本片无疑是专属于这个时代的纪录片。在这个各种新媒体不断涌现的时代，人们接触讯息的管道前所未有的纷杂，各种「假新闻」或「另类事实」（alternative fact）的星火满天飞，引发话题在全球延烧。随著媒体日益分化，以及社群媒体掌握讯息散布管道，政治宣传在其中扮演了什麽样的角色？它如何默默影响世界秩序的转变？

台湾新电影三十周年之际，导演谢庆龄从台北飞往清迈、巴黎、东京、香港、北京、鹿特丹甚至布宜诺斯艾利斯，背景完全不同的导演、影评、艺术家们，娓娓道來台湾新电影与他們的关系，那么远、那么近。

The story about two dissidents kidnapped by secret police in Beijing, and people's comments and discussion on this incident.

这是一部纪录片，一位年轻的美国女导演拍的，说艾未未的艺术，说他的人生，说他和政府的对立等等。原来一切都是从2008年汶川大地震开始，他为了伸张正义，收集遇难的学生名单，却没有想到这一切带来了多少的麻烦，而他的弘扬自由和民主开始成为他生活的主题，直到突然有一天消失。

威尼斯日单元特别展映
As part of a personal quest, for over 30 years director Hermann Vaske filmed the world's most intriguing artists and thinkers, including over 50 luminaries, among them Academy Award and Nobel Prize winners, from the fields of visual art, music, acting, philosophy, politics, business and science, posing the question: "Why are you creative?" Vaske's subjects include: David Bowie, Ai Weiwei, Björk, Wim Wenders, Philippe Stark, Yoko Ono, John Hegarty, David Lynch, Yohji Yamamoto, Damien Hirst, Angelina Jolie, Nobuyoshi Araki, Quentin Tarantino, Bono, Nick Cave, Neo Rauch, Stephen Hawkins, the Dalai Lama, Peter Ustinov, Marina Abramovic, Diane Kruger, Julian Schnabel, John Cleese, Jimmy Page, Vivienne Westwood, Takeshi Kitano and many others.

艾未未 | 92分钟 | 2018年
《花脸巴儿》片名源自四川歌谣。歌谣是这麽唱的：花脸巴儿，偷油渣儿，婆婆逮到打嘴巴儿，爷爷抓到扯毛根儿；花脸巴儿，豆腐渣儿，娃娃砸到溅泪花儿，爹娘不见撕心肝儿……
歌谣出处暂无可考；不知是歌谣预演现实，还是时事催生歌谣？《花脸巴儿》来到2008年四川大地震的现场，聚焦于震灾中罹难的中小学生与倒塌校舍所爆发的豆腐渣工程问题。

纪录片《老妈蹄花》是艾未未工作室为2009年8月12日"谭作人煽动颠覆国家政权"案的审理过程中， 四川成都警方拘禁证人，暴力干扰司法程序而制作。 谭作人先生因为调查512汶川地震伤亡学生与豆腐渣工程问题被起诉。

12 lovable lunatics, capturing the comic and tragic in all four corners of the earth: cartoonists who risk their lives to defend democracy, with a smile on their faces and a pencil as their only weapon.

Documentary about artist Ai Weiwei's 2014 exhibition in Berlin.

2013 film by Andreas Johnsen

2010年冬的一个早晨吴昊昊带着摄影师去爱未来家中与爱未来聊天。
爱未来的说话态度让吴昊昊很不适应，而吴昊昊也采取另外一种说话态度与之对应。

Superstar architects Jacques Herzog and Pierre de Meuron must negotiate between two cultures, two architectural traditions, and two political systems to build the new National Stadium for the Olympics in Beijing. Bird's Nest, available exclusively via Amazon Unbox.
- Written by Anonymous

In the first episode of the series, this programme unlocks the BBC archives to tell the story of the birth of modern art, in the words of the artists who created a cultural revolution - from the startling innovations of Picasso to the explosion of colour in the paintings of Matisse, to LS Lowry's industrial cityscapes and the often shocking work of surrealists like Max Ernst, Magritte and Dali.

艺术纪录片，在艾未未于2011年4月被中国当局逮捕前首次播出，随后他在被拘留11周后获释。建筑师、摄影师、策展人和博客，艾未未是中国最著名和政治上最直言不讳的当代艺术家。艾伦-延托布探讨了艾未未的生活和艺术故事，并揭示了这位最勇敢、最坚定的艺术家如何在生活在专制统治的限制性阴影下继续为艺术表达自由而奋斗。

《￥15,220,910.50 发课税案 》讲述了中国艺术家艾未未被非法拘禁81天后释放,艾未未所在的北京发课文化发展有限公司被处以1522万元的巨额税务处罚。艾未未在数万网友借款的支持下,试图通过司法途径抗争,但在警方、税务部门、法院联手配合下,发课公司败诉。

After the founding of the People's Republic of China in 1949, Mao Tsetung established a system of labor camps for systematic repression, known as Laogai, an abbreviation for "Reform Through Labor". In such camps, forced labor and physical and mental torture were used to bring about a so-called mental reform, re-education in the spirit of the Chinese Communist Party. Millions of Chinese were affected. Many were executed. In hundreds of camps, the Party took advantage of the prisoners' free labor to build the economy. Self-criticism and denunciation were often the only way to escape martyrdom. Successive waves of purges culminated in the Cultural Revolution, which saw massive human rights abuses, political assassinations, massacres, and exiles in remote parts of the country. Using unreleased archive footage, the documentary tells the story of the invention, development and improvement of China's totalitarian system of surveillance and repression up to the present day, never told before.

Ai Weiwei, famous for his large-scale installation work and his dogged social justice advocacy, created a career-defining work in 2015 with @Large, mounted at Alcatraz, the emblematic site associated with egregious incarceration conditions and radical Native American protest. At the core of @Large were portraits of prisoners of conscience coupled with the opportunity to write letters of solidarity to the imprisoned. In her impassioned and powerful film, exhibition curator Cheryl Haines visits several current and former prisoners, including American whistleblower Chelsea Manning, and learns how these letters were vital to their survival. “The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.” — Ai Weiwei