Paz and Miguel have a seemingly happy marriage. But after moving to Logroño, where Miguel has been transferred as a judge, their life as a couple falls into monotony and suffers a serious crisis of passion. As a result, she begins a loving relationship with Alfredo, a sixteen-year-old boy. Their neighbor, Martial witness the infidelity, decides to blackmail her, forcing her to show herself so that he can watch her with his binoculars, while she strolls naked in front of the window.

Tango Feroz: la leyenda de Tanguito (Spanish: Wild tango: the legend of Tanguito) is a 1993 Argentine movie blockbuster, freely based in the life of Tanguito, one of the first artists of Argentine rock ("Tanguito" is just a stage name, nor the artist or the movie are related with Tango music). Fernan Mirás and Cecilia Dopazo, unknown by the main public by that point, had the lead roles and became famous after the movie, directed by Marcelo Piñeyro. It was the most successful movie in Argentina at the year of its release.
The movie deals with Tanguito's drug addiction, his love for Mariana, his friendship with Mauricio "Moris" Birabent, his madness and death.
The movie does not include any of the songs written by the real Tanguito, such as La Balsa, as Piñeyro could not acquire the rights for doing so. In turn, it uses many other old songs of Argentine Rock. Ulises Butrón sang the hit "El amor es más fuerte" (Spanish: Love is stronger), in the scenes played by Mirás as the singer.

78年柏林电影节最佳影片金熊奖和OCIC奖，实际上那届为庆祝西班牙电影经过独裁后重新回归欧洲舞台，主委会把所有参展的西班牙片都颁发了金熊奖。
Las Palabras de Max ("The Words of Max", sometimes translated as "What Max Said") is a 1978 Spanish film directed by Emilio Martínez Lázaro. It tells the story of a man who feels disconnected from people around him.
Emilio Martínez-Lázaro (born 1945) is a Spanish film director famous for such films as The Other Side of the Bed and His Master's Voice.
Spanish filmmaker Emilio Martínez-Lázaro's first association with cinema came when he joined the Escuela de Argüelles, a group of independent filmmakers. He made his first short film, Circunstancias del Milagro/The Circumstances of the Miracle, in 1968; re-edited in 1972 and retitled El Camino del Cielo/The Road to Heaven, it was shown at several international film festivals. He made his first feature, Pastel de Sangre/Blood Cake, in 1971. Martínez-Lázaro entered the television industry in 1974, directing episodes of numerous television series, and since then has continued to work in both venues. Martínez-Lázaro's 1978 film Las Palabras de Max/What Max Said shared a Golden Bear at that year's Berlin Film Festival with García Sánchez's La Trucha/The Trout. In addition to directing, Martínez-Lázaro has established himself as a noted screenwriter.

马丁（托马斯·海因茨 Thomas Heinze 饰）是一位非常聪明的年轻人，一次，他夸下海口，声称能够赢过魔鬼，谁知道刚好被路过的魔鬼听到。魔鬼和马丁打了一个赌，没想到马丁居然赢了，魔鬼骗马丁说奖品在地狱，于是，马丁便跟着魔鬼踏上了前往地狱的旅途。
途中，马丁遇见了一对双胞胎姐妹——白之花和黑之花。她们都是魔鬼的女儿，但是个性却大相径庭。魔鬼为了考验马丁，给他出了三道难题。然而，马丁凭借着自己的智慧和白之花给予的帮助一一将它们化解。在此过程中，马丁和白之花之间产生了真挚的感情，两人决定私奔。愤怒的魔鬼带着黑之花一路尾随追杀。

Based on a novel by one of the greater Spanish writers of the 20th century (Miguel Delibes), "La Guerra de Papá" (Dad's War) tells the story of a typical day for a 3-year-old boy in 1964. The little boy, played by Lolo García, spends his day running around playing with his 5-year-old brother and interacting with the adults in the household (mother, servants...). Through his innocent eyes we see a portrait of Spanish society in the 60's (with its many conflicts and contradictions). The film is also a very good character study of the adults and of the boy himself, who feels jealous because he is no longer the youngest child in the house, since he has a 1-year-old sister.

Las Truchas ("Trouts") is a 1978 Spanish film directed by José Luis García Sánchez. It satirizes middle class society under the rule of Franco via a story about the annual dinner of a fishing club whose members eat rotten trout while refusing to accept that there is a problem with it.[1] The film was entered into the 28th Berlin International Film Festival, where it won the Golden Bear.

一个法国心理学家在调查一个名女人自杀案时,发现了安东妮塔的案子.她是墨西哥的作家,1931年死于巴黎圣母院.心理学家来到墨西哥调查她的一生……

《:这个大叔不太冷：巢穴El Nido》被喻为能够媲美原版《这个杀手不太冷》的西班牙版
亚历杭德罗(Héctor Alterio)是一位六十多岁的渔夫。他是非常厌世，独居在镇郊一所房子里。女管家及其丈夫照料他的生活。他感到孤独，
每天除了欣赏海顿的音乐就是在棋盘边消磨时光。有一天，他认识了一名叫戈伊塔(Ana Torren)t的13岁小姑娘。他们之间产生了纯真的爱情。女孩子了解他内心的孤独，
她在他身上寻找到了她所幻想的世界。戈伊塔通过那萌发出的爱情去唤醒这个落魄的人物，给他的生活带来了生机。但是他们的爱情却是不受世俗接受的……
同年Ana TorrentMontréal 获取World Film Festival 最佳女演员奖.

阿根廷新电影的奠基人莱奥帕多·托雷·尼尔逊（Leopoldo Torre Nilsson）七十年代的杰作，改编自小说家罗伯特·阿尔特（Roberto Arlt）的小说《七个疯子》，讲述男主角艾尔多萨因从底层挣扎的生活，逐渐走向崩溃的过程。
阿尔特是二十世纪阿根廷最伟大的左翼现实主义作家和戏剧家，他出生于欧洲移民家庭，从小在布宜诺斯艾利斯的贫民窟中生活，熟悉下层民众的种种苦难和不幸，后来依靠自学成才，在创作上阿尔特深受俄国的陀思妥耶夫斯基和契诃夫等人的影响，作品中的人物大多为游荡于社会底层的歹徒，疯子，妓女和强盗，借这些人物来倾吐他对社会政治的不满与抗议，1929年的《七个疯子》是他最著名的一本小说，在拉美文学史上占有很经典的位置。托雷·尼尔逊的这部同名电影获得过73年柏林电影节最佳影片银熊奖和最佳导演提名。

贝姆伯格是阿根廷最著名的女导演之一, 说来也怪, 1922年出生的她比一些阿根廷电影先驱者的年纪都大, 可是却从1981年她近60岁时才开始导演影片, 可谓是大器晚成的一位导演了, 这部影片是她的倒数第二部作品同时也是她的代表作, 95年她死于癌症, 空留下仅有的6部电影. 1990年威尼斯国际电影节荣誉奖, 90年奥斯卡阿根廷官方参赛影片.

萨拉（欧内斯特·艾戴里欧 Ernesto Alterio 饰）目前供职于一家诊所，在那里，他遇见了美丽的女子阿曼达（拉蒂西亚·多瑞拉 Leticia Dolera 饰）。和阿曼达的相遇是萨拉尽然有序的生活中的一场意外，在陷入了对前者的疯狂爱慕中后，在得知阿曼达正准备进行人工授精手术后，一个异常疯狂的念头在萨拉的脑海里产生了——他要让他此生最爱的女人怀上自己的孩子。
经过了一番秘密操作，萨拉的计划得逞了，但令他没有想到的是，他的一颗疯狂的精子将彻底改变他和阿曼达风平浪静的人生。随着孩子的初生和成长，意外不断的出现，萨拉就像消防队员一样四处扑灭着麻烦的火种，而他心中只有一个愿望，那就是能够和阿曼达白头偕老。

一名阿根廷历史女教师原本对政治不闻不问，天真地相信课本上的一切。直到她怀疑自己的养女是一名政治犯的女儿，才开始关注这个国家的动荡现实。在调查女儿真实身份的过程中，她一步步揭露了政治腐败的真相，她对幸福生活的狭隘幻想破灭了。

精神病患者费尔明以探戈舞曲疗伤，与医生考夫曼结缘。考夫曼走进费尔明的人生，治愈了老人被暗恋、嫉妒、不义和悔恨折磨的心。影片以插叙闪回方式讲述一个浪漫的舞者、爱的罪人悔恨的一生，情节起伏跌宕、令人唏嘘。不断出现的动人舞曲..

安娜，一个与祖母和两个姐妹生活在马德里的八岁女孩，哀悼她母亲的去世。

内勒（莱昂纳多·斯巴拉格利亚 Leonardo Sbaraglia 饰）和安吉尔（爱德华多·诺列加 Eduardo Noriega 饰）是一对被称为“双胞胎”的暴力匪徒，形影不离的他们实际上是同性恋人的关系。两人相识于一个同性恋出没的公共厕所，内勒把无家可归的安吉尔带回家，自此二人同居，一起生活，一起作案。安吉尔患有严重的幻听，时时听到聒噪的声音，受这些声音的支配，安吉尔开始拒绝内勒的触碰。隔阂渐渐在二人之间产生，内勒知道，只要他们再合作干一桩大案，就能重新找回“双胞胎”的感觉。他们参与了一桩由一名政府官员策划的抢劫案，两人以及同伙一起打劫了银行的运钞车。抢劫过程并不顺利，安吉尔中枪，内勒把警察都杀死了，他们犯下了惊天大案。为了逃避追捕，他们带着抢来的钱，展开了逃亡之旅。
本片改编自1965年发生在阿根廷的真实犯罪事件。