Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.

Documentary film explores the role of women in the Slovenian film and is also looking for reflections in the film classics of the constant changing position of women in the society. Documentary also refers to popular and lesser-known women's roles in the history of Slovenian film, heroines in the literal sense, typical roles in many partisan films, as well as the established cliches: a suffering mother, adulteress, gossip. Through interviews with the actresses, theorists and artists as well as analyzing the most common phrases expressed by women in the Slovenian films, the film tries to reveal the true Slovenian film heroine.

Seventeen-year-old Iva is in the process of coming to terms with the death of her mother. Influenced by this deep personal loss and by the discovery that she didn’t know everything about her mom, the girl slowly immerses herself into a strange, almost dreamlike world. Sonja Prosenc’s movie is dominated by a distinctive poetic that attacks the viewer’s senses, as well as by a narratively loose style and an ability to construct a story with the aid of the subtlest of suggestions.

住在同一家疗养院的布鲁诺和杜莎彼此相伴。但是，他们在一起的时光总是很快就被遗忘，因为两人都患有痴呆症。他们每次相见都像是第一次。吉廖拉·辛奎蒂的歌曲《我还年轻》唤醒了这段独特的关系，这首歌曾在20世纪60年代的圣雷莫音乐节上演出过——这是他们唯一的共同记忆，来自他们的青年时代。当布鲁诺独自一人时，回忆浮上脑海，他记起了患病之前的日子——他的家，他的妻子，他的狗，这一切其实都已经不在了。一天晚上，他无法找到自己的房间。他不小心走进了杜莎的房间，在她旁边睡着了。第二天早上，他们吵了起来，双方都试图证明对方上错了床，但这一切让他们重新发现了对彼此的感情。过了一会儿，杜莎穿着最好的衣服，在餐桌前等着布鲁诺一起吃早餐，但这种等待却是徒劳的。

故事发生在一所高中里，老师露莎（沃兰克·波 Voranc Boh 饰）回家待产，取而代之的，是来自德国的罗伯特（伊戈尔·萨莫波尔 Igor Samobor 饰）。罗伯特是一个非常严肃和古板的男人，和露莎宽松温柔的教育理念截然相反。他觉得这所学校的孩子们太过于自由散漫，毫无纪律性可言，需要更加严格的管教。
一天，罗伯特因为某些事情狠狠的批评了一个名为萨宾娜（达萨·库佩夫斯基 Dasa Cupevski 饰）的女孩，让大家都没有想到的是，不久之后，萨宾娜竟然自杀了。所有的学生都加萨宾娜的死因归结到了罗伯特的头上，男孩卢卡（沃兰克·波 Voranc Boh 饰）更是站了出来将罗伯特视为全校的公敌。