A dysfunctional, wealthy mining dynasty, with an ailing patriarch and some greedy siblings. A peculiarly British take on telenovela style melodramas, played for laughs.

An all-singing, all-dancing, star-spangled musical leap around the biblical story of the Nativity, set in 1972. With a comic twist, this familiar story is brought to life through the eyes of the innkeeper. Despairing after a bad year, he contemplates suicide but his attempt is stalled by a voice from above who points out that King Herod is coming to town. Written by Anonymous

With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies.
The appalled look on actor Kevin Eldon's face in the opening sketch of the series, as a young couple invite him to endure being buggered by a mutual acquaintance ("I need a break"), sets the tone. Rape, chemotherapy, wanton urination--as a naked "Robert Kilroy-Silk" goes insane in a sketch full of detestation for the oleaginous TV presenter--and recurring sketches involving callously authoritarian NHS doctors, all go to make up these annals of the bizarre and perverse.
Ultimately, Jam doesn't quite work, not on TV anyway. The repetition of the same, small cast over and over, broken up too briefly by Morris' own appearances (as a "country gentleman" living outside his house, for instance), coupled with the gruelling treatment of the sketch material makes for a psyche-probing, jaw-dropping experience--but in parts also a nullifying and strangely predictable one. Morris's "failures" are far more interesting than most people's successes. --David Stubbs

Unfairly written off as an attempt to replicate the cult hysteria of The Fast Show, Big Train dared to push the boundaries of a genre (the comedy sketch show) which thought it had seen it all. No, not all of it worked, but the same was true of Python, Vic&Bob and all the other groundbreakers. When it did - the manager who distracted his mutinous staff with juggling displays, the Jekyll & Hyde-type scientist, the staring competitions, Mao Tse-Tung as Bryan Ferry, it was painfully, inexplicably funny. Stick with it.

------在英国北部的一座城市，四名男子正在制定一个秘密计划。奥马尔已经对穆斯林在这个世界上得到正确的认识和对待不抱幻想，并决心要成为一名圣战战士。这在他的朋友瓦伊看来，这是世上最令人兴奋的想法了，于是，他们专程前往巴基斯坦恐怖分子训练营受训。同时，信仰伊斯兰教的白人巴里，与他的同伴费萨尔一道，尝试着训练乌鸦携带炸弹，为了充实队伍，巴里又招募了第五名恐怖分子哈桑。一天，意外发生了，费舍尔在一次训练中炸死了自己，而剩下的四人继续着他们心中荣耀的事业，将目标对准了即将开始的伦敦马拉松赛...

Unfairly written off as an attempt to meijubar.net replicate the cult hysteria of The Fast Show, Big Train dared to push the boundaries of a genre (the comedy sketch show) which thought it had seen it all. No, not all of it worked, but the same was true of Python, Vic&Bob and all the other groundbreakers. When it did - the manager who distracted his mutinous staff with juggling displays, the Jekyll & Hyde-type scientist, the staring competitions, Mao Tse-Tung as Bryan Ferry, it was painfully, inexplicably funny. Stick with it.

故事发生在二十世纪五十年代的伦敦，雷诺兹（丹尼尔·戴-刘易斯 Daniel Day Lewis 饰）和妹妹西丽奥（莱丝利·曼维尔 Lesley Manville 饰）一起经营着名为“伍德科克之家”的制衣所，在伦敦当时的上流社会之中，能够穿上雷诺兹亲手缝制的礼服是每一个王公显贵和明星名流的愿望。
一次偶然中，雷诺兹在餐馆里遇见了名为阿尔玛（薇姬·克里普斯 Vicky Krieps 饰）的女服务生，两人一见钟情。雷诺兹将阿尔玛领入了五光十色的花花世界，但阿尔玛眼中却一直凝望着雷诺兹的身影。在生活中，雷诺兹是一个特别难缠和挑剔的怪人，朝夕相处之下，他和阿尔玛之间屡屡产生矛盾。眼看着雷诺兹的态度越来越冷淡，阿尔玛知道，自己必须采取行动，来捍卫她的爱情。

根据简·奥斯丁同名小说《劝导》改编而成。
沃尔特家的二小姐安妮（Sally Hawkins饰）温柔娴静，知书达理，是一位德才兼备的好姑娘，可年近28的她至今还待字闺中——8年前，安妮和情郎温特沃斯（Rupert Penry-Jones饰）订下婚约，却最终因长辈拉塞尔夫人（Alice Krige饰）的“劝导”而选择和对方分手。虽然安妮旋即萌生悔意，但受了伤的温特沃斯早已远走他乡，杳无音讯。这段往事给安妮心口划上一道永难愈合的口子，此后，她的心扉再未向他人打开。
8年后，温特沃斯衣锦还乡，一举一动都透出绅士魅力，完全不复昔日的穷酸样，已成为富家女竞相追逐的对象，他对安妮的态度冷淡无比；安妮表面虽然镇定自若，在点滴接触中却不自禁地加深了对温特沃斯的无限爱慕之情，深知昔情难追的她也因此在内心深处备受煎熬……

记得《疯城记》吗？Reece Shearsmith和Steve Pemberton再度携手归来，联合BBC推出这部暗黑喜剧《Inside NO.9》,关于片名，主创在一次采访中提到这完全是随机想到的一个名字，原本也不是9这个数字，后来觉得9更加顺口才采用了...
该剧与《黑镜》的结构类似，一集一个故事，每集的故事都是独立的；看过《疯城记》的人应该都为二位的演技所折服，相信此次的6个新故事也不会令人失望……

肖恩（西蒙·佩吉 Simon Pegg 饰）事业不如意，爱情也不怎么顺心。认识了一帮同样游手好闲的朋友，整天和他们厮混，包括皮特，和只会打机和讨人厌的艾德。难得肖恩为了女朋友振作一次，却遭到同事嘲笑，女友也不能会意，肖恩只有继续和朋友醉酒纵乐。
但这天整个城市却有了翻天覆地的变化。僵尸入侵了，只要是被他们咬到的人，都会随之变成僵尸。而肖恩正和艾德在酒吧里豪饮，却发现陷入僵尸的重重包围中。现在肖恩必须拿出英雄气概，去捍卫家人朋友。

一部英国科幻电视故事选系列剧，改编自菲利普·狄克的作品。本剧于2017年9月17日在英国第四台上首播。本剧由十个基于菲利普·狄克作品的独立集数所组成。在美国，于亚马逊影片上播放。