New York City, the 1960s: Inside a ramshackle studio known as The Factory, the post-war art world encountered the industrial revolution. For more than two years, Nat Finkelstein was on the scene, documenting the explosive emergence of Pop Art, a subversive spectacle created by the constantly calculating Andy Warhol. Andy Warhol: The Factory Years is an extraordinary photographic account of the twisted, the addicted, the nameless, and the famous. As a member of the club, Finkelstein discreetly captured icons in the making, including Bob Dylan, Lou Reed, Allen Ginsberg, Edie Sedgwick, and Nico, along with such legends of another era as Salvador Dali and Marcel Duchamp. And, of course, Warhol himself. Engagingly sequenced by renowned design firm Pentagram, Andy Warhol: The Factory Years features Finkelstein's seminal black-and-white photographs, in addition to several series of previously unpublished color photographs that were thought lost for the past three decades. Finkelstein accompanies these striking images with vivid memories, poetic recollections, and acerbic commentary, providing both visual and intellectual insight into the culture of The Factory.

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A cultural storm swept through the 1960s -- Pop Art, Bob Dylan, psychedelia, underground movies -- and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.

安迪˙沃荷的非正式自傳
現代藝術的大師經典之作
最原味的普普精神，最經典的大師語錄
一代藝術大師對愛情、性、美、金錢、成功的種種奇想
從愛到性，從名到利，從美到藝術，
看藝術大師對人生最一針見血的前衛觀點
美國傳奇藝術家、普普大師安迪˙渥荷的第一本個人經典著作，暢談：愛、性、美容、名氣、工作、金錢、成功、紐約、美國人以及他自己。書中談到他的童年、赴紐約發展的歷程、六O年代藝術工廠的大張旗鼓、震驚社會的槍擊事件，以及周旋在時尚名人的派對生活。
字裡行間充滿安迪渥荷式的玩世不恭與嬉笑怒罵，也爲普普精神下了最傳神的註腳。本書於1975年出版，這本普普藝術的經典之作睽違三十年，才首度和台灣讀者見面。對於許多熟悉他的讀者來說，應該早就引頸企盼。
透過這本書，除了安迪˙沃荷的藝術外，讀者得以窺見一位奇才之所以躍升而為美國當代傳奇的背後原因。他前衛獨特的觀點，不按牌理出牌，非關藝術，但字裡行間，卻流露最純正的普普精神，帶給我們無比的娛樂性和啟發。

Anecdotal, funny, frank, POPism is Warhols personal view of the Pop phenomenon in New York in the 1960s and a look back at the relationships that made up the scene at the Factory, including his relationship with Edie Sedgewick, focus of the upcoming film Factory Girl. In the detached, back-fence gossip style he was famous for, Warhol tells allthe ultimate inside story of a decade of cultural revolution.

If I ever have to cast an acting role, I want the wrong person for the part. [...] it's more satisfying to get someone who's perfectly wrong. Then you know, you've really got something. --Andy Warhol
Perhaps no other artist from the second half of the 20th century is as familiar to the public as Andy Warhol--and his self-portraits can hardly be said to have played a lackluster role with regards to the artist's celebrity. U.S. postage stamp anyone? Occupying a position of central importance in his oeuvre, Warhol's self-portraits also occupy a consistent, long-running one. From the first self-images in gouache painted by 16-year-old Andrew Warhol in the mid-40s to the fright-wig series completed shortly before his death in February 1987, Andy Warhol continually used self-portraiture to reflect on his position and social status as an artist, performing a variety of roles in the process. Yet he never made use of the traditional topos of the artist's self-portrait; his fascination with transience and death is constantly present, as in his other works. Although a seemingly endless number of books have been published on Warhol's various work groups, this is the first monograph devoted exclusively to his self-portraits. The accompanying essays discuss different aspects of the theme and examine Warhol's self-portraits in the light of an expanded concept of the artist's self-portrait in the 20th century.

Edited by Dietmar Elger.~Essays by Robert Rosenblum and Roland Wäspe.
Hardcover, 10 x 10 in./120 pgs / 60 color and 20 b & w.

Fashion lovers rejoice! These swank little books showcase Andy' Warhol's inimitable pictures and pronouncements on shoes and style -- and make ideal gifts for serious shoppers everywhere. Shoes, Shoes, Shoes collects a closetful of high heels, loafers, mules, boots, and sandals, including iconic images from Warhol's Pop heyday as well as rarely seen early advertising illustrations. Accompanied throughout by witty quotes -- "I decided that being a shoe salesman is a really sexy job", for example -- these forty drawings, watercolors, and prints demonstrate Warhol's special talent for transforming the ordinary into the extraordinary. Style, Style, Style offers a cavalcade of forty striking fashion images -- slinky dresses, whimsical period costumes, sprightly scarves, ultrachic bijoux, and more, all drawn from Warhol's archives. Sprinkled throughout with the artist's droll quips and playful epigrams, this stylish minibook conjures up all the decadent pleasures of a shopping spree -- at only a fraction of the cost.

The private Andy Warhol talks: about love, sex, food, beauty, fame, work, money, success; about New York and America; and about himself--his childhood in McKeesport, Pennsylvania, good times and bad times in the Big Apple, the explosion of his career in the sixties, and life among celebrities.

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In his autobiography, published in 1975, the private Andy Warhol talks about love, sex, food, beauty, fame, work, money, success; about New York and America; about himself - his childhood in McKeesport, Pennsylvania, good times and bad times in the Big Apple, the explosion of his career in the Sixties, and life among celebrities.

Now in trade paperback, the sensational national bestseller that turns the spotlight on one of the most influential and controversial figures of our time. These pages are filled with previously undisclosed facts about the lives and loves of the irch and famous--from royalty to movie and music stars to renowned artists.

Andy Warhol kept these diaries faithfully from November 1976 right up to his final week, in February 1987. Written at the height of his fame and success, Warhol records the fun of an Academy Awards party, nights out at Studio 54, trips between London, Paris and New York, and surprisingly even the money he spent each day, down to the cent. With appearances from and references to everyone who was anyone, from Jim Morrison, Martina Navratilova and Calvin Klein to Shirley Bassey, Estee Lauder and Muhammad Ali, these diaries are the most glamorous, witty and revealing writings of the twentieth century.

"So many categories " Andy Warhol would complain during his rigorous, nearly obsessive daily shopping regimen of antique stores, galleries, auction houses, and flea markets. Though best known as a proponent of the avant-garde, Warhol was also passionately engaged with the historical past, an interest which found a direct yet imaginative expression in the serious collecting he undertook from the mid-50s until his death. Possession Obsession proposes that collecting was another form of artistic practice for Warhol, one that provides as much insight into his interests, tastes, and ideas as do his other myriad art forms. Accompanying essays examine the how, why, and what of Warhol's collection, the crucial role it played in his life, the aesthetic quality and historical associations of the objects themselves, the psychological and sexual aspects of collecting, other artists' use of collecting, and the relationship between collecting and mass culture. Also included are never-before-published photographs by Robert Mapplethorpe of Warhol's home.