Beautiful and willful Hedda Gabler, a very ambitious and controlling woman, enters into a loveless marriage with the respectable but dull George Tesman to insure herself economic and social security. Upon return from her honeymoon, where George also worked on the manuscript for his new book, she hints to George's aunt, whom she resents because she also has influence over him, that she may or may not be pregnant. When her former lover, the idealistic but alcoholic Eilert Lovborg reappears on the scene, he presents a rivalry to her husband's literary standing in the community. She further resents the inspirational influence that Thea Elvsted, Hedda's former schoolmate, has on Eilert. Driven by jealousy and a need to control the lives of those around her, Hedda seizes the opportunity to act when Lovborg misplaces his latest manuscript.

An American young man, Christopher Newman, comes to Paris and meets a beautiful young widow, Claire de Cintre. But their love is against by her mother. Meanwhile, a huge secret about the Claire's family is about to disclose...

A new series of in depth interviews with Britain’s finest post-war actors, reflecting not only their careers in theatre, film and television but also looking at a changing time, a life of extraordinary encounters, and the events that shaped their lives

《复仇者》（《The Avengers》)是于1961-1969上演的男女二人组系列片。算是科幻+间谍+侦破片的经典代表作之一，John Steed也是近乎完美的英国绅士形象。
Avengers这个系列剧即便今天在英美也是经典，英国人拍的，侦探加魔幻超现实，很多集的剧情设定很“科幻”，再加上那个时代的摩登服装，英国式的幽默语言，非常风靡。
国内80年代放过6集，让人印象很深。那是60年代英国的经典电视剧，男侦探是同一个人帕特里克·迈克尼（Patrick McGee），剧中叫John Steed，特别绅士，总是带一顶小圆礼帽和雨伞，其实礼帽是铁的，可以当武器，还可以伸出天线当无线电，雨伞也是武器。女主角换了三个，都是摩登女郎，最成功的一个，是Dianna Rigg演的Mrs. Emma Peel，她是第二位女主角，在1965到1967年前后演过三季，五十集。
女主角Emma Peel还演过邦德女郎，就是007唯一结婚结婚的那位，在电影结尾死了。男主角Steed在007电影A View to a Kill(摩尔演的007，在加州制造地震那集，有个巨丑的黑人女郎)里面演008，邦德的搭档，结果被坏蛋杀死了。
65到68年是Dianna Rigg演的。美国A&E电视台也出版了Dianna Rigg出演的复仇者全集DVD，16碟DVD总共50集，可以在网上买到，0。但是所有Avengers的大全集DVD，现在还没有看到。这套剧集在英美都是属于怀旧经典一类的。

英国一代女王维多利亚与丈夫艾伯特的婚姻一直被普通百姓认为是一段幸福美满的生活，但这对于女王来说，更像是一段错误的选择，一直到维多利亚的晚年，她还常常回忆起那段往事，心中充满了悔恨。
维多利亚在十八岁之前一直受到性格乖张的母亲的严厉限制，她没有自己的房间，每天的日记都要给 母亲过目，她几乎没有自己的生活，所有的事情都被母亲操纵着。而家里的私人军师乔爵士更是在母亲的娇纵下无视公主的权利，肆意的侮辱她，这让维多利亚痛苦不堪。
终于舅舅男爵一家的前来拜访给了维多利亚一个稍稍放松的机会，那次她是第一次见到她的表弟艾伯特。艾伯特因为性格直率、怪异而给维多利亚留下了不好的印象。时间转眼即逝，转眼之间，维多利亚马上就要年满十八周岁。因为现任国王身体情况很糟糕，所以维多利亚的继任成为了宫廷上下最重要的事务。
但其母公爵夫人的从中阻扰，却使此事困难重重。她一直妄想执政，担心女儿正式继任国王一职后，自己会失去机会。在用心险恶的乔爵士的怂恿下，她甚至逼自己的女儿写下了委任书。但聪明的维多利亚自有一套办法，在家庭老师的帮助下，她成功登基，摆脱了母亲的控制，并把令人厌恶的乔爵士赶出了家门。
在墨尔本大人的帮助下，维多利亚女王对政务很快熟悉起来，她再也不是当年那个唯唯诺诺的小女孩了。而如今，女王的终身大事也顺理成章成为了宫廷内的头等大事。英国王室一向有与表姐弟成婚的习惯，而舅舅与母亲因为需要扩充势力也不断要求维多利亚应与其表弟艾伯特成亲。在各方势力的压力下，维多利亚决定接见艾伯特，没想到已年过三十的他早已不是当年那个毛头小子，女王对他一见钟情。
很快，维多利亚与艾伯特王子就结婚了，但艾伯特很清楚，他并不爱女王。在接下来的婚姻生活中，两人的关系更是屡屡面临危机。尤其是英国宫廷内荒唐的内务更是让艾伯特难以忍受，但女王却丝毫不听丈夫的建议，二人的婚姻终于拉响了警报。

An interview with Diana Rigg, who soared to fame after starring as Emma Peel in 1960s TV show The Avengers, before becoming one of Britain's most popular film and theatre stars. She discusses the impact her big break had on the rest of her career, recalls her training at London's Royal Academy of Dramatic Art, and discusses her experiences of working with the Royal Shakespeare Company.

该剧为BBC在2001—2003年间播出的一套以谋杀案为主题的系列剧，由Anthony Horowitz担任创造者，共三季23集，每集一个主角，讲述的故事会涉及至少一起谋杀案，有的故事在一开始就告知观众凶手，重点在于刻画凶手由清白到产生杀机再到实行谋杀直至最后被捕或逃脱的内心世界变化（Teacher、Rage、Stalker），有的故事则暗藏玄机，重在最后出人意料的情节逆转，逆转点包括凶手身份（Victim、Flame、Swan Song）、手法（Mercy）、受害者（Sleeper）、作案动机（Motive）、尸体下落（Cornershop）等多个元素。

伊凡，一个国际暗杀组织的最高首领，因为接受一个记者的挑战，开始向自己的组织下达暗杀他自己的命令。于是，在全欧洲开始了关于杀手和拯救的篇章，欧洲成为操场，而世界也在他的拯救范围之内。

The Olivier Award-winning Mischief Theatre Company return to the small screen with their take on Dickens's famous festive fable.
Blacklisted by the BBC after ruining Peter Pan, the Cornley Polytechnic Drama Society do not take their ban lying down and force themselves back on the BBC by hijacking the jewel of the Christmas schedule, a live production of A Christmas Carol, staged by a professional cast.
As the Cornley gang try to make the show work on television, they soon realise they are completely out of their depth, with no idea how to direct a live studio or handle the special effects. Worse still, their internal rivalries are revealed on television, while an angry professional cast tries to get back into the studio.

Broadway: Beyond the Golden Age is the sequel to the feature film documentary Broadway: The Golden Age, which documented American theater in the 30s, 40s and 50s. This second installment of director Rick McKay's Broadway film trilogy continues the story from the legendary Broadway season of 1959 (Gypsy, Raisin in the Sun, Once Upon a Mattress, etc.) through the tumultuous 60s (Hair, Oh, Calcutta, etc.), the revolutionary 70s (Sondheim, A Chorus Line, Chicago, etc.), up to the opening night of David Merrick and Gower Champion's 42nd Street in 1980. Once again, McKay tells the story with in depth, candid, personal interviews with over 100 newly filmed, legendary stars, while incorporating never before seen footage of the original productions, as well as home movies and photos from the stars' own personal collections, bringing to life a lost era in American history. Many of the stars of the film went on to become household names from their subsequent fame in film and television, and talk of the differences in the mediums and how the theater gave them the foundation for their success in front of the camera.

1995年演员Jeremy Brett去世后，PBS播出的8分钟特别短片，回顾他的一生，Jeremy的好友和同事Diana Rigg主持

描写了一件争夺遗产的诉讼案，由于司法人员从中营私、徇讦，竟使得案情拖延二十年。在一个偶然机会里，男爵夫人的私生女艾瑟‧萨莫森被那一群律师得知，于是追根究柢的律师借此威胁男爵夫人，甚至整死一名流浪少年，男爵夫人被迫离家出走，死于一场暴风雪。其中一名律师被他所利用的人杀害。这二十年期间申诉者居住在荒凉山庄，主人约翰‧詹狄士成为一对表兄妹的监护人，等待法官做最后的判决，最后整笔遗产正好全数支付有关的法律诉讼费用，跟诉讼案有关的人死的死，发疯的发疯。
本剧根据查尔斯·狄更斯的同名小说改编，原著是司法小说的经典。

讲述了百老汇一家衰败的剧院即将拆除，多年前曾在该剧院演出的过气明星重聚一堂，在合唱过老歌之后，开始谈起各自的婚姻与生活困顿。故事主要围绕巴迪（Buddy）和莎利-杜兰特-普朗默（Sally Durant Plummer），本（Ben）和菲利斯-罗杰斯-斯通（Phyllis Rogers Stone）这两对陷入婚姻困境的夫妇展开。该音乐剧囊括了《百老汇宝贝（Broadway Baby）》、《我还在这里（I’m Still Here）》、《太多清晨（Too Many Mornings）》、《我怎能离开你？（Could I Leave You?）》以及《怅然若失（Losing My Mind）》等经典歌曲。

The play tells the story of the revenge of a woman betrayed by her husband. All of the action of the play is at Corinth, where Jason has brought Medea after the adventures of the Golden Fleece. He has now left her in order to marry Glauce, the daughter of King Creon. (Glauce is also known in Latin works as Creusa — see Seneca the Younger's Medea and Propertius 2.16.30. This King Creon is not to be confused with King Creon of Thebes.) The play opens with Medea grieving over her loss and with her elderly nurse fearing what she might do to herself or her children.
Creon, also fearing what Medea might do, arrives determined to send Medea into exile. Medea pleads for one day's delay, and Creon begrudgingly acquiesces. In the next scene Jason arrives to confront her and explain himself. He believes he could not pass up the opportunity to marry a royal princess, as Medea is only a barbarian woman, but hopes to someday join the two families and keep Medea as his mistress. Medea, and the chorus of Corinthian women, do not believe him. She reminds him that she left her own people for him ("I am the mother of your children. Whither can I fly, since all Greece hates the barbarian?"), and that she saved him and slew the dragon. Jason promises to support her after his new marriage, but Medea spurns him: "Marry the maid if thou wilt; perchance full soon thou mayst rue thy nuptials."
Next Medea is visited by Aegeus, King of Athens; he is aggrieved by his lack of children, and does not understand the oracle that was supposed to give him guidance. Medea begs him to protect her, in return for her helping his wife conceive a child. Aegeus does not know what Medea is going to do in Corinth, but promises to give her refuge in any case, provided she can escape to Athens.
Medea then returns to her plotting how she may kill Creon and Glauce. She decides to poison some golden robes (a family heirloom and gift from the sun god), in hopes that the bride will not be able to resist wearing them, and consequently be poisoned. Medea resolves to kill her own children as well, not because the children have done anything wrong, but because she feels it is the best way to hurt Jason. She calls for Jason once more, falsely apologizes to him, and sends the poisoned robes with her children as the gift-bearers.
Forgive what I said in anger! I will yield to the decree, and only beg one favor, that my children may stay. They shall take to the princess a costly robe and a golden crown, and pray for her protection.
The request is granted and the gifts are accepted. Offstage, while Medea ponders her actions, Glauce is killed by the poisoned dress, and Creon is also killed by the poison while attempting to save her. These events are related by a messenger.

Alas! The bride had died in horrible agony; for no sooner had she put on Medea's gifts than a devouring poison consumed her limbs as with fire, and in his endeavor to save his daughter the old father died too.
Medea is pleased with her revenge thus far, but resolves to carry it further: to utterly destroy Jason's plans for a new family, she will kill her own sons. She rushes offstage with a knife to kill her children. As the chorus laments her decision, the children are heard screaming. Jason rushes to the scene to punish her for the murder of Glauce and learns that his children too have been killed. Medea then appears above the stage in the chariot of the sun god Helios; this was probably accomplished using the mechane device usually reserved for the appearance of a god or goddess. She confronts Jason, reveling in his pain at being unable to ever hold his children again:
"I do not leave my children's bodies with thee; I take them with me that I may bury them in Hera's precinct. And for thee, who didst me all that evil, I prophesy an evil doom."
She escapes to Athens with the bodies. The chorus is left contemplating the will of Zeus in Medea's actions:
Manifold are thy shapings, Providence!
Many a hopeless matter gods arrange.
What we expected never came to pass,
What we did not expect the gods brought to bear;
So have things gone, this whole experience through!

The play tells the story of the revenge of a woman betrayed by her husband. All of the action of the play is at Corinth, where Jason has brought Medea after the adventures of the Golden Fleece. He has now left her in order to marry Glauce, the daughter of King Creon. (Glauce is also known in Latin works as Creusa — see Seneca the Younger's Medea and Propertius 2.16.30. This King Creon is not to be confused with King Creon of Thebes.) The play opens with Medea grieving over her loss and with her elderly nurse fearing what she might do to herself or her children.
Creon, also fearing what Medea might do, arrives determined to send Medea into exile. Medea pleads for one day's delay, and Creon begrudgingly acquiesces. In the next scene Jason arrives to confront her and explain himself. He believes he could not pass up the opportunity to marry a royal princess, as Medea is only a barbarian woman, but hopes to someday join the two families and keep Medea as his mistress. Medea, and the chorus of Corinthian women, do not believe him. She reminds him that she left her own people for him ("I am the mother of your children. Whither can I fly, since all Greece hates the barbarian?"), and that she saved him and slew the dragon. Jason promises to support her after his new marriage, but Medea spurns him: "Marry the maid if thou wilt; perchance full soon thou mayst rue thy nuptials."
Next Medea is visited by Aegeus, King of Athens; he is aggrieved by his lack of children, and does not understand the oracle that was supposed to give him guidance. Medea begs him to protect her, in return for her helping his wife conceive a child. Aegeus does not know what Medea is going to do in Corinth, but promises to give her refuge in any case, provided she can escape to Athens.
Medea then returns to her plotting how she may kill Creon and Glauce. She decides to poison some golden robes (a family heirloom and gift from the sun god), in hopes that the bride will not be able to resist wearing them, and consequently be poisoned. Medea resolves to kill her own children as well, not because the children have done anything wrong, but because she feels it is the best way to hurt Jason. She calls for Jason once more, falsely apologizes to him, and sends the poisoned robes with her children as the gift-bearers.
Forgive what I said in anger! I will yield to the decree, and only beg one favor, that my children may stay. They shall take to the princess a costly robe and a golden crown, and pray for her protection.
The request is granted and the gifts are accepted. Offstage, while Medea ponders her actions, Glauce is killed by the poisoned dress, and Creon is also killed by the poison while attempting to save her. These events are related by a messenger.

Alas! The bride had died in horrible agony; for no sooner had she put on Medea's gifts than a devouring poison consumed her limbs as with fire, and in his endeavor to save his daughter the old father died too.
Medea is pleased with her revenge thus far, but resolves to carry it further: to utterly destroy Jason's plans for a new family, she will kill her own sons. She rushes offstage with a knife to kill her children. As the chorus laments her decision, the children are heard screaming. Jason rushes to the scene to punish her for the murder of Glauce and learns that his children too have been killed. Medea then appears above the stage in the chariot of the sun god Helios; this was probably accomplished using the mechane device usually reserved for the appearance of a god or goddess. She confronts Jason, reveling in his pain at being unable to ever hold his children again:
"I do not leave my children's bodies with thee; I take them with me that I may bury them in Hera's precinct. And for thee, who didst me all that evil, I prophesy an evil doom."
She escapes to Athens with the bodies. The chorus is left contemplating the will of Zeus in Medea's actions:
Manifold are thy shapings, Providence!
Many a hopeless matter gods arrange.
What we expected never came to pass,
What we did not expect the gods brought to bear;
So have things gone, this whole experience through!

犯罪学家、业余侦探阿德拉·布雷德利(Adela Bradley)在她的司机乔治(George)的帮助下破案。在她可靠和忠诚的司机的配合下，布雷德利夫人娴熟的调查技巧探寻出围绕在歌剧院死亡、马戏团犯罪、中毒和家庭秘密背后的真相。这个系列中最与众不同的戏剧性设置，是从布拉德利夫人到镜头的常规旁白，这些旁白往往突出了故事的喜剧元素。

The unconventional, outspoken Mrs Bradley and loyal chauffeur George attend the engagement party of her god-daughter little realising that, by the end of the evening, her detective skills will be required to solve a brutal murder.

全明星阵容为这部1970年翻拍的威廉·莎士比亚经典戏剧增色不少，该剧描绘了尤利乌斯·凯撒在三月十五日遇刺的故事，以及由此引发的暗杀者领导的派系与马克·安东尼领导的派系之间的战争。

这次，阴谋家贝洛福（特利·萨瓦拉斯 Telly Savalas 饰）在瑞士山区建立一个疗养院，表面上这是一个普通的高级疗养院，风景秀丽、服务一流，但实际上却是贝洛福进行的一项旨在控制全球的计划的重要基地。在这个疗养院里，贝洛福开发出一种新型病毒，他企图将病毒注射到来这里疗养的女患者身上，然后通过她们传播到世界各地，达到掌握世界主权的目的。贝洛福的阴谋行动引起了英国情报部门的注意，于是007（乔治·拉扎贝 George Lazenby 饰）奉命出动。邦德乔装打扮成家谱学的专家混进了这座疗养院，他必须及时查处贝洛福的阴谋，并阻止他！