Evoking the atmosphere in Berlin during the rise of the Nazis, the novel has achieved the status of a modern classic.

In this brilliantly perceptive novel, a middle aged professor living in California, is alienated from his students by differences in age and nationality, and from the rest of society by his homosexuality. Isherwood explores the depths of the human soul and its ability to triumph over loneliness, alienation and loss.

First published in 1934, Goodbye to Berlin has been popularized on stage and screen by Julie Harris in I Am a Camera and Liza Minelli in Cabaret. Isherwood magnificently captures 1931 Berlin: charming with its avenues and cafés; marvelously grotesque with its nightlife and dreamers; dangerous with its vice and intrigue; powerful and seedy with its mobs and millionaires. The shadow of Hitler looms menacingly, towering higher and higher. Goodbye to Berlin is inhabited by a wealth of characters: the unforgettable and “divinely decadent” Sally Bowles; plump Fraülein Schroeder, who considers reducing her Büste to relieve heart palpitations; Peter and Otto, a gay couple struggling with their relationship; and the distinguished and doomed Jewish family the Landauers.

First published in the 1930s, The Berlin Stories contains two astonishing related novels, The Last of Mr. Norris and Goodbye to Berlin, which are recognized today as classics of modern fiction. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafés; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires--this is the period when Hitler was beginning his move to power. The Berlin Stories is inhabited by a wealth of characters: the unforgettable Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and screen by Julie Harris in I Am A Camera and Liza Minnelli in Cabaret; Mr. Norris, the improbable old debauchee mysteriously caught between the Nazis and the Communists; plump Fräulein Schroeder, who thinks an operation to reduce the scale of her Büste might relieve her heart palpitations; and the distinguished and doomed Jewish family, the Landauers.

'The best prose writer in English' - Gore Vidal. Celebrated as a masterpiece from its first publication, "A Single Man" is the story of George Falconer, an English professor in suburban California left heartbroken after the death of his lover Jim. With devastating clarity and humour, Christopher Isherwood shows George's determination to carry on, evoking the unexpected pleasures of life as well as the soul's ability to triumph over loneliness and alienation. 'A virtuoso piece of work...courageous...powerful' - "Sunday Times".

When A Single Man was originally published, it shocked many by its frank, sympathetic, and moving portrayal of a gay man in midlife. George, the protagonist, is adjusting to life on his own after the sudden death of his partner, and determines to persist in the routines of his daily life: the course of A Single Man spans twenty-four hours in an ordinary day. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the texture of life itself.

Goodbye to Berlin is a short novel by Christopher Isherwood. It is often published together with The Last of Mr. Norris in a collection called The Berlin Stories.
The novel, a semiautobiographical account of Isherwood's time in 1930s Berlin, describes pre-Nazi Germany and the people he met.
Moving to Germany to work on his novel, Isherwood soon becomes involved with many different German citizens: The caring landlady, Frau. Shroeder; the "divinely decadent" Sally Bowles, a young English woman who sings in the local Cabaret; Natalia Laundauer, the rich, Jewish heiress of a prosperous family business; Peter and Otto, a couple struggling to accept their relationship in light of the rise of the Nazis.
The book, first published in 1939, ironically highlights the groups of people who would be most at risk from Nazi intimidation.