1965年，印尼政府被军政府推翻，那些反对军事独裁的人都被认定为“共产党人”，并遭遇了血腥屠杀，一年之内，就有超过100万“共产党人”丧命，其中就包括农民还有一些当地的华人。本片的主角Anwar Congo和他的朋友们就参与了当年的屠杀活动，他如今是印尼最大的准军事组织Pemuda Pancasila的元老人物。Anwar和他的朋友接受导演的邀请，在镜头前重新演绎当年他们是如何处死那些“共产党人”的，他们通过拍摄电影的方式，重现了当年的场景，再次拿起了那些沾满鲜血的用来勒死人的铁丝。Anwar讲述了他的故事，其中就包含着他年轻时候对美国黑帮电影的喜爱，而他所属的准军事组织Pemuda Pancasila虽然是维护国家安全的力量，恰恰也被人视为印尼最大的黑帮......

一户人家讲述了自己的儿子被谋杀的场景。而谋杀他儿子的人就住在街道的另一边。直到今天依然权力在握，没有人敢于去追究他的责任，也没有人敢于去杀了他报仇。在官方的报道中，侩子手成为了英雄，而英雄，又成为了这个时代的传说。在沉默中，家庭在哀嚎，而事实又消于隐匿……

The Globalization Tapes is a film made by workers for workers. The story isn’t told by experts, but by union members from palm oil plantations in Indonesia. Their experience is complemented by workers from both Colombia and Holland. The film powerfully documents their exploration of history, globalization, and how unions around the world can support each other and struggle together.
Using their own forbidden history as a case study, the Indonesian filmmakers trace the development of contemporary globalization from its roots in colonialism to the present. Through chilling first-hand accounts, The Globalization Tapes exposes the devastating role of militarism and repression in building the “global economy”, and explores the relationships between trade, third-world debt, and international institutions like the IMF, the World Bank, and the World Trade Organization. The film explains how these institutions shape and enforcing the corporate world order.
A collaboration between the Independent Plantation Workers’ Union of Sumatra (Indonesia), the International Union of Food and Agricultural Workers (IUF) and Vision Machine Film Project.

蒂尔达·斯文顿、乔治·麦凯、斯蒂芬·格拉汉姆将主演一部新音乐片《末日》(The End)。约书亚·奥本海默(《杀戮演绎》《沉默之像》)执导，Neon出品，明年开拍。是一部关于世界末日的黄金时代风格音乐片，讲述地球上最后一个人类家庭的生活。