Maria Schell (Sophie) and Paul Scofield (Alexander) turn in magnificent performances as former patients of Freud who meet for the first time in Vienna in 1970. Sophie convinces a wary Alexander to meet after she sees him interviewed on TV about his experience with Freud. In their one-day encounter, in a reluctant Alexander's cluttered apartment, the two sit down to talk.
Sophie is now a divorced New Yorker of nearly 70, Alexander is a lonely widower; both still harbor resentment of Freud's treatment of their youthful "problems." Their personal narratives, shown in flashback, are poignant; Freud is an unseen but vivid presence in the therapy scences.

Presentation that includes incredible short movies with some of the world's biggest actors. In "Friend Request Pending", Judi Dench is a neophyte in the complicated landscape of Internet dating. Colin Firth is an unusually needy neighbor to Keira Knightley in "Steve." Lily Tomlin gets lost on her way to a funeral in "Procession", and Jason Alexander is a screenwriter at the end of his rope in the musical short "Not Your Time." Also including short movies starring Kenneth Branagh, Julia Stiles, Wes Bentley and more.
- Written by Shorts International

本剧基于真实事件、2004年法国纪录片《楼梯悬案》、书籍《Written in Blood》等素材创作而成。故事将探索Michael Peterson的生活，他那位于北卡罗来纳州的大家庭，以及他妻子Kathleen Peterson十分可疑的死亡。

Fourplay follows the romantically entwined lives of a TV writer, producer, actress and makeup artist. Ben Greene (Binder) is an American comic writer who comes to Britain to write for a show, "Telford Gate". The star of the show, Carly Matthews-Portland (Hemingway) is married to the producer, Allan (Firth). Carly decides to help Greene, by setting him up on a date with a French makeup artist, Fiona Delgrazia (Irène Jacob). As the movie progresses, the lives of the couples get more entwined and they each decide if they are in the right relationship or not.

Helen Fielding tells the story of how Bridget Jones's Diary came to be.

由新晋导演雷恩·艾伦·米勒执导的《分手有缘人》是一部爱情喜剧，大卫·琼森和维维安·奥帕拉分别饰演多姆和雅诗。这两个20多岁的年轻人都经历了惨痛的分手，他们在伦敦南部一次展会上相遇。两人帮助对方面对噩梦般的前任，这或许能恢复他们对爱情的信心。

Act I

A night in winter

[Scene 1]

Aston has invited Davies, a homeless man, into his apartment after rescuing him from a bar fight (7–9). Davies comments on the apartment and criticizes the fact that it is cluttered and badly kept. Aston attempts to find a pair of shoes for Davies but Davies rejects all the offers. Once he turns down a pair that doesn’t fit well enough and another that has the wrong colour laces. Early on, Davies reveals to Aston that his real name is not "Bernard Jenkins", his "assumed name", but really "Mac Davies" (19–20, 25). He claims that his papers validating this fact are in Sidcup and that he must and will return there to retrieve them just as soon as he has a good pair of shoes. Aston and Davies discuss where he will sleep and the problem of the "bucket" attached to the ceiling to catch dripping rain water from the leaky roof (20–21) and Davies "gets into bed" while "ASTON sits, poking his [electrical] plug (21).

[Scene 2]
The LIGHTS FADE OUT. Darkness.

LIGHTS UP. Morning. (21) As Aston dresses for the day, Davies awakes with a start, and Aston informs Davies that he was kept up all night by Davies muttering in his sleep. Davies denies that he made any noise and blames the racket on the neighbors, revealing his fear of foreigners: "I tell you what, maybe it were them Blacks" (23). Aston informs Davies that he is going out but invites him to stay if he likes, indicating that he trusts him (23–24), something unexpected by Davies; for, as soon as Aston does leave the room (27), Davies begins rummaging through Aston's "stuff" (27–28) but he is interrupted when Mick, Aston’s brother, unexpectedly arrives, "moves upstage, silently," "slides across the room" and then suddenly "seizes Davies' "arm and forces it up his back," in response to which "DAVIES screams," and they engage in a minutely-choreographed struggle, which Mick wins (28–29), ending Act One with the "Curtain" line, "What's the game?" (29).
Act II

[Scene 1]
A few seconds later

Mick demands to know Davies' name, which the latter gives as "Jenkins" (30), interrogates him about how well he slept the night before (30), wonders whether or not Davies is actually "a foreigner"—to which Davies retorts that he "was" indeed (in Mick's phrase) "Born and bred in the British Isles" (33)—going on to accuse Davies of being "an old robber […] an old skate" who is "stinking the place out" (35), and spinning a verbal web full of banking jargon designed to confuse Davies, while stating, hyperbolically, that his brother Aston is "a number one decorator" (36), either an outright lie or self-deceptive wishful thinking on his part. Just as Mick reaches the climactic line of his diatribe geared to put the old tramp off balance—"Who do you bank with?" (36), Aston enters with a "bag" ostensibly for Davies, and the brothers debate how to fix the leaking roof and Davies interrupts to inject the more practical question: "What do you do . . . when that bucket's full?" (37) and Aston simply says, "Empty it" (37). The three battle over the "bag" that Aston has brought Davies, one of the most comic and often-cited Beckettian routines in the play (38–39). After Mick leaves, and Davies recognises him to be "a real joker, that lad" (40), they discuss Mick's work in "the building trade" and Davies ultimately discloses that the bag they have fought over and that he was so determined to hold on to "ain't my bag" at all (41). Aston offers Davies the job of Caretaker, (42–43), leading to Davies' various assorted animadversions about the dangers that he faces for "going under an assumed name" and possibly being found out by anyone who might "ring the bell called Caretaker" (44).

[Scene 2]

THE LIGHTS FADE TO BLACKOUT.
THEN UP TO DIM LIGHT THROUGH THE WINDOW.
A door bangs.
Sound of a key in the door of the room.
DAVIES enters, closes the door, and tries the light switch, on, off, on, off.

It appears to Davies that "the damn light's gone now," but, it becomes clear that Mick has sneaked back into the room in the dark and removed the bulb; he starts up "the electrolux" and scares Davies almost witless before claiming "I was just doing some spring cleaning" and returning the bulb to its socket (45). After a discussion with Davies about the place being his "responsibility" and his ambitions to fix it up, Mick also offers Davies the job of "caretaker" (46–50), but pushes his luck with Mick when he observes negative things about Aston, like the idea that he "doesn't like work" or is "a bit of a funny bloke" for "Not liking work" (Davies' camouflage of what he really is referring to), leading Mick to observe that Davies is "getting hypocritical" and "too glib" (50), and they turn to the absurd details of "a small financial agreement" relating to Davies' possibly doing "a bit of caretaking" or "looking after the place" for Mick (51), and then back to the inevitable call for "references" and the perpetually-necessary trip to Sidcup to get Davies' identity "papers" (51–52).

[Scene 3]
Morning

Davies wakes up and complains to Aston about how badly he slept. He blames various aspects of the apartment's set up. Aston suggests adjustments but Davies proves to be callous and inflexible. Aston tells the story of how he was checked into a mental hospital and given electric shock therapy, but when he tried to escape from the hospital he was shocked while standing, leaving him with permanent brain damage; he ends by saying, "I've often thought of going back and trying to find the man who did that to me. But I want to do something first. I want to build that shed out in the garden" (54–57). Critics regard Aston's monologue, the longest of the play, as the "climax" of the plot.[3] In dramaturgical terms, what follows is part of the plot's "falling action".
Act III

[Scene 1]
Two weeks later [… ]Afternoon.

Davies and Mick discuss the apartment. Mick relates "(ruminatively)" in great detail what he would do to redecorate it (60). When asked who "would live there," Mick's response "My brother and me" leads Davies to complain about Aston's inability to be social and just about every other aspect of Aston's behaviour (61–63). Though initially invited to be a "caretaker," first by Aston and then by Mick, he begins to ingratiate himself with Mick, who acts as if he were an unwitting accomplice in Davies' eventual conspiracy to take over and fix up the apartment without Aston's involvement (64) an outright betrayal of the brother who actually took him in and attempted to find his "belongings"; but just then Aston enters and gives Davies yet another pair of shoes which he grudgingly accepts, speaking of "going down to Sidcup" in order "to get" his "papers" again (65–66).

[Scene 2]
That night

Davies brings up his plan when talking to Aston, whom he insults by throwing back in his face the details of his treatment in the mental institution (66–67), leading Aston, in a vast understatement, to respond: "I . . . I think it's about time you found somewhere else. I don't think we're hitting it off" (68). When finally threatened by Davies pointing a knife at him, Aston tells Davies to leave: "Get your stuff" (69). Davies, outraged, claims that Mick will take his side and kick Aston out instead and leaves in a fury, concluding (mistakenly): "Now I know who I can trust" (69).

[Scene 3]
Later

Davies reenters with Mick explaining the fight that occurred earlier and complaining still more bitterly about Mick's brother, Aston (70–71). Eventually, Mick takes Aston's side, beginning with the observation "You get a bit out of your depth sometimes, don't you?" (71). Mick forces Davies to disclose that his "real name" is Davies and his "assumed name" is "Jenkins" and, after Davies calls Aston "nutty", Mick appears to take offense at what he terms Davies' "impertinent thing to say," concludes, "I'm compelled to pay you off for your caretaking work. Here's half a dollar," and stresses his need to turn back to his own "business" affairs (74). When Aston comes back into the apartment, the brothers face each other," "They look at each other. Both are smiling, faintly" (75). Using the excuse of having returned for his "pipe" (given to him earlier through the generosity of Aston), Davies turns to beg Aston to let him stay (75–77). But Aston rebuffs each of Davies' rationalisations of his past complaints (75–76). The play ends with a "Long silence" as Aston, who "remains still, his back to him [Davies], at the window, apparently unrelenting as he gazes at his garden and makes no response at all to Davies' futile plea, which is sprinkled with many dots (". . .") of elliptical hesitations (77–78).

《傲慢与偏见》是简·奥斯汀的代表作。这部作品曾多次被改编的电影，本片为英国BBC公司1995年出品。18世纪英国乡间班纳特家有五个女儿，班纳特太太整天焦躁不已，最大的心愿就是将女儿们一个个嫁出去。一日年青富家子宾利先生搬进城内的消息传来，令班纳特太太兴奋不已，希望大女儿简能获取宾利先生青睐。舞会上宾利果然看上了最漂亮的大小姐。而宾利的老友达西（柯林·菲尔斯 Colin Firth 饰）却天性傲慢，直言难与平民交往，更不屑与老二伊丽莎白跳舞（詹妮弗·艾莉 Jennifer Ehle 饰）。可不久达西对她活泼可爱的举止产生了好感。达西虽然欣赏伊丽莎白，却无法忍受她母亲及妹妹们粗俗无礼的举止，劝说宾利放弃娶简。宾格来和简因为误会，关系危在旦夕，伊丽莎白也因为这件事迁怒于达西。最终班纳特能否顺利嫁出五个女儿，宾格来与简、达西与伊丽莎白会不会从迷失中走来，缔结幸福良缘？

理查德（科林·费斯 Colin Firth 饰）是一位内心里正义感非常丰沛的年轻律师，因为看不惯大城市里的尔虞我诈官商勾结，他带着他的搭档马提尔（吉姆·卡特 Jim Carter 饰）回到了乡下，希望能够在这里找回曾经简单质朴的生活。
然而，现实并不是理查德想象中的那样单纯，即便是看似宁静淡薄的乡村，依然有蠢蠢欲动的邪恶和权谋争斗隐藏在平静的水面之下。一位名叫萨米尔（阿明娜·安娜比 Amina Annabi 饰）的女子找到了理查德，她背负上了一级谋杀的罪名，死者还是个孩子，她希望理查德能够为自己辩护。善良的理查德结下了萨米尔的案子，殊不知从那一刻起，他已经被卷入了阴谋的旋涡之中。

故事改编自安德鲁·莱恩的同名畅销小说，讲述年少生涩的夏洛克·福尔摩斯卷入一起牛津大学的谋杀疑案，他的自由因此受到威胁，这也是他人生第一桩案件。目无纪律的夏洛克因此要去拆解一起涉及全球的阴谋，也将永远改变他的人生。

film project by Matthew Vaughn

该片改编自原作小说的第三本，BJ此时五十岁出头，边适应着当代生活，边面对做母亲的责任。

该剧改编自真实事件。1988年12月21日，伦敦飞往纽约的泛美航空103号班机遭遇恐怖袭击，造成259名乘客和机组人员丧生，另有11名洛克比当地居民死亡。Jim Swire博士（科林·费尔斯 Colin Firth 饰）的女儿也在洛克比空难中遇难，他被提名为英国受害者家属的发言人，竭尽全力调查空难真相。

该剧改编自真实事件。1988年12月21日，伦敦飞往纽约的泛美航空103号班机遭遇恐怖袭击，造成259名乘客和机组人员丧生，另有11名洛克比当地居民死亡。Jim Swire博士（科林·费尔斯 Colin Firth 饰）的女儿也在洛克比空难中遇难，他被提名为英国受害者家属的发言人，竭尽全力调查空难真相。

故事改编自狄更斯的作品《圣诞颂歌》，主要讲述了性情刻薄、冷酷的守财奴艾柏纳泽·斯克鲁奇，面对温暖的圣诞节，却讨厌周遭的一切庆祝活动。于是上天派来 3个精灵让他看看自己过去的所作所为，以及亲友私下对他的态度。这一切渐渐唤醒他人性的另一面——同情、仁慈、爱心及喜悦，瞬间，他那固有的自私及冷酷迅速崩塌，消失殆尽，从此变成了一个乐善好施的人。

　　迪士尼公司最近被爆出正计划为1964年的歌舞片《欢乐满人间》（Mary Poppins）筹拍续集，续集的导演是凭借《芝加哥》获得奥斯卡最佳影片奖的罗伯·马歇尔（Rob Marshall）。 　　据悉，《欢乐满人间》的续集剧本由《寻找梦幻岛》、《少年派的奇幻漂流》编剧大卫·马吉（David Magee ）创作，而故事就设定在1964年电影的20年后，主角依然是玛丽·波平斯和班克斯一家。 　　作为一部歌舞片，《欢乐满人间2》的音乐创作也是重中之重，为此罗伯·马歇尔专门找到了《发胶》（Hairspray）的音乐创作人Marc Shaiman和 Scott Wittman，他们俩将为这部续集打造原创歌曲和全新的配乐。

据英国媒体消息，科林·费斯主演的最新传记电影将于本周与英国开拍。该片根据1968年发生在英国一位业余航海者唐纳德·克劳赫斯特身上的传奇而悲剧性的真实故事改编拍摄，将呈现他欺骗家人、赛事组织者以及公众，来相信他用时240天环游地球的全过程...