First published in 1979, "The White Album "is a journalistic mosaic" "of American life in the late 1960s and throughout the 1970s. It includes, among other bizarre artifacts and personalities, reportage on the dark journeys and impulses of the Manson family, a visit to a Black Panther Party press conference, the story of John Paul Getty's museum, a meditation on the romance of water in an arid landscape, and reflections on the swirl and confusion that marked this era. With commanding sureness of mood and language, Didion exposes the realities and dreams of an age of self-discovery whose spiritual center was California.
Table of Contents
I. THE WHITE ALBUM
"The White Album"
II. CALIFORNIA REPUBLIC
"James Pike, American"
"Holy Water"
"Many Mansions"
"The Getty"
"Bureaucrats"
"Good Citizens"
"Notes Toward a Dreampolitik"
III. WOMEN
"The Women's Movement"
"Doris Lessing"
"Georgia O'Keeffe"
IV. SOJOURNS
"In the Islands"
"In Hollywood"
"In Bed"
"On the Road"
"On the Mall"
"In Bogota"
"At the Dam"
V. ON THE MORNING AFTER THE SIXTIES
"On the Morning After the Sixties"
"Quiet Days in Malibu"

In her moving and insightful new book, Joan Didion reassesses parts of her life, her work, her history and ours. A native Californian, Didion applies her scalpel-like intelligence to the state’s ethic of ruthless self-sufficiency in order to examine that ethic’s often tenuous relationship to reality.
Combining history and reportage, memoir and literary criticism,
explores California’s romances with land and water; its unacknowledged debts to railroads, aerospace, and big government; the disjunction between its code of individualism and its fetish for prisons. Whether she is writing about her pioneer ancestors or privileged sexual predators, robber barons or writers (not excluding herself), Didion is an unparalleled observer, and her book is at once intellectually provocative and deeply personal.

The iconic writer whose prose was as influential and as it is unmistakably hers is joined in conversation with Sheila Heti, Hilton Als, Dave Eggers, Hari Kunzru and many more.
Some writers define a generation. Some a genre. Joan Didion did both, and much more. Didion rose to prominence with her nonfiction collection, Slouching Towards Bethlehem, and she quickly became the writer who captured the zeitgeist of the washed-out, acid hangover of the 60s. But as a bicoastal writer of fiction and nonfiction whose writing ranged from personal essays and raw, intimate memoirs to reportage on international affairs and social justice, Didion is much harder to pin down than her reputation might suggest.
This collection encompasses it all, in conversations that delve into her underappreciated mid-career works, her influences, the loss of her husband and daughter, and her most infamous essays. Far from the evasive, terse minimalist that has come to dominate the image of Joan Didion, what this collection reveals is a warm, thoughtful woman whose well earned legacy promises to live on for readers and writers for many generations to come.

In this Conradian masterpiece of American innocence and evil set in the fictional Central American country of Boca Grande, two American women face the harsh realities, political and personal, of living on the edge in a land with an uncertain future. Writing with her signature telegraphic swiftness, the author creates a terrifying commentary on an age of conscienceless authority.

(Book Jacket Status: Jacketed)
Joan Didion’s incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection.
Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the “contemporary wasteland” of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions –on censorship in the media, Gingrich, Clinton, Starr, and “compassionate conservatism,” among others–show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream.

From one of America's iconic writers, a portrait of a marriage and a life -- in good times and bad -- that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later -- the night before New Year's Eve --the Dunnes were just sitting down to dinner after visiting the hospital when John suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of 40 years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LA airport, she collapsed and underwent six hours of brain surgery at UCLA Medical Centre to relieve a massive hematoma. This powerful book is Didion's 'attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness ! about marriage and children and memory ! about the shallowness of sanity, about life itself'. The result is an exploration of an intensely personal yet universal experience: a portrait of a marriage, and a life, in good times and bad.

From one of America's iconic writers, a portrait of a marriage and a life – in good times and bad – that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later – the night before New Year’s Eve –the Dunnes were just sitting down to dinner after visiting the hospital when John suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of 40 years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LA airport, she collapsed and underwent six hours of brain surgery at UCLA Medical Centre to relieve a massive hematoma. This powerful book is Didion’s ‘attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness ... about marriage and children and memory ... about the shallowness of sanity, about life itself’. The result is an exploration of an intensely personal yet universal experience: a portrait of a marriage, and a life, in good times and bad.

NEW YORK TIMES BESTSELLER • A work of stunning frankness about losing a daughter, from the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean

Richly textured with memories from her own childhood and married life with her husband, John Gregory Dunne, and daughter, Quintana Roo, this new book by Joan Didion is an intensely personal and moving account of her thoughts, fears, and doubts regarding having children, illness and growing old.

As she reflects on her daughter’s life and on her role as a parent, Didion grapples with the candid questions that all parents face, and contemplates her age, something she finds hard to acknowledge, much less accept. Blue Nights—the long, light evening hours that signal the summer solstice, “the opposite of the dying of the brightness, but also its warning”—like The Year of Magical Thinking before it, is an iconic book of incisive and electric honesty, haunting and profound.

A ruthless dissection of American life in the late 1960s, Joan Didion's Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the reader. Set in a place beyond good and evil-literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul-it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.

In this dramatic adaptation of her award-winning, bestselling memoir, Joan Didion transforms the story of the sudden and unexpected loss of her husband and their only daughter into a stunning and powerful one-woman play.

“This happened on December 30, 2003. That may seem a while ago but it won’t when it happens to you....”

Michiko Kakutani in The New York Times called the memoir that was the basis for the play, “an indelible portrait of loss and grief ... a haunting portrait of a four-decade-long marriage."

The first theatrical production of The Year of Magical Thinking opened at the Booth Theatre on March 29, 2007, starring Vanessa Redgrave and directed by David Hare.