Two actresses are rehearsing a play over a weekend in a country house. While walking in the woods, one unearths a strange thing, a creature without cavity, nor members, the size of a seal. The creatures becomes an object of desire for both women, desperate to own the thing. But what they don't know is that they just found 'Our lady of hormones'.

Anna is married to her teacher, Professor. Their marriage is a mutual agreement with no great feelings. Marriage gives both a status they need; love must be found elsewhere. Roland is a young man, beautiful body, transparent skin, clear eyes, a keen mind for wisdom. He falls in love with Professor, a man older than Roland's father. Affection grows to be mutual. Roland is eager to give all he has to give, he even tries to be a part of the family. When he finds out that there is no family, his focus is Professor and his happiness. This elder man is also intellectually highly affected by the love Roland gives. They have beautiful conversations, the likes that we seldom hear in movies anymore (not even in books). They speak of virtue, honor, love, affection, and integrity, which are all the cornerstones of their relationship. But they don't speak of flesh. Professor nearly faints down when he sees Roland's bare breast since the beauty of youth has its own reasons and own power. He listens behind Roland's door as if to get a non-physical touch of that beauty. The story is really intense and when the separation of those two is evident, not only Roland is in tears; anyone who remembers will shed tears for his or her own dreams that did not come true.

描述一位名叫Tykho Moon的男子在荒凉的月城中被人四处追杀的冒险故事。他被追杀的原因是，在20年前因为捐出了脑细胞而失去了记忆，20年后，急速衰老的月城统治者Mac Bee因为继承人被暗杀，如果没有新鲜的脑细胞移植，强权就会崩溃，于是派出军队开始疯狂搜索Tykho Moon的下落。而Tykho在第一次捐赠后，已经失去记忆，成了雕刻家，没想到20年后，他平静的生活再起波澜……

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Documentary about the love-hate relationship between filmmakers and film critics with interviews made at Cannes Film Festival.
Cast (in alphabetical order)
Woody Allen ... Himself
Pedro Almodóvar ... Himself
David Cronenberg ... Himself
Maria de Medeiros ... Herself
Manoel de Oliveira ... Himself
Atom Egoyan ... Himself
Rubens Ewald Filho ... Himself
Nelson Hoineff ... Himself
Christophe Honoré ... Himself
Serge Kaganski ... Himself
Gérard Lefort ... Himself
Ken Loach ... Himself
Michel Piccoli ... Himself
Caetano Veloso ... Himself
Wim Wenders ... Himself

埃及国宝级大师导演尤瑟夫·夏因（《亚历山大三部曲》）作品
第50届戛纳国际电影节获奖影片
一部彻底的非洲苦难史，永恒的杰作
拉姆是古代一个沙漠部落头领的儿子，他目睹当地生存环境的艰苦和气候的恶劣以及随之产生的部落内人们的残酷，遂决心到埃及学习先进的农业耕作知识以拯救部落。他不远千里，历经磨难，忍辱负重，在埃及从最低劣的奴隶做起，不为磨难所屈，不为色利所诱，潜心钻研，终学得真知而返回家乡，拯救了自己的部落。

故事讲的是冷战时期，苏联著名棋手阿吉瓦虽然年老体弱，但仍被莫斯科方面派往日内瓦与一名被苏联政府驱逐的棋手弗洛姆对弈。在这场世纪大战中每个人似乎都成为了棋盘上的一颗棋子，比赛要打满10局看谁能够获胜！直到阿吉瓦心脏病发作倒在床榻上奄奄一息，两人的较量仍然没有结束……

More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view.

文森特（塞弗瑞·布朗歇特 Séverin Blanchet 饰）是一名政府大臣，和女友马蒂尔德（莉莉·莱薇娜 Lily Lavina 饰）交往多年。马蒂尔德是一个非常败金的女人，她和文森特在一起的唯一理由，就是后者能够给她提供优渥的生活。虽然知道马蒂尔德的秉性，但深深的为她着迷的文森特并不能够离开她，反而被她一次又一次的利用和上海。
一天，文森特意外的遭到了辞退，变成了无业游民，为此，马蒂尔德无情的离开了他。事业和感情的双重打击让文森特一蹶不振，所幸玛瑞安（米歇尔·皮寇利 Michel Piccoli 饰）不离不弃的陪伴在他的身边，一步一步带领文森特走出了抑郁。

Piccoli and Schneider teamed up for two of Claude Sautet's best films "les choses de la vie" and "Max et les ferrailleurs" and finally Jacques Rouffio's " la passante du sans-souci" which ,sadly,was to be Schneider's last part.
"La voleuse" which is the earliest of their collaborations has fallen into oblivion.Although directed by a French,the action takes place in Germany and ,with the exception of Piccoli,the actors are all German (like Schneider herself) Although based on a melodramatic screenplay,this effort is rather austere filmed in a bleak black and white with a strange use of the wide screen:during the cast and credits ,at the beginning,Schneider mumbles words which the music drowns out and we only understand her last words.We think she is in a shrink's office but she's actually talking with her husband.When she was nineteen ,she gave birth to a child who was taken in by another family.And now she wants her child again,and with the help of the Police,she "steals "(hence the title:= the thief)her boy from his foster parents .The adoptive father is not prepared to accept it and he threatens to commit suicide .
The film is rather undistinguished but it has become poignant when you know Romy Schneider's awful fate:she lost her own child and died two years later.With hindsight,"la voleuse" was a frightening omen.

這部影片集結了30位知名的法國電影工作者，包括雷奈、薛侯、香妲‧艾克曼、雷蒙德‧巴東、克萊兒‧丹尼絲、羅伯‧克拉瑪、高達和米耶維勒…在內，每位各自完成一篇電影陳情書，代表一位政治犯向世界揭發人權遭受剝削的真相。現今世界各地有數不清的男女老幼被囚禁，遭到虐待，有些是因為政治因素，有些則僅僅只因為信仰或族裔不同。為了紀念國際人權特赦組織成立30週年，並且希望對囚禁的單位施加壓力，邀請演員和電影導演聯合寄送公開的陳情書給各個國家的官方單位，要求立刻釋放這些囚犯。片中的每位導演都熱烈地為自己所代表的個人發聲，他/她的人生遭到無情、偏狹的政治立場、長期的監禁、刑求甚至殺害所扭曲，他們斑斑血淚的苦難透過鏡頭記錄下來，再真實不過地呈現在我們眼前。其中，高達和米耶維勒關切遭到長期囚禁的印尼西巴布亞（West Papuan）獨立運動人士Thomas Wanggai的艱困處境。新聞攝影與紀錄片大師德巴東以充滿想像力的低限手法，為哥倫比亞的人權工作者發聲；雷奈條理清晰的辯論讓他代表的古巴政治犯具有高度的說服力。演員Anouk Grinberg 以直接面對鏡頭的獨白手法，痛陳緬甸軍政府對民運人權鬥士翁山蘇姬長久以來的迫害。對觀者衝擊最劇烈的恐怕是Martine Franck處理的段落，新聞攝影大師Henri Cartier-Bresson親眼見證茅利塔尼亞屠殺兒童的慘烈歷史。經歷十幾年牢獄之災的中國知名異議人士王希哲，則是Gérard Frot-Coutaz代表拍攝的人物。雖然有共同的訴求，這部影片集錦並未掉入悲情控訴或政令宣導片式的窠臼，每位導演以各異的作者風格與手法，將每位主人翁的「個人主體性」（individual）戲劇化地彰顯，宛如一張張帶著無比尊嚴的臉孔，提醒我們人權工作仍有漫長的道路要走。

贝罕和女演员戈歇突然失踪又突然返回，紧接着又失踪，为此人们展开调查，结果发现是外星人预见到地球上要爆发核战争，而对人类的警告。其实根本就没有外星人，他们是从一个双重间谍那儿获得美苏间将爆发核战争的情报后出于善意演的一出戏，而事实是贝罕现象着他正把这个故事讲给将成为他的妻子的女人听

Poland is under Communist rule. An exiled Polish theater director is in England, enthusiastically preparing an abstract play which will criticize the authoritarian Polish government. His sons might not share his political views, though.

三个法国姐妹不相干地过着生活，突然被阔别15年已久、当初抛弃她们的父亲的到来而打乱。每个人由于个人禀性以及对父亲不期出走的反应不同而对他回家持不同态度。而且她们意识到老父亲就要因为失忆而丧失生活自理能力，也没想到老父亲因此走上了绝路，最终小妹妹接受了他，并因此真正改善了姐妹间的关系。

迪迪耶，作家兼书评家，对事业上的成就志得意满，同时却对生活不安，对周遭人物不信任，令其女友茱丽叶感到烦不胜烦，终于无法忍受而离去。
在一次晚餐邀约，迪迪耶被曾被他批评得一无是处的作家痛骂一顿，狼狈逃离现场后，意外闯入作家女儿房中，认识了精神状况不甚稳定的艾迪，两人在艾迪父亲禁止下，展开一场肉体恋爱。
迪迪耶与艾迪到外地度假，此时茱丽叶和男友闹翻，回头找迪迪耶。艾迪识相地回避，但茱丽叶似乎已发现两人的关系。
回到巴黎后，茱丽叶再度因为新男友的出现而离去，迪迪耶又重新与艾迪的肉体关系。一日，艾迪病发入院，其父体谅病危女儿的心情，接受迪迪耶与艾迪的关系，并 希望 迪迪耶深思对艾迪的爱。迪迪耶望著病中的艾迪，终于面对自己真实的情感，在艾迪深情对迪迪耶示爱后，迪迪耶残忍地告诉她：他不爱她。
离开医院，迪迪耶直奔茱丽叶的住处，远远地却看见茱丽叶正要和一个陌生男子出游，迪迪耶上前阻止，茱丽叶悄声对迪迪耶说：我不爱他…转身就走，留下一脸错愕的迪迪耶....

内容：
卡拉是一个对待生活和工作随意性极强的女孩，有人出钱让卡拉跟踪一位由于年事渐高，记忆力逐渐衰退的大学教授。在漫长的旅行中，卡拉回忆起儿时的情形和遇到过的形形色色的人，她试图重新找回自我。当她终于精疲力尽踏上月台，等待回家的火车时，却意外地发现老人也同样站在月台上。

本片曾参展1997年第三届上海国际电影节.

露西（凯瑟琳·德纳芙 Catherine Deneuve 饰）过着令旁人羡慕的生活，她是富商查尔斯（米歇尔·皮寇利 Michel Piccoli 饰）的情妇，在经济上自然没有任何的压力，可谓是想要什么都能够得到。可是，这样富裕的生活带给露西的只有无尽的空虚，毫无人生意义的她非常艰难的控制着自己不跌入抑郁的深渊之中。
一次偶然中，露西邂逅了名为安东尼（罗杰·范·胡尔 Roger Van Hool 饰）的男子，虽然安东尼一穷二白，但他的出现让露西干涸的心灵得到了爱情的滋润。可是，挥霍无度的日子过惯了的露西真的能够忍受跟着安东尼粗茶淡饭吗？在利益和真情面前，露西必须做出选择。

吉尔伯特·瓦伦斯是一位十分成功的戏剧演员。他的表演天赋和漫长的演艺生涯确保他能够得到那些伟大的角色。一天晚上，他结束演出后，经纪人亦是多年的好友乔治给他带来了一个不幸的消息，他的妻子、女儿和女婿在一场交通事故中遇难身亡。
不久，他的生活又恢复了表面的平静。他的时间分成了两部分：戏剧和他溺爱的孙子。他目前的角色是莎士比亚的《暴风雨》中的普罗斯旺。他还维持着他的老习惯：每天在咖啡馆里一边喝咖啡一边看报纸，连续不断的排练和演出……
他的经纪人给他一个新的工作：主演一部充斥着性、毒品和暴力的电视电影。虽然报酬很有诱惑力，但吉尔伯特却只感到愤怒和一种遭背叛的感觉。作为一名很有声望的演员，他曾经出演过很多演员所最希望得到的角色。他又何苦降低身份去演这样一部粗俗的电视呢？难道是为钱吗？他决定坚持自己的原则，毫不含糊地说：不！
在剧中扮演他的死对头米兰达的年轻女演员为他的魅力所征服，只是他已无心再开始一段感情……

The frustration and vital weariness of Michel des Assantes, a prestigious plastic surgeon in Paris, is unbearable: he has a wife whom he does not love, a son who is foreign to him and friends whom he despises but, at the same time, he is incapable of taking his own life. One day, he buys a bike from a bizarre cyclist who was to make the Paris-Timbuktu route and sets out to make the journey: then, Timbuktu becomes for him the Promised Land.

“Will be at the cinema Sunday night. Sorry”, this is what Manon, 18 years old, writes to her father after a year of absence. Pierre, the father and Ariane, his girlfriend, wait for her at the cinema. Ariane plays the different possible arrival of his daughter, but nothing calms the anxiety of Pierre. He asks his young team of actresses to play the role of Manon for him. When finally Manon comes out of the shadow ...
A tense dramatization of the reconciliation between father and daughter in an empty theatre, full of psychic hurts and perverse angers.