The life of a priest seconded to a New Orleans police department begins to fall apart when he is wrongly implicated in the shooting of a suspect. However, it comes to light that the precinct is haunted by the spirit of a deceased policeman, who helps the beleaguered cleric to solve the case and clear his name.

A Union soldier flees from battle and is rescued unexpectedly by free Black man Kitch and his friends. Risking everything, Kitch takes William deep into the woods to the safety of his adopted home. It's here that William discovers Kitch is a part of secret community of freed slaves, who run a portion of the Underground Railroad. When a ruthless and desperate slave catcher discovers the underground network, he conspires to bring it burning down to the ground.

A fight promoter deeply in debt to his crooked rival and desperate for a new fighter catches a break when a 450 pound church handyman who has spent his entire life in an orphanage agrees to wrestle on behalf of his fellow orphans.

This long-lost gem of Black independent cinema was shot in Natchitoches Parish, a historically “free community of color” in Louisiana, with an entirely African-American cast and crew. An at-once frothy and socially incisive romance-cum-family melodrama, Cane River follows Peter (Romain), a brash former football player and aspiring writer, as he returns to his hometown in rural Louisiana and strikes up a relationship with the spirited Maria (Myrick), despite the disapproval of her family. Their Romeo and Juliet-esque affair lays bare the long-festering tensions between light-skinned, property-owning Creoles and the more disenfranchised, darker-skinned families descended from slaves. Infused with poetic feeling for the local flavor of its setting, this luminous Black pastoral—the only feature directed by Horace Jenkins before his untimely death at age 42—addresses thorny issues of colorism, the legacy of slavery, and African-American land loss with a deft, deceptively light touch.

An investigative reporter works to solve the mystery of a haunted house constructed from rooms of the deceased.

理查德·德莱弗斯、切维·切斯、安迪·麦克道威尔加盟Netflix喜剧片[笑到最后](The Last Laugh，暂译)，格雷格·普里蒂金([新郎百分百])自编自导。故事讲述演员经纪人与他的老客户喜剧演员50年后再重组，二人为补偿心愿，开启了一场跨越全国的巡回演出。影片在新奥尔良开机拍摄。

A young beautician, newly arrived in a small Louisiana town, finds work at the local salon, where a small group of women share a close bond of friendship and welcome her into the fold.

A cop who moonlights as a hit man agrees to kill the hated mother of a desperate drug dealer in exchange for a tumble with the young man's virginal sister.

A headstrong young woman returns to New Orleans after the death of her estranged mother.

Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.