Suicidal poet Archy tries to end his life by jumping off a bridge, but awakens to find he has assumed the life of a cockroach and has become a part of a community of creatures living in a newspaper office. He also discovers that he can still write poetry, using a typewriter, and begins to enjoy his new life. Archy develops deep feelings for the lovely but self-destructive cat Mehitabel, but will have to fight to win her from bad-boy tomcat Bill.

When Dr. Von Altermann's wife Lila dies mysteriously at his spooky mansion her relations suspect murder. They also suspect the doctor is turning her into a zombie, to join the army of living dead he hopes to devote to the Nazi cause. However, Lila, though dead, has developed a will of her own.

Mondo-style shockumentary about various aspects of the occult and paranormal. An investigation into the fringes of psychic spirituality with so-called experts, it includes demonic possession, exorcism, seances, Voodoo ceremonies, hypnotism, ESP, psychic surgery, and more. A warning bell alerts squeamish viewers to avert their eyes from the more graphic scenes.

A man investigates the grisly crimes that occurred in a former insane asylum, unsettling the locals who all seem to have something to hide.

A mad doctor (Bela Lugosi) and his helpers (John Carradine, George Zucco) lure girls to his lab for brain work, to help his wife.

Aliens, contacting scientist Adam Penner, inform him that they have been on the moon for twenty thousand years, undetected due to their invisibility, and have now decided to annihilate humanity unless all the nations of earth surrender immediately. Sequestered in an impregnable laboratory trying to find the aliens' weakness, Penner, his daughter, a no-nonsense army major and a squeamish scientist are attacked from outside by the aliens, who have occupied the bodies of the recently deceased.

Two women who have been unjustly confined to a prison planet plot their escape, all the while having to put up with unhinged guards, crazed wardens and mutant rodents.

Collins College needs a new department head for their science department, so Doctors Carter and Zorch consult Thinko, the campus computer, and come up with Dr. Mathilda West, who has degrees in lots of things, but turns out to be disruptively attractive as well.

A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.

A widowed field mouse must move her family -- including an ailing son -- to escape a farmer's plow. Aided by a crow and a pack of superintelligent, escaped lab rats, the brave mother struggles to transplant her home to firmer ground.

To help with an upcoming election, a bookstore clerk is indicted for selling obscene material. The defense attorneys need to find the mystery of the original publication of the book.

The murder of a Wax Museum proprietor and some other strange goings-on in the vicinity prompt a police investigator to determine whether the killer is one of the principles who wants to own the museum or if Jack the Ripper has returned to killing after a hiatus of ten years.

1977 film by Charles Band

After being fired from the Space Agency, the disgruntled (not to mention crazy) Dr. DeMarco creates an Astroman from a criminal’s dead body. However, he loses control of his creation, which goes on a killing spree, attracting the attention of an international spy ring and the CIA.

A young girl witnesses the brutal murder of her stepfather at the hands of her brother, by mirror reflection. Years later, when the mirror is accidentally shattered, a dark and vengeful curse is unleashed on the family, and anyone unlucky enough to come into contact with its shards falls victim to heinous murder.

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。
A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest.
Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time.
Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one.
MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

American honeymooners in Hungary become trapped in the home of a Satan-worshiping priest when the bride is taken there for medical help following a road accident.

A mouse and his child, the two parts of a single small wind-up toy, go on a quest to become "self-winding".

The janitor at a local high school is actually the scout for a coven of Satanists on the lookout for a virgin to sacrifice. One day he kidnaps the cheerleading squad to use for their rituals. However, unbeknownst to the devil-worshipers, one of the cheerleaders is actually a witch, and has plans of her own for the Satanists.