美国西部大部分土地是荒漠，通信也只能靠马快递。政府逐渐将无线电报业务发展到西部，但是许多牛仔仍然不相信一根电线能传递信息。布赖尔和莱利想开辟新的驿站线路，他们向格牵进新月城。邮政比赛即将开始，格雷克为了阻止布赖尔获得胜利，指使人暗中烧毁邮政马车，在布赖尔经过的地方设置障碍，布赖尔冲破重重阻挠，赢得了邮政比赛，新月城成为驿站，久违了的繁荣景象又回来了。by:yakubd.cc

日本袭击珍珠港后，PT船中队的成员在菲律宾水域巡逻，并袭击日本船只。PT船最初几乎没有得到海军高级军官的尊重，但它们的机动性和速度很快改变了他们的想法。随着日本在菲律宾的推进，PT船在疏散包括麦克阿瑟将军在内的高级人员方面变得至关重要。

一部由当时美国最著名的明星，约翰·韦恩和迪恩·马丁主演的西部片，讲述了农场四兄弟决定报复杀死自己父亲又欺骗了母亲的凶手的故事。
2006年的《四兄弟》由此翻拍而来。

A biography of Navy flier-turned-screenwriter Frank W. "Spig" Wead.

一个商船的船长被当地的游客从中国共产党里援救出来，他强行当上一只旧汽船的水手，把整个村子的人运往香港。

太平洋战争最惨烈一役，扭转第二次大战战局的硫磺岛……
1944年6月，联军在诺曼第成功登陆，成为联军战胜的转折点，美军得以将战力转向太平洋，六月登陆塞班岛，七月登陆关岛，麦克阿瑟将军随即又第二度踏上菲律宾国土。日本死守硫磺岛，军力约两万一千人，美军共出动三个师团75000人，舰船495艘，其他尚有驱逐舰，航空母舰等155艘，全力攻击硫磺岛。本纪录片为美军第三司令部摄影队冒死拍摄完成，为当今世上仅存，最忠实纪录第二次世界大战，“血战硫磺岛”之唯一史料！

The US Army's defense of its Philippines colony and the allied Malay countries/colonies behind it counted...

太平洋战争期间，一艘美国潜艇在太平洋上攻击日本舰队、船只，并营救落水飞行员的故事。影片意在通过对一艘美国潜艇在太平洋上的作战历程，来表达美国潜艇部队在二战期间做出的极其重大的贡献！

Mae West achieved great acclaim in every entertainment medium that existed during her lifetime, spanning eight decades of the 20th century. A full-time actress at seven, a vaudevillian at 14, a dancing sensation at 25, a Broadway playwright at 33, a silver screen ingénue at 40, a Vegas nightclub act at 62, a recording artist at 73, a camp icon at 85 - West left no format unconquered. She possessed creative and economic powers unheard of for a female entertainer in the 1930's and still rare today. Though she was a comedian, West grappled with some of the more complex social issues of the 20th century, including race and class tensions, and imbued even her most salacious plot lines with commentary about gender conformity, societal restrictions and what she perceived as moral hypocrisy. American Masters - Mae West: Dirty Blonde is the first major documentary film to explore West's life and career, as she "climbed the ladder of success rung by rung" to become a writer, performer and subversive agitator for social change. Produced and directed by Sally Rosenthal and Julia Marchesi.

George Washington McLintock, "GW" to friends and foes alike, is a cattle baron and the richest man in the territory. He anxiously awaits the return of his daughter Becky who has been away at school for the last two years. He's also surprised to see that his wife Katherine has also returned. She had left him some years before without really explaining what he done but she does make the point of saying that she's returned to take their daughter back to the State Capitol with her. GW is highly respected by everyone around him including the farmers who are pouring into the territories with free grants of land and the Indians who are under threat of being relocated to another reservation. Between his wife, his headstrong daughter, the crooked land agent and the thieving government Indian agent, GW tries to keep the peace and do what is best for everyone.

I remember seeing this film as a lad on a family outing in Manhattan, topped off by my insistence that we have dinner at Jack Dempsey's Restaurant in Manhattan. Too bad the old champ wasn't there that day or it would have been a perfect Sunday.
Seeing it now on a formatted VHS the awesomeness of the spectacle during the scenes of the circus fires and the capsized ship in the harbor is really lost. It's quite an eyeful and should only be scene in theaters.
And the film would be revived, but we have a subdued John Wayne here and it's not for the better.
This was originally to be a Frank Capra film and Capra bowed out after creative differences with the Duke and some of the Duke's personal entourage. Read the Capra autobiography to find out exactly what they were, but they weren't fully fixed in the final product by director Henry Hathaway who later piloted the Duke to his Oscar in True Grit.
John Wayne was a guy who was usually very careful to give the public the Duke they expected. Even when he stretched his abilities it was done with a firm directorial hand.
We're asked to accept the Duke as a man who had an adulterous affair here. He also does not throw one punch in this entire film or fire a weapon in other than it being part of his Wild West Show. The people went to see John Wayne, but they didn't get their money's worth.
Pity because it would have been great to see John Wayne with Rita Hayworth in a great film. That couldn't have happened when they were younger because of Rita's contract with Columbia pictures and Wayne's personal boycotting of that studio because of his dislike for Harry Cohn. That story I won't go into.
Rita Hayworth who doesn't enter into the film until almost halfway through is fine as Wayne's lost love. She and Claudia Cardinale looked just fine in tights as trapeze artists. Lloyd Nolan as Wayne's sidekick is always good.
Richard Conte is Hayworth's brother-in-law and Cardinale's uncle. This fine actor is wasted here in a part that either was badly written or left on the cutting room floor.
John Smith was a Wayne protégé of sorts, Wayne gave him an early break in The High and the Mighty which he produced. Smith went on to star in the Laramie TV series and on completion of that he was cast opposite Cardinale, probably at Wayne's insistence. I remember always wondering what happened to him because he left show business shortly afterwards. Then back in the Nineties I read he had died of cirrhosis of the liver. I guess you can fill in the blanks.
At the time Circus World came out, there was on television a prime time series called International Showtime. It was on Fridays at 8 pm. and it was set in a different city in Europe every week. Hosted by Don Ameche it featured the very best circus acts in the world. So did Circus World, but it certainly was no incentive for people to come out to see this when they could see the same thing at home. Also Paramount re-released Cecil B. DeMille's The Greatest Show on Earth to a brisk box office business at the same time Circus World came out.
So for all these reasons Circus World flopped and bankrupted producer Samuel Bronstein. Nevertheless if you're a circus fan you will enjoy seeing this. But it's not the Duke his fans have come to expect.

本片根据德州消防英雄保罗尼尔艾德的真人真事改编而成，约翰·韦恩饰演影射这位英勇传奇人物的男主角钱斯布克曼；布克曼带领一队消防队员，乘坐公司的私人飞机到世界各地与油田大火对抗，当布克曼在一次行动中受伤后，友人找到他久未连络的女儿蒂许（凯瑟琳·罗斯）；在赶到医院后不久，蒂许便受到父亲工作的感召，因而决定加入这班英勇的救火英雄行列。

故事讲述一名美艳寡妇(安·玛格丽特饰)要求三名枪手寻回其夫生前劫得的一批黄金向政府销案，三名枪手历经艰苦达成任务时，却发现他们原来是受人利用。

骑兵弘多·莱恩遇到了一个和儿子居住在敌对的亚帕基印第安人疆土中的妇女安吉。在亚帕基印第安人首领维特里奥的保护下，她似乎觉得很安全。后来，莱恩与安吉的堕落的丈夫发生争执，并在不知他究竟是谁的情况下被迫要杀他。维特里奥为了救他抓住了莱恩，而安吉却在此时向维特里奥宣称莱恩是她的“丈夫”，殊不知她真正的丈夫被莱恩杀了。为了将安吉从一场强迫性的婚姻中解救出来，莱恩不情愿地将谎言进行到底，虽然他知道真相最终会浮出水面，对安吉，也对维特里奥。

Though he fought for the North in the Civil War, John is asked by the Governor of Texas to get rid of some troublesome carpetbaggers. He enlists the help of Holden before learning that Holden too is plundering the local folk.

Ranch hand Rocklin arrives in town to start his new job but his employer has been murdered and the locals don't seem too friendly.

1922年，23岁的希区柯克执导他的首部电影《13号》，宣告了一代悬念大师的银幕初登场。曾执导过多部电影史纪录片的英国导演马克·卡曾斯以《13号》百年庆为契机，推出了这部致敬希区柯克的论文电影。影片出人意料地从希区柯克的角度出发，以口述方式（由著名影星阿利斯泰尔·麦高恩配音）、模拟了一出“希区柯克带你看希区柯克电影”的戏码。通过这个虚拟的主观视点，向影迷介绍希区柯克数量庞大的经典作品中的共通点、以及隐藏在趣味和高能背后的视听技巧，亦展现了卡曾斯本人的博学和洞察力。

1909年，约翰·芬恩（John Fain）的帮派劫持了“大个”杰克·麦坎德利斯（Big Jake McCandles）的孙子，向后者索要赎金，“大个”杰克必须孤身拯救自己的孙子。