马克和大卫是最好的朋友，他们都是穿梭在战场的战地记者。1988年春天，他们待在库尔德斯坦的一个偏僻山区的诊所里，等待一场进攻的开始。大卫受够了这一切，他想回到都柏林，回到他怀孕的妻子身边。他最终还是离开了，而马克则承诺几天后也跟着离开。大约一周后，马克受伤回家，但大卫却杳无音讯。马克恢复缓慢，而且反常的行为让他的女朋友埃琳娜感到震惊，埃琳娜请她的祖父（一位西班牙心理学家）来都柏林帮忙。这位无忧无虑、超然世外的记者究竟隐瞒了什么？他是战争的牺牲品吗？
“Triage”原意是“鉴别分级”，医学领域指“分”出被急救者的情况严重程度来排序，在战场则是“分”出哪些伤者无法救治而直接一枪打死。小说作者和负责改编剧本的塔诺维奇本人分别有着随军报道和拍摄纪录片的经历，切身感悟是他们对这一题材感兴趣的原因。

和丈夫离婚后，朱丽叶（希拉里·斯万克 Hilary Swank 饰）的生活走入了低谷，为了重振士气，她决定搬家。新的环境，新的邻居，友好又善良的房东麦克斯（杰弗里·迪恩·摩根 Jeffrey Dean Morgan 饰），这一切让朱丽叶总算是解开了心中长久以来的郁结。
随着时间的推移，一些奇怪的事情开始在朱丽叶的周围发生，预感告诉朱丽叶，有一个充满了邪恶气息的陌生人如影随形般地监视着自己的一举一动。为了找到幕后黑手，朱丽叶在房间里设置了录影机，真相让朱丽叶汗毛倒竖，原来，那个神出鬼没的不速之客竟然正是房东麦克斯。更糟糕的是，当朱丽叶拼尽全力企图接近真相之时，她也正在一步一步的走入麦克斯为她设下的圈套之中。

一个小骗子，在寻找彩虹尽头众所周知的金罐，希望通过与巨额财富的继承人交朋友来赚钱

In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing."
Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors.
Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella.

John Cacavas' idea of a James Bond theme plays over the opening credits of this TV-movie spy flick which even features silhouetted buxom women posing in various contortions the same way the Bond films have done for decades. (The film also features a certain musical motif that is exceedingly close to what is found in all the Bond films.) Danson plays a computer expert who is coerced by the government into rescuing a super-computer from the clutches of evil, wheelchair-bound Lee, who intends to rule the world with it. The agent assigned to brief Danson is curvy, smart-mouthed Weller who reports to the authoritative and no-nonsense Parker. Retrieving the computer is only part of the job. Danson also hopes to rescue his doctor friend (Stone) and the doctor's daughter who are being held against their will, a task Parker is only mildly concerned about accomplishing. There is a lot of pseudo-witty banter and quasi-dangerous espionage as the film plays out with Danson and Weller straining for romantic chemistry while carrying out various aspects of a mission in which no one is ever killed. It's James Bond Lite, almost for kids. The whole enterprise reeks of "unsold pilot" with the credits even playing like a TV show opening and the ending setting the scene for possible future escapades. Danson is fairly solid throughout and manages to balance his character's brains and lack of experience pretty well. Weller is often very annoying, chirping Danson's character's name frequently ("Chenault!") and trotting around in foolish skirts, shoes and hairdos, acting like she's some big deal when really she's rather a lightweight herself. Lee is somewhat interesting at times, but could play this role in his sleep and sometimes seems like he's doing so. Parker (an unjustly forgotten actress who graced the silver screen with many wonderful, powerful performances in the 40's, 50's and beyond) is on her last legs here. She looks okay, but does all her scenes seated behind a large table and rattles out loud orders with very little timing or finesse. It's a sloppily done production with many continuity errors (notably in the costuming) and cheap sets. One notably intriguing sequence involves an elaborate maze in which Weller must fight for her life, but it is undercut by the fact that she is really in the same old section over and over with just angle and lighting changes tossed in occasionally. Lester, who plays a henchman here, would soon begin a memorable nine-year stay on "The Young and the Restless".

‎在他妹妹变成狼人并随后被杀后，本·怀特决定帮助神秘的斯特凡·克罗斯科与日益增多的卢平怪物以及可爱的珍妮·邓普顿一起战斗。前往特兰西瓦尼亚，本，珍妮和克罗斯科试图追捕强大的狼人女王，斯特巴，必须面对她毛茸茸的追随者，以及其他超自然的力量。‎

又名Hercules in the Center of the Earth.

一个科学家分离出了人类的邪恶血清，却让自己的宝贝漂亮女儿和巨大的远古人类骨骼都成了大恶魔

傅满洲，是一个阴险狡诈的中国人，在唐人街建立了一个随时准备颠覆西方世界的黑暗帝国，他瘦高、秃头，倒竖着长眉，面目阴险狰狞，走路没有声音，举手投足都暗示着阴谋与危险，洛莫尔这样描述他:“你可以想象一个人，瘦高，耸肩，像猫一样地不声不响，行踪诡秘，长着莎士比亚式的眉毛，撒旦的面孔，秃脑壳，细长眼，闪着绿光。他集所有东方人的阴谋诡计于一身，并且将它们运用发挥得炉火纯青，他可以调动一个富有的政府可以调动的一切资源，而又做得神不知鬼不觉。想象这样一个邪恶的家伙，你的头脑里就会出现傅满洲博土的形象...

当黎塞留公爵为了他的朋友的灵魂与迷人但致命的撒旦教徒莫卡塔摔跤时，善良的力量与邪恶的力量相抗衡。莫卡塔拥有召唤黑暗力量的知识和力量，当黎塞留公爵和他的朋友们留在受保护的五角星内时，他们受到越来越多的恐惧，直到响起的马蹄声预示着死亡天使的到来。

斯宾德尔是一名艺术品商人，经营着一间画廊，贝斯（海瑟·格拉汉姆 Heather Graham 饰）和佩吉（阿曼达·塞弗里德 Amanda Seyfried 饰）是他手下的两名员工。斯宾德尔看中了一副名为《摇摆舞》的画，希望能够将它买下，然而收藏家的妻子阿尔弗雷达（乔安娜·林莉 Joanna Lumley 饰）却希望能够举办一场拍卖会，将画作的价格炒高。
阿尔弗雷达找来了鲍勃（斯特兰·斯卡斯加德 Stellan Skarsgård 饰）协助自己完成计划，而鲍勃恰好和贝斯之间有着一段背德的感情。贝斯一直希望能够拥有属于自己的画廊，她十分欣赏特立独行的女艺术家爱莲娜（杰美·温斯顿 Jaime Winstone 饰）的先锋作品。最终贝斯的梦想终于成真，但爱莲娜却在关键时刻掉了链子。

世界上又多了一个杀人不眨眼的冷血杀手，注定又将引起一场惊涛骇浪。绰号金枪人的职业杀手几乎百发百中，没有他完成不了的任务，由此成为世界各恐怖组织争相高酬聘请的对象。同一时间，英国军方为了取回可将太阳能95%转化的高效率太阳能转化器（万一这种厉害的武器落入恐怖分子手中后果不堪设想），007邦德（罗杰•摩尔 Roger Moore 饰）奉命出动了。恐怖组织为了阻止007的行动，高薪聘请了金枪人来对付007。最终鹿死谁手，007又能否顺利完成任务？

邪恶的策划者傅满洲（Fu Manchu）策划了他的最新计划，用他那邪恶的新装置基本上冻结了地球的海洋。与他对立的是他的死对头，是国际刑警组织的英国人奈兰·史密斯（Nayland Smith）。

这部纪录片详细介绍了DC漫画的史诗般的流氓画廊，从小丑和莱克斯卢瑟，辛尼斯特罗，Darkseid等，这部纪录片将探索DC漫画的超级恶棍。

斯蒂尔派克（乔纳森·莱斯·梅耶斯 Jonathan Rhys Meyers 饰）是一位野心勃勃的青年，一心想要在泰塔斯家族中争取自己的权利。一次偶然中，他来到了泰塔斯的姐姐费莎（内芙·麦克因托什 Neve McIntosh 饰）的房中，得当了她的芳心，因此获得了拜访医学博士普鲁斯考勒（约翰·塞森斯 John Sessions 饰）的机会，并成功获得了这位德高望重的老博士的认可和喜爱。
在斯蒂尔派克的精心计划之下，格伦伯爵（伊安·理查德森 Ian Richardson 饰）的图书馆发生了大火，格伦伯爵因此而发了疯，而斯蒂尔派克因为其在火灾中的英勇表现而成为了整个家族的英雄。然而，斯蒂尔派克的春风得意随着家族继承人泰塔斯（安德鲁·罗伯森 Andrew Robertson 饰）的长大而慢慢受到了威胁。

绝对牛B的纪录片！这部纪录片呈现了澳洲电影史上鲜为人知的一面,电影爱好者不能错过的朝圣电影.经典而肆无忌惮，绝对的疯狂与刺激的体验。
澳大利亚在世界电影中总是占着非常有分量的一席之地。不光因为近年来休·杰克曼，妮可·基德曼等大腕影星在好莱坞的星光显赫。早在他们之前的上世纪70年代，澳大利亚就举国进入了一场轰轰烈烈的影视文艺复兴运动中。从那个时候开始，澳大利亚的电影人不再仅仅关注自我，而开始像好莱坞一般试着用电影去娱乐大众。加之这一时期电影人的成功资本运作，一时间使得澳大利亚的电影出现了空前的百花齐放，各种B级电影层出不穷，类型涉及范围极广，动作、恐怖、惊悚等抢人眼球的风格应有尽有。将这一时期称为澳大利亚影坛的黄金时代实不为过。本片便是那个时代的完全纪录。
获奖情况 · · · · ·
2008年Australian Film Institute(AFI Award) 最佳纪录片

影片在现今和1939年二战前夕的英格兰之间穿梭，展现了传统的凯耶斯大家族的的命运。大女儿安妮是一名有前途的女演员，她爱上了名叫劳伦斯的外国军官，然而她完美的生活在偶然发现几盘有关反英国纵容纳粹政策的秘密录音带之后急转直下。调查录音带来源的过程中，阴暗的秘密被触及了，造成一位好朋友的死亡。战争爆发后，追寻真相的安妮逃到伦敦为自己的猜疑寻找证据，但直到她被抓住并且囚禁，她才明白自己被背叛得究竟有多深。
mtime.com

　　西班牙知名B级片导演赫苏斯·佛朗哥（才华多到自己给自己编导的电影配乐，电影很有好莱坞范儿）执导，男主角是跟他多次合作（主要合作了博满洲系列）的克里斯托弗·李。另外， 赫伯特·罗姆（汉默版《歌剧魅影》等）、克劳斯·金斯基（《诺斯费拉图》翻版）、 玛丽亚·罗姆（赫苏斯·佛朗哥电影里的常客），杰克·泰勒这几位跟LEE常常搭档的演员们均有参演！电影的亮点除了布景，演员，就是剧本了。电影剧本很用心思，细节到细微词句变化，相信会是原著党最爱的版本。