伍兹一家搬进 Xaos House 大约一周后，他们的女儿艾莉在停电期间失踪了。艾莉的母亲凯拉调查后发现墙壁上刻有奇怪的符号。在经历了许多可怕的超自然经历后，她得出的结论是房子带走了艾莉。她发现一位名叫约翰·费瑟斯顿的物理学家和神秘学家痴迷于寻找第 11 维，他建造了这座房子，并在通往地窖的 10 个台阶上刻上了险恶的方程式。最后，凯拉必须与宇宙最古老的恶魔战斗，否则将永远失去家人的灵魂。

Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?
Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?
Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
源自：

On a bare country road Vladimir and his friend Estragon wait in hope of salvation from a man called Godot. Their hope of salvation lies in Godot's arrival. While waiting they play games, entertain one another with vaudevillian tricks, question whether Godot will arrive and how they will benefit when he does. They are interrupted by the arrival of Pozzo (a land owner) and Lucky (Pozzo's slave). Pozzo questions their reasoning for waiting. Lucky performs a staggering burst of a monologue. Pozzo and Lucky exit, night falls and a young boy arrives and tells Vladimir and Estragon that "Mr Godot won’t come here today but he'll surely arrive tomorrow.” In Act two Pozzo returns but he is blind and Lucky is mute. Vladimir and Estragon continue waiting. Still determining to go, the tramps do not move.

“I cannot express how much this show means to me,” writes artistic director, Peter Reid. “It is undoubtedly the greatest show of the 20th Century and has revolutionised the fabric of theatre.”

The play is a blend of black comedy, melodrama, horror and bleak tragedy. The story is set in the Irish village of Leenane, Connemara in the early 1990s. It takes place entirely in a shabby, poorly-lit kitchen, resulting in a claustrophobic sense of entrapment.

The play centers on the life of Maureen Folan, a 40-year-old spinster who takes care of her selfish and manipulative 70-year-old mother Mag. Maureen's sisters have escaped into marriage and family life, but Maureen, with a history of mental illness, is trapped in a seriously dysfunctional relationship with her mother.

The Folan cottage is visited by Pato Dooley and his younger brother Ray. Pato is a middle-aged construction worker fed up with having to live and work in England, disappointed by the limitations and loneliness of his life. The day-to-day sameness is tedious also for Ray, a non-threatening "bad boy".

The glimmer of a last-chance romance between Maureen and Pato sparks up in the first act, and continues in the second one with a notable monologue of Pato. The plot, full of deceptions, secrets and betrayals interspersed with turnabouts, keeps surprising the audience. Hopes are raised only to be dashed.

BBC Four has acquired Hidden Assets from DCD Rights, a new international crime drama shot in Ireland and Belgium starring Angeline Ball.
A routine raid led by Emer Berry, (Ball) a detective in the Irish Criminal Assets Bureau, reveals that a small-time drug dealer has been receiving substantial funding from a seemingly untraceable source – not in cash, but in rough diamonds.
When these diamonds are linked to a series of bombings in Belgium, Emer is forced to work with Police Commissioner Christian De Jong. Eventually banding together, they unravel a political conspiracy fuelling domestic unrest for financial gain; caught up in this web of greed are the Brannigans, a wealthy Irish dynasty with ties to Antwerp.
Drawn into a battle of wits with the family, Emer, Christian, and the CAB team must follow the money to stop another terrorist attack – before it’s too late.
Alongside Angeline Ball, Wouter Hendrickx stars as Christian De Jong with Simone Kirby as Bibi Melnick.
Sue Deeks, Head of Programme Acquisition, BBC says: "Hidden Assets is a satisfying blend of crime drama, political conspiracy and thriller. BBC viewers will be glued to their seats until the very end!"
Hidden Assets is 6 x 52 series produced by Saffron Moon, Facet4Media and Potemkino. The Lead Director is Thaddeus O’Sullivan with Kadir Balci leading the shoot in Belgium and it is written by IFTA-nominated screenwriter Peter McKenna and Morna Regan, who was selected for the first BBC Drama Room in 2016.

爱尔兰刑事资产局侦探埃默·贝里（Emer Berry）领导的一次例行搜查显示，一名小毒贩一直从一个似乎无法追踪的来源获得大量资金——不是现金，而是毛坯钻石。当这些钻石与比利时的一系列爆炸案有关时，埃默被迫与警察局长克里斯蒂安·德容合作。

1971年，北爱尔兰冲突升级，一场内战似乎就在眼前。年轻的英国新兵加里被调到贝尔法斯特执行任务。那里的局势令人困惑，即使是最富经验的士官也都焦头烂额。贝尔法斯被分裂为两个部分，一边是“忠诚的”新教徒，另一边是“敌对的”天主教徒。两边人都有着自己的准军事部队。不仅如此，街头上激进的匪徒、便衣特工都在为自己一方的利益不择手段。在一次巡逻中，士兵们陷入了打斗，他们中了一位丢失了武器。加里和同伴发现了小偷，追了出去。片刻之后，加里发现只剩下自己独自一人，在危险的敌对方领地里。为了回到军队的驻扎地，加里开始了一段充满不确定、恐惧与绝望的旅程。