That The Illustrated Man has remained in print since being published in 1951 is fair testimony to the universal appeal of Ray Bradbury's work. Only his second collection (the first was Dark Carnival , later reworked into The October Country ), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley Wiater

Contents:

· Prologue: The Illustrated Man · ss *
· The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50
· Kaleidoscope · ss Thrilling Wonder Stories Oct ’49
· The Other Foot · ss New Story Magazine Mar ’51
· The Highway [as by Leonard Spalding] · ss Copy Spr ’50
· The Man · ss Thrilling Wonder Stories Feb ’49
· The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50
· The Rocket Man · ss Maclean’s Mar 1 ’51
· The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51
· The Last Night of the World · ss Esquire Feb ’51
· The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50
· No Particular Night or Morning · ss *
· The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50
· The Visitor · ss Startling Stories Nov ’48
· The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49
· Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49
· The City [“Purpose”] · ss Startling Stories Jul ’50
· Zero Hour · ss Planet Stories Fll ’47
· The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50
· Epilogue · aw *

Over the course of a storied literary career that has spanned more than half a century, Ray Bradbury has taken us to wonderful places: across vast oceans to foreign lands, onto summer porches of small-town America, through dark and dangerous forests where predators wait, into the hypnotic mists of dream, back to a halcyon past to remember, forward into an exhilarating future, and rocketing through outer space.

In We'll Always Have Paris —a new collection of never-before-published stories—the inimitable Bradbury once again does what few writers have ever done as well. He delights us with prose that soars and sings. He surprises and inspires, exposing truths and provoking deep thought. He imagines great things and poignantly observes human foibles and frailties. He enchants us with the magic he mastered decades ago and still performs flawlessly. In these pages, radio voices become indomitable flesh and the dead arise to recapture life. There is joy in an eccentric old man's dance for the world and wonder over the workings of humankind's best friend, O Holy Dog. Whether he's exploring the myriad ways to be reborn, or the circumstances that can make any man a killer, or returning us to Mars, Bradbury opens the world to us and beckons us in.

Get ready to travel far and wide once again with America's preeminent storyteller. His tales will live forever. We will always have Bradbury—and for that reason, we are eternally blessed.

Previous cover edition of ASIN B00BAJ6GL2

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden.

Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television 'family'. But then he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people did not live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television.

When Mildred attempts suicide and Clarisse suddenly disappears, Montag begins to question everything he has ever known.

Ten incredible trips into the unknown await you...

Blast off with:

• Percy Jackson and the Singer of Apollo an all-new and exclusive tale from Rick Riordan

• A Day in the Life by award-winning author/illustrator Shaun Tan

• Rise of the RoboShoes by Tom Angleberger of Origami Yoda fame

And many more weird and wonderful stories by legendary writer Ray Bradbury, Newbery medalist Rebecca Stead, Shannon Hale, D. J. MacHale, Eric Nylund, Kenneth Oppel and Neal Shusterman.

Compiled by US National Ambassador for Children’s Literature (and Secret Ambassador for the Intergalactic Alliance) Jon Scieszka, Other Worlds will boldly take you where no reader has gone before.

ساحره‌ی سرگردان شامل 10 داستان کوتاه ساده و سرراست است؛ داستان‌هایی که به‌ناگاه شکل می‌گیرند و اثری همچون یک تلنگر به‌جا می‌گذارند. در قصه‎‌های برادبری اشیا و محیط پیرامون به اندازه‌ی آدمها در پیشبرد قصه سهمیند؛ داستان‌ها از دل روابط بیرون می‌آیند و از اشیای پیرامون تاثیر می‌پذیرند و جهانی ملموس خلق می‌کنند.

One of twelve short stories the late science-fiction legend wrote for Esquire. And, weirdly, perhaps the most lasting.

That The Illustrated Man has remained in print since being published in 1951 is fair testimony to the universal appeal of Ray Bradbury's work. Only his second collection (the first was Dark Carnival , later reworked into The October Country ), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley Wiater

Contents:

· Prologue: The Illustrated Man · ss *
· The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50
· Kaleidoscope · ss Thrilling Wonder Stories Oct ’49
· The Other Foot · ss New Story Magazine Mar ’51
· The Highway [as by Leonard Spalding] · ss Copy Spr ’50
· The Man · ss Thrilling Wonder Stories Feb ’49
· The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50
· The Rocket Man · ss Maclean’s Mar 1 ’51
· The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51
· The Last Night of the World · ss Esquire Feb ’51
· The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50
· No Particular Night or Morning · ss *
· The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50
· The Visitor · ss Startling Stories Nov ’48
· The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49
· Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49
· The City [“Purpose”] · ss Startling Stories Jul ’50
· Zero Hour · ss Planet Stories Fll ’47
· The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50
· Epilogue · aw *

‫در شب هالووین، هشت پسر برای گرفتن شکلات بیرون می‌روند ولی متوجه می‌شوند یکی از دوستان‌شان گم شده است. آنها به کمک شخصیتی مرموز در زمان و مکان سفر می‌کنند تا دوست گمشده‌شان را پیدا کنند.

کشوری که همیشه آخر سال است. کشوری که تپه‌هایش خود مه و رودخانه‌هایش خود ابرآلودگی است؛ آن‌جا که ظهرش تند گذر است و شفق و شبش پا سفت‌کنان؛ و نیم شبش نمی‌گذرد. این کشوری است برآمده از سرداب‌ها، زیر سرداب‌ها، خاکه زغال، کمدها، زیر شیروانی‌ها و پستوها. این کشوری که مردمش خزان‌وارند تنها افکار سرد از ضمیرشان می‌گذرد. مردمش می‌گذرند با راه‌پیمایی‌های میان تهی، با صدایی که انگاری رگبار می‌زند.

More than sixty years after its originally publication, Ray Bradbury’s internationally acclaimed novel Fahrenheit 451 stands as a classic of world literature set in a bleak, dystopian future. Today its message has grown more relevant than ever before.
Guy Montag is a fireman. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But when he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television, Montag begins to question everything he has ever known.
--back cover

The Golden Apples of the Sun is a collection of thirty-two of Ray Bradbury's most famous tales. From a lonely coastal lighthouse to the pouring rain of Venus to the ominous silence of a murder scene, Bradbury is our sure-handed guide not only to surprising manifestations of the future but also to the wonders of a present we could never have imagined on our own.

برگزیدهٔ داستان‌های کوتاه ری برادبری

آنچه بر دوش می‌کشیدند ضیافتی از داستان‌های کوتاه را ترتیب داده است. هر ‫داستان، کلاسیک یا مدرن، طعم و بوی خاص خود را دارد و مخاطب را در فضایی میان گذشته و حال شناور می‌سازد. دست‌چینی از آثار کوتاه و اندیشه‌ساز نویسندگان انگلیسی زبان، چه آن‌ها که از نژاد آنگلوساکسون بودند و در انگلستان یا ایرلند به دنیا آمدند و چه آن‌ها که در قارهٔ نو‌، پا به عرصهٔ وجود گذاشتند، پیش روی شیفتگان داستان قرار گرفته است. شخصیت‌هایی متفاوت خلق می‌شوند و برخی‌شان خواننده را در جهانی از چلش‌ها، انگیزه‌ها، کنش‌ها و تأمّلات درونی و فلسفی خویش، درگیر می‌سازند. هر شخصیت، از کودک آرمان‌خواه فاتح اسپانیایی و پدربزرگش گرفته تا ستوانی دل‌باخته به نام جیمی کراس، در آنچه بر دوش می‌کشیدند، که دل در گرو عشق مارتا دارد، جلوه‌ای آشنا از طبیعت بشر و ایده‌آل‌هایش را باز می‌آفریند و این‌گونه، احساس هم‌ذات پنداری مخاطب را برمی‌انگیزد. ولی علیرغم تفاوت‌هایی بی‌شمار که در جهان‌بینی شخصیت‌ها و نحوهٔ نگرش آن‌ها به آدم‌های پیرامونشان به چشم می‌خورد، تمامشان از وجهی مشترک برخوردارند و آن، بار تحمّل‌ناپذیر تنها بودن است که هریک به شکلی، بر دوش می‌کشند.


The present book is a selection of short and thought-provoking short stories by English-speaking authors. Each story, classic or modern, has its own taste and smell and makes the audience float between the past and the present. The theme is presented to the reader from the dark atmosphere of the stories and the pessimistic look that is housed in the lower layers, and flips over to the raw fantasy of the simple-minded who strongly believe that life is a sweet and pleasant phenomenon. In the story of "Hand", we read: A man finds an artificial hand that has fallen on the floor of the street and takes it home with him, washes it, and constantly thinks about what the owner of this hand looks like. She goes to the market to find men without hands

Imagine uma época em que os livros configurem uma ameaça ao sistema, uma sociedade onde eles são proibidos. Para exterminá-los, basta chamar os bombeiros - profissionais que outrora se dedicavam à extinção de incêndios, mas que agora são os responsáveis pela manutenção da ordem, queimando publicações e impedindo que o conhecimento se dissemine como praga. Para coroar a alienação em que vive essa nova sociedade, as casa são dotadas de televisores que ocupam paredes inteiras de cômodos, e exibem "famílias" com as quais se pode dialogar, como se estas fossem de fatos reais.

Este é o cenário em que vive Guy Montag, bombeiro que atravessa série crise ideológica. Sua esposa passa o dia entretida com seus "parentes televisivos", enquanto ele trabalha arduamente. Sua vida vazia é transformada quando ele conhece a vizinha Clarisse, uma adolescente que reflete sobre o mundo à sua volta e que o instiga a fazer o mesmo. O sumiço misterioso de Clarisse leva Montag a se rebelar contra a política estabelecida, e ele passa a esconder livros em sua própria casa. Denunciado por sua ousadia, é obrigado a mudar de tática e a buscar aliados na luta pela preservação do pensamento e da memória.

Um clássico de Ray Bradbury, Fahrenheit 451 é não só uma crítica à repressão política mas também à superficialidade da era da imagem, sintomático do século XX e que ainda parece não esmorecer.

Introdução por: Manuel da Costa Pinto, escritor do prefácio desta edição de Fahrenheit 451.