本季故事发生在2016至2017年，以当时的美国大选为背景。在密歇根州的一个小镇上，艾丽·梅费尔-理查兹（莎拉·保罗森饰）经营着一家餐馆。自从特朗普上台后，艾丽抑制已久的各种恐惧症就逐渐显现。她开始在家中受到小丑的惊吓，但警察和她的妻子艾薇（艾丽森·皮尔饰）都认为她的精神出了问题。尽管艾丽在心理医师鲁迪·文森特（夏安·杰克逊饰）的帮助下一直在服用药物，但她时不时的惊慌崩溃影响到了与妻儿之间的感情。新 请的保姆温特·安德森（比莉·洛尔德饰）为艾丽的儿子灌输暴力的思想，古怪的新邻居哈里森（比利·艾希纳饰）和梅多（Leslie Grossman饰）不断为艾丽制造困扰，艾丽成为了某些人的目标。
在小镇的另一边，极端右翼凯·安德森（伊万·彼得斯饰）是特朗普的拥护者。他的目标是统治世界，第一步则是成为市议会议员。他组织了一个邪教，在镇上制造谋杀案件，一边戴上面具造成恐慌的同时一边塑造自己的形象，冠冕堂皇地为自己赢得选票。政治背后的黑暗，是人们的恐惧之源……

故事发生在1952年的Florida州小镇Jupiter，德国女人Elsa和她的畸形人来到镇子表演。但一个邪恶的物体出现，威胁到了畸形人和居民的生活。这是在垂死的美国巡演世界中，畸形人和他们的绝望求生之旅的故事。

精神病学家卡拉（朱丽安·摩尔 Julianne Moore 饰）不相信存在多重人格症，她父亲（杰弗里·迪马恩 Jeffrey DeMunn 饰）却让她诊断一个多重人格的奇怪病例。病人大卫（乔纳森·莱斯·梅耶斯 Jonathan Rhys Meyers 饰）性格温和，但在接到电话后瞬间就变为个性彪悍的亚当。百思不得其解的卡拉驱车前往人格大卫的故居，得知真正的大卫多年前就已然死于一起诡异的谋杀。卡拉急迫地想找出亚当与大卫的关联，却同时发现自己的同事离奇死亡，尸体背上也出现了与亚当/大卫背上相似的十字架。看似简单的医学病例瞬间被笼罩上了灵异世界的阴影，就连卡拉的父亲都难逃诅咒。这其中的真相究竟是什么呢？

在美国殡仪业大势并购垄断下，Fisher meijubar.net一家仍然努力坚持家族式服务为生。创办人父亲Nathaniel尽管已经不在人世，但是他的形象却经常出现在家人的幻想中，留下的家族业务由家庭的其余四个人员打理。老大Nate（彼得·克劳斯Peter Krause 饰）一直在殡葬业务和初为人父的家庭角色中寻找平衡；老二David（迈克尔·霍尔Michael C. Hall 饰）和他极度情绪化的同性恋人在外居住，除主要负责家族业务外，还为教堂做事；小女儿Claire（劳伦·艾波罗丝Lauren Ambrose 饰）是个问题青年，富有艺术天赋，处于精力充沛的青春期；母亲Ruth（弗兰西丝·康罗伊 Frances Conroy 饰）则希望与儿孙们拉近距离。他们也会因死亡而被触动，思索什么才是短暂人生的意义。

Aired on HBO from 3 March 2002 to 2 June 2002

皮特（吉瑞米•斯特朗 Jeremy Strong 饰）即将从医学院毕业进入医院实习，他的前途已经铺设完毕，未来一片光明。可是，就在这个节骨眼上，学校的教授竟然给了皮特一个不及格，挂了科的皮特无法按时拿到学位证书，他梦想中的一切都在霎时间沦为了泡影。
绝望无助的皮特陷入了自暴自弃的情绪之中，他认识了一位名叫波盖特（费尔鲁扎•鲍克 Fairuza Balk 饰）的女子，虽然她自称是演员兼歌手，但实际上她就是一个无所事事的无聊份子。跟着波盖特，皮特来到了她的老家洪堡县，让皮特感到不可思议的是，波盖特家中的所有人，都靠着种植大麻维生，也难怪他们都有些疯疯癫癫的。

电影通过一个孩子的眼睛透视家庭的分崩离析与天主教教义，安琪拉十岁，艾莉六岁。由于她们的妈妈－梅罹患忧郁症，她们的爸爸－安德鲁为了让家人获得心灵上的平静，开始带她们上教堂。年幼的安琪拉深受天主教义的影响，开始幻想堕落前的 恶魔就住在家中。她深信只要她与艾莉的灵魂越纯洁，妈妈就会 越快乐，于是她自创了许多涤净灵魂的仪式。或许最出人意料的是，这样孩子气的想法与做法，最后却带来悲惨的后果...
在罪恶及赎罪中寻求一个平衡点，《天使坠落人间》透过一个创造及想像力丰富的十岁小女孩，来看这个世界，由丽贝卡.米勒执导，米兰达史都华莱恩、夏绿蒂夏娃布莱斯及安娜汤姆逊主演，并获得1995年圣丹斯影展剧情片电影人大奖、最佳摄影及1996 年布鲁塞尔国际幻想影展的银鸦奖。本片是丽贝卡.米勒的处女作，其父是非当有名的剧作家亚瑟米勒，而夫婿更是鼎鼎大名英国演技派男星丹尼尔戴路易斯。

曾经，为了实现自己的理想和包袱，布拉德沃斯（方·基默 Val Kilmer 饰）选择抛弃了妻子茱莉亚（弗兰西丝·康罗伊 Frances Conroy 饰）和三儿孩子沃伦、博伊德（德怀特·尤科姆 Dwight Yoakam 饰）、布拉迪（W·厄尔·布朗 W. Earl Brown 饰），丈夫离开带给茱莉亚的打击实在是太大了，茱莉亚患上了精神分裂症。
一晃眼几十年过去，布拉德沃斯功成名就成为了知名的蓝调音乐人，他返回了家乡，发现自己的三个儿子对自己恨之入骨。在这里，布拉德沃斯结识了名为弗雷明（里斯·汤普森 Reece Thompson 饰）的少年，一老一少之间竟然建立起了真挚的友谊，然而，布拉德沃斯并不知道，弗雷明其实是他的孙子。

"Developing" is a short film, dealing with breast cancer in a single mother. As well as dealing with the disease she also has to bring herself to level with her daughter, who is just barely scratching the surface of puberty. What can she possibly understand about the emotional and psychological trauma her mother must endure?

在美国殡仪业大势并购垄断下，Fisher一家仍然努力坚持家族式服务为生。创办人父亲Nathaniel尽管已经不在人世，但是他的形象却经常出现在家人的幻想中，留下的家族业务由家庭的其余四个人员打理。老大Nate（彼得·克劳斯Peter Krause 饰）一直在殡葬业务和初为人父的家庭角色中寻找平衡；老二David（迈克尔·霍尔Michael C. Hall 饰）和他极度情绪化的同性恋人在外居住，除主要负责家族业务外，还为教堂做事；小女儿Claire（劳伦·艾波罗丝Lauren Ambrose 饰）是个问题青年，富有艺术天赋，处于精力充沛的青春期；母亲Ruth（弗兰西丝·康罗伊 Frances Conroy 饰）则希望与儿孙们拉近距离。他们也会因死亡而被触动，思索什么才是短暂人生的意义。

为了证明自己的清白，一名被诬陷犯下重罪的骑士与擅长变形的好斗少女联手。但如果这名少女正是他曾立誓要消灭的怪物，他又该如何是好？

The play's central character is Lyman Felt, an insurance agent and bigamist who maintains families in New York City and Elmira in upstate New York. When he is hospitalized following a nearly fatal car crash on an icy mountain road, both wives—the prim and proper Theo, to whom he's been wed for more than thirty years, and the younger, more assertive Leah, whom he married nine years earlier—show up at his bedside. When confronted with his duplicity, Felt states that the two options in life are to be true to others (and to what he deems a hypocritical society) or to himself, and that he has chosen the latter. He justifies his actions to both shocked women by explaining he has given them good lives, has supported them financially and emotionally, and has been a good father. He goes on to say that the two women have been happier with this arrangement than they would have been if they had been the only wife. As reasons for this he cites domestic boredom, routine, and the angst of being trapped in the same relationship forever. The play uses flashbacks to take us to previous situations both families have lived.

The play's central character is Lyman Felt, an insurance agent and bigamist who maintains families in New York City and Elmira in upstate New York. When he is hospitalized following a nearly fatal car crash on an icy mountain road, both wives—the prim and proper Theo, to whom he's been wed for more than thirty years, and the younger, more assertive Leah, whom he married nine years earlier—show up at his bedside. When confronted with his duplicity, Felt states that the two options in life are to be true to others (and to what he deems a hypocritical society) or to himself, and that he has chosen the latter. He justifies his actions to both shocked women by explaining he has given them good lives, has supported them financially and emotionally, and has been a good father. He goes on to say that the two women have been happier with this arrangement than they would have been if they had been the only wife. As reasons for this he cites domestic boredom, routine, and the angst of being trapped in the same relationship forever. The play uses flashbacks to take us to previous situations both families have lived.

The play's central character is Lyman Felt, an insurance agent and bigamist who maintains families in New York City and Elmira in upstate New York. When he is hospitalized following a nearly fatal car crash on an icy mountain road, both wives—the prim and proper Theo, to whom he's been wed for more than thirty years, and the younger, more assertive Leah, whom he married nine years earlier—show up at his bedside. When confronted with his duplicity, Felt states that the two options in life are to be true to others (and to what he deems a hypocritical society) or to himself, and that he has chosen the latter. He justifies his actions to both shocked women by explaining he has given them good lives, has supported them financially and emotionally, and has been a good father. He goes on to say that the two women have been happier with this arrangement than they would have been if they had been the only wife. As reasons for this he cites domestic boredom, routine, and the angst of being trapped in the same relationship forever. The play uses flashbacks to take us to previous situations both families have lived.

一个发生在缅因州小镇的恐怖故事：一场厚重的迷雾突然席卷小镇，迷雾中隐藏着神秘的邪恶怪兽，几乎一切生物都在它的攻击范围之内。受困的人竭尽全力，想要逃脱这场迷雾带来的致命威胁。