In 1876, Johnny Jameson (Dan Dailey), a "drummer" (traveling salesman), is the only passenger on the inaugural run of the Tomahawk and Western Railroad's narrow gauge train through the Colorado Rockies. During the ride, the conductor tells Johnny that certain people, stagecoach operators for example, would like to see the railroad's franchise fail. Soon afterwards, Dakota (Rory Calhoun), Trancas and Gila, who work for Colonel Dawson, the area stageline operator, cause a giant boulder to fall directly in the path of the train. Engineer Terence Sweeny (Walter Brennan) manages to stop the train in time, and he and the crew then disembark to move the rock.
Johnny decides to walk to the town of Epitaph and hitches a ride with Trancas and Gila. At the sheriff's office, when Johnny tries to report the train's delay to deputy Chuckity Jones (Charles Kemper), he is knocked out by Trancas. U.S. Marshal Kit Dodge, meanwhile, is in the room next door getting ready to welcome the train with help from his tomboyish, knife-wielding granddaughter Kit (Anne Baxter). As they leave for the depot they are surprised by Trancas and Gila. The marshal shoots Trancas but is wounded by Gila. Johnny comes round and Kit suspects that he may also be one of the gang. Despite Chuckity intervening on his behalf she orders him to leave town before sunset.
Kit is deputized as a U.S. Marshal by her grandfather, who now cannot travel because of his wound. She and an Indian companion named Pawnee (Chief Yowlachie) are assigned to escort the train to Tomahawk. Colonel Dawson orders Dakota to join the posse that is escorting the train and also an Indian scout, Black Wolf, to stir up the local Arapahos. Other gang members plot to blow up the engine during a night stop.
Only after he has bought his ticket out of town does Sweeny learn that there is no track laid for the next forty miles. He is informed by local railway entrepreneur, Bishop, that the rails were lost at sea en route from England. Bishop explains that as the train must reach Tomahawk to fulfill the requirements of the franchise contract, he has arranged for the engine car to be hauled by a team of mules. Another condition is that the train must reach Tomahawk by a rapidly approaching deadline with at least one paying passenger. Kit is not pleased to discover that the passenger assigned to her care is Sweeny. Johnny, now reluctant to travel on the train, is roped alongside the cab as the locomotive, minus its passenger car, sets off pulled by the mules and accompanied by assorted wagons. Chinese laundry man Long Time (Victor Sen Yung) joins the group with much delayed laundry for Tomahawk, together with Madame Adelaide (Connie Gilchrist) and her dancing girls, Annie, Ruby, Clara (Marilyn Monroe) and Julie. A musician with pionola accompanies them.
As planned, Dawson's men Bat, Charley and Fargo show up at a night stop claiming to be telegraph men who are there to repair lines cut by the Arapahos and Kit gives them permission to bunk in the camp. Gradually Kit softens her attitude towards Johnny. When all are asleep, Bat and Charley leave while Fargo tosses sticks of dynamite under the engine. Johnny, sleeping alongside the train, smells the lit fuse and alerts the others. Kit then cuts the fuse with a shot and disables Fargo but before he can talk Dakota kills him.
Some time later, a few miles beyond where the track restarts, Bat and Charley are placing dynamite charges on a trestle bridge. Johhny, Kit and Pawnee are scouting ahead and stop at the bridge. Bat and Charley consider shooting them but are then themselves attacked and killed by Indians and the dynamite is set off prematurely. Kit, Johnny and Pawnee are chased back to the train which is then attacked by the war party. Johnny identifies the Arapaho chief, Crooked Knife, having previously worked with him in a travelling western show. After the war party is driven off, Johnny volunteers to talk peace with him. He has learned that Long Time is carrying a load of fireworks and develops a plan. He is welcomed by Crooked Knife, who agrees to allow the train safe passage. However, some of the braves distrust Johnny and ask him to produce a sign that he is "big medicine." Johnny sets off a rocket, signaling Kit and Dakota to set off the rest of the fireworks on a nearby hill, and the Indians are impressed. As the railway bridge is now out, Kit intends to take the thirty-three-ton locomotive over a mountain by dismantling it and carrying it in sections. Dawson, meanwhile, thinks he has been double-crossed and shoots Black Wolf. He then rounds up his men for a final showdown.
After Kit discovers that Dakota has sabotaged a vital water tower, Dakota jumps aboard the train, slugs Johnny and at gunpoint makes the fireman start the engine rolling and takes off at high speed down the tracks. Kit jumps into the cabin but is knocked out by Dakota. Johnny revives and while he and Dakota fight on top of the cabin, Kit comes round and throws her knife at Dakota, causing him to fall into a ravine. Dawson and his gang then ambush the train but cannot catch up with it. However, they manage to shoot up the boiler and the train slows to a halt within sight of Tomahawk. A posse, headed by Marshall Dodge, rides out from the town and, together with the Araphoe, subdue Dawson's gang. Dawson flees but is pursued by Pawnee who throws a tomahawk at him which hits home off camera. As the train has stopped just short of its goal, Johnny talks the mayor of Tomahawk into extending the town limits, thereby fulfilling the requirements of the franchise. He does so, with seconds to spare. By now Kit has fallen in love with Johnny but he says he cannot be with her as he could not give up his travelling life. She grabs her knife and threatens to cripple him to stop his wandering ways. In the next scene it becomes apparent that Johnny is now working as a train conductor. As the train sets off he quickly limps after it, waving to his wife, Kit, and their five young daughters...

Another of Scots director Grigor's handsome architecture documentaries, from the line across the white on black titles dissolving to the prairie horizon, this is a superior, unremittingly serious study of it's subject The personal material, glimpses of the aged Wright on film, accounts of his marriages and the disasters destroying his home are margin notes to the detailed filming of the buildings.
Baxter is a relative and her narration is effective.
Austere and imposing, leaving a respect for the work and curiosity about the man.
What else is there to say to bring this one up to the length the computer demands especially when a lot of the entries are well below the ten lines minimum?

故事发生在西班牙加泰罗尼亚的Costa Brava的一幢别墅里。Kimberley Prescott（Anne Baxter饰演）是一位年轻的南非钻石公司的继承人。在她父亲自杀后，她继承了家族的财产和生意。一天晚上，一名男子（Richard Todd饰演）到来，自称是她已故的哥哥Ward Prescott。然而，她的哥哥Ward早已在一场车祸中丧生，而且是她认的尸体。Kimberley认为这个冒名顶替者是为了遗产里的这幢别墅。她报了警。但这名男子有护照，银行账户等身份证明自己就是Ward。警察 Vargas (Herbert Lom饰演) 表示不相信Kimberley。这名男子甚至还用照片详细描述他俩的童年等等来支持他的说法。这名男子很快就住进了Kimberley的别墅，更进一步融入了她的生活。随后，Kimberley发现，他们是为了她父亲公司金库里丢失的钻石而来。尽管Kimberley坚持否定这个陌生人不是她的哥哥Ward，但其他人都接受了他就是Ward，包括他们的叔叔。Kimberley 进而意识到她甚至很可能有生命危险。这时，Vargas 开始对事情有疑虑，站到了Kimberley的一边。Vargas让Kimberley拿到这名男子的指纹。Kimberley照做。结果，Vargas得到的验证结果是指纹属于Ward Prescott。所有人都怀疑是Kimberley疯了。这个自称是Ward的男子到底是不是Ward Prescott？情急之下，Kimberley爆出一个惊人的秘密...

1944 film by Lewis Milestone

A drifter finds himself wrongly accused of murder by a power-crazed sheriff. The sheriff gives him a horse, some supplies, and a one-hour head start into the desert, then he will send his murderous posse after him

1922年，23岁的希区柯克执导他的首部电影《13号》，宣告了一代悬念大师的银幕初登场。曾执导过多部电影史纪录片的英国导演马克·卡曾斯以《13号》百年庆为契机，推出了这部致敬希区柯克的论文电影。影片出人意料地从希区柯克的角度出发，以口述方式（由著名影星阿利斯泰尔·麦高恩配音）、模拟了一出“希区柯克带你看希区柯克电影”的戏码。通过这个虚拟的主观视点，向影迷介绍希区柯克数量庞大的经典作品中的共通点、以及隐藏在趣味和高能背后的视听技巧，亦展现了卡曾斯本人的博学和洞察力。

Englishman Mr Howard is on a fishing holiday in eastern France when the Germans invade in 1940. Setting off to try and get back home he is persuaded to take along the two Cavanaugh children, and as his journey progresses his family keeps growing in size. Once in German-occupied northern France a new problem arises: the risk of being heard speaking English.