在意大利南部小镇姜卡尔多，童年的小多多不仅喜欢看电影，还喜欢看放映师艾弗达“剪”电影：在40年代的意大利小镇上，电影在放映之前都要经由牧师检查，把认为观众不宜的镜头（比如接吻戏）严格地剪掉之后，才可以放映。好心的艾佛特为了让更多的观众看到电影，搞了一次露天电影，结果胶片着火了，多多把艾弗达从火海中救了出来，但艾弗达双目失明。多多成了小镇唯一会放电影的人，他接替艾佛特成了小镇的电影放映师。多多渐渐长大，他爱上了银行家的女儿艾莲娜。初恋的纯洁情愫美如天堂，但是一对小情侣的海誓山盟被艾莲娜父亲的阻挠给隔断了，托托去服兵役，而艾莲娜去念大学。伤心的多多在艾佛达的鼓励下，离开小镇，追寻自己生命中的梦想……30年后，艾佛达去世，此时的多多已经是功成名就的导演，他回到了家乡参加艾弗达的葬礼。老放映员留给他一份礼物，原来是当初被镇上的检查员勒令剪掉的吻戏胶片。多多看着这些镜头，突然发现自己已经理解了生命中的一切。

"微笑之家"是一个老人收容所。花钱住进来的老妇人阿代利娜是一个温柔和蔼、对生活满怀热情的好人；另一位好男人安德莱阿虽有些虚荣，但仍不失为一个好老头。安德莱阿的妻子患有不治之症，虽然她明白自己和丈夫的一切都已结束了，但仍费尽心机地要把他紧紧拴在身边。阿代利娜和安德莱阿之间的爱情遇到了波折。在好心的黑人邻居的帮助下，这对老恋人决定逃离微笑之家。然而行前，内心充满矛盾和痛苦安德莱阿改变了初衷，放弃了冒险的念头，他不能离弃病妻。而阿代利娜则独白开着破烂的旅行车，去追寻自己新的生活……

杰佩托是一个孤苦伶仃的老木匠，妻子去世后，他一直渴望能有一个儿子陪伴在自己身边。一天，杰佩托用从邻居那里借来的一段胡桃木作了一个木偶，谁知木偶却变成了一个小男孩，并声称自己的名字叫皮诺曹。自从有了皮诺曹这个儿子，杰佩托对他关爱备至，甚至变卖了唯一的御寒袄子给皮诺曹缝制了一身新衣服，并送他去上学。
然而，淘气的皮诺曹为了逃学竟随曼加波克的魔术团离家出走。离开家的日子里，皮诺曹经历了许多稀奇古怪的事情，也经历了各种危险。为此，把他变成小男孩的蓝仙女还两次把他变回了木偶。在经历了各种危险和挫折后，皮诺曹渐渐地懂得了父亲杰佩托的一片苦心。最终在掉进鲨鱼口中后，成功救出了早在出海寻找自己时就掉入鲨鱼腹中的爸爸杰佩托。

1988 Italian comedy film directed by Luciano De Crescenzo

阿尔弗雷多因盗窃和欺诈罪入狱，在服刑后发现他的妻子阿德琳娜不再愿意和他住在一起。

I didn't much like this film when I first saw it ten or twelve years ago, but I was probably expecting a serious, fast-paced, violent Italian crime film as many of Tomas Milian's mid-70s films were. However this one emphasizes the comedy at least as much as the action, although it is still a successful package and the comedy/crime mixture works well. I haven't see all the later films (which ran well into the 1980's) with Milian as unconventional police inspector Nico Giraldi, but the one after this THE GANG THAT SOLD America, which also features a lot of US location shooting, does not work that well in my opinion and is full of dated pop culture references and unfunny humor. The first scene of LITTLE ITALY--as a dirty old man is looking through binoculars at a lady undressing...while his apartment is completely stripped clean by robbers only a few feet away from him!--sets the tone for the film. The plot, such as it is, takes Milian to New York and eventually to Las Vegas (and eventually to the gas chamber in Nevada in an outrageous climax!), and there's lots of great location footage of him walking along the old Vegas strip circa 1978. Eli Wallach appears (though his voice doesn't!) as a mafia don, in a role that didn't require much of this fine actor, but he plays comedy well and is good in the scenes involving his underlings, his red-haired wallflower oversexed daughter, and Milian (the scene in the Italian restaurant where Milian throws a pizza in the face of one of Wallach's underlings is classic!). Bombolo, who appears in a number of these later Nico Giraldi films, is a fine comic foil for Milian, and they have a good chemistry. I've yet to see the 1980's entries in this series (any kind soul out there with extra copies?), but in LITTLE ITALY the series still has some life in it, and Bruno Corbucci makes the mix of lowbrow Italian comedy and Italian police action work well. Not a classic, and action-oriented fans will be let down, but Milian fans will enjoy it.

Benedetto is a child who came out of an accident uninjured on his first communion's day. The people of his village attribute that to a miracle and made him undergo a strict religious upbringing. That fact will determine his life, which will be affected by inner torment caused by the confrontation between sexual desires and sacrifices of faith, sin and grace.

两个足球故事：阿尔瓦罗·普雷苏蒂是一名裁判，他似乎是最后一个知道妻子与德国足球明星有染的人。阿梅代奥·阿梅迪必须同时取悦他的父亲，一位坚定的罗马球迷和他未来的岳父，后者支持拉齐奥。