各位女士、先生，请欢迎美国总统葛兰艾伦华肯！
他是众议院院长也是个死硬的保守派，当巴特勒总统为了女儿被绑架的事件忙得焦头烂额时，华肯暂代总统职位，白宫的幕僚人员则夹在新旧总统间左右为难。绑架危机的化解及巴特勒重回总统宝座，是【白宫风云】第五季两条引人入胜的故事主轴。饰演白宫发言人的艾莉詹尼，也因她在第五季的精湛表现而荣获艾美奖最佳女主角奖。第五季可说是情节高潮迭起，也包括副总统出人意料之外的阵前换将，最高法院的大法官任命风波，及多位幕僚前往迦萨走廊的一趟致命之旅。

Set in the 1930s, an American with a scandalous reputation on both sides of the Atlantic must do an about-face in order to win back the woman of his dreams.

★剧情介绍：自从丈夫比尔被关进监狱后，崔西就希望能再找个男人。因为比尔是一个恋童癖患者，所以没有什么选择比哈维这个“正常”的父亲更让崔西更兴奋的了。可是当比尔从监狱里出来，崔西的两个孩子见到了自己未来的继父之后，这个家庭却陷入了烦恼之中——究竟是应该原谅自己的生父还是应该忘记自己的继父？有烦恼的并不是只有崔西一个人，她的妹妹乔伊是一个像天使一般纯洁的处女，可是她却陷在和以前恋人的爱情中无法自拔。艾伦离开了自己堕落的丈夫，辞掉了在新泽西的工作。来到乔伊身边，希望能和她携手走向未来。对自己性取向一头雾水的乔伊，莫名其妙地答应了艾伦的要求……
★花絮短评：威尼斯电影节最佳编剧奖。导演托德·索伦兹备受国际推崇的最新代表作，延续一贯对人生的探讨，将触角指向更根本内里的心灵骚动，人生的战火，从未停歇。

《美丽比一比》是由Lona Williams编剧，Michael Patrick Jann执导，克尔斯滕·邓斯特、艾伦·巴金等主演的喜剧电影。该片于1999年7月9日在捷克上映。该片讲述了明尼苏达州玫瑰山这个破落的小城将举办一场选美大会，小城里的女孩们为了各自的梦想，无不使出浑身解数，想得到后冠，而被宠坏的贝姬（Becky）和聪明性感的安柏（Amber）就是其中的佼佼者的故事。

一个失意的经纪人霍华德一直想签约一个好莱坞新星。一天他遇上了一位13岁的天才少女，他毅然决定一定要捧红这个聪明漂亮的小姑娘。然而这个小姑娘并不像她想象的那么无忧无虑，她的爸爸是一个酒鬼，一喝多了就会拳脚相向。霍华德不仅要解决女孩父亲的问题，还要面对好莱坞的激烈竞争，一个励志且温馨的故事即将上演

本（马修·派瑞 Matthew Perry 饰）是一间名叫“阳光中心”的体育场的经理。成日埋首于工作的他自然而然的忽略了自己的感情生活。每天，本不仅仅要面对成百上千条体育馆使用申请，还要应付女上司克里斯汀（阿丽森·詹尼 Allison Janney 饰）那古怪烦人的性格和阴晴不定的个性。
爱丽丝（安德利娅·安德斯 Andrea Anders 饰）是阳光中心的公关主任，活泼外向的她深受本的喜爱，然而，想要得到爱丽丝的芳心，本首先要打败他的情敌阿伦佐（詹姆斯·雷杰 James Lesure 饰）——一个机智幽默、处事圆滑而又彬彬有礼的完美男人。而本拥有的唯一战友是克里斯汀的儿子罗曼（内特·托伦斯 Nate Torrence 饰）。

'The Hollywood Reporter', in partnership with Sundance TV, holds round-table discussions with Oscar and Emmy nominees.

艾莉森·珍妮将出演J·J·艾布拉姆斯的坏机器人公司打造的惊悚片[卢](Lou，暂译)。该片由安娜·福斯特执导，玛吉·科恩重新撰写杰克·斯坦利的剧本，讲述了一个年轻女子和她房东卢(Lou)的故事。珍妮将会扮演这个强硬的打破常规的女房东，她有着惊人的跟踪能力和其他技能。本片预计2019年春开拍。

1969年，一個雄心壯志的女人試圖跨越貧富之間無法逾越的鴻溝，在極少數人能躋身，而且非常時髦且凶險的棕櫚灘上流社會爭取一席之地。

艾莉森·珍妮、安妮·墨菲(《富家穷路》)、本·普拉特将主演婚礼喜剧[婚礼上我们讨厌的人](The People We Hate at the Wedding，暂译)。该片由克莱尔·斯坎伦(《初来乍到》)执导，《开心汉堡店》第二季编剧Lizzie molyneux-logelin、温迪·莫里纽克斯共同操刀剧本。该片根据格兰特·金德撰写的同名小说改编，有望成为另一个[四个婚礼和一个葬礼]。故事讲述一个不太和睦的家庭，因为一场婚礼被迫相聚，他们过去的隔阂一点点被放大，这些也正是这个家庭在重归于好的路上需要解决的问题。

　　故事讲述了一群白宫幕僚们的工作与爱情生活。通过起伏跌宕的剧情，揭示白宫政治内幕，以及幕僚们在权力、良知、爱情面前的选择。但是不管这些人平日里如何明争暗斗，在关键时刻，他们仍是总统的得力助手，团结的群体，是一切问题迎刃而解的英雄人物。而白宫西翼是美国总统及其幕僚工作的地方。虚构的总统杰克是来自新罕布什尔州的民主党员，他的祖先曾参与签署美国独立宣言，其身上散发出领袖魅力。从早到晚，杰克的幕僚为他在大众及传媒面前应付各种场合。麦利奥为白宫的幕僚长，同时也是杰克的心腹；他的机智和缜密思维让他对国家的动脉随时保持高度警觉。副幕僚长黎祖殊则是个长袖善舞的策略家，不过有时候又太过执己见。新闻秘书祈思静大部分时间要巧妙应付传媒各种尖锐问题。政治顾问甘文迪、总统私人助理杨查理、白宫内阁成员史森美及辛杜比等也是这个来自各种领域的精英分子班子的成员。

　　一位不离谱就真正的家人的爱‐和功能障碍。刚刚清醒的单身妈妈克里斯蒂努力在一个充满诱惑和陷阱的世界养育了两个孩子。测试她的清醒是她以前疏远的母亲，现在又回到克里斯蒂的生活和渴望分享的被动攻击的洞察女儿的许多错误。

莱斯利 (Leslie) 是西德克萨斯州的一位单身母亲，当她中了彩票并有机会过上美好生活时，她努力养活儿子。但短短几年后，钱就花光了，莱斯利独自一人，在逃离她留下的心碎世界的过程中，过着艰难而快速的生活。 随着她的魅力耗尽，无处可去，莱斯利回到了家。斯威尼是一名孤独的汽车旅馆店员，不受她冤枉的人的欢迎和厌恶，她在没有其他人愿意的时候冒险。在他的支持下，莱斯利直面自己行为的后果、遗憾的一生，以及为她和儿子创造美好生活的第二次机会。在整部电影中，莱斯利在朋友的帮助下努力变得清醒，修复与家人的关系，并开办自己的公司。 根据 最后期限，这部电影取材于作家莱恩比纳科的半自传体经历

人工智能投放的核弹大大损害了人类世界，开始被人类追杀的十年后，如今的生存状态非常残酷，而一名人类士兵发现了一个半人半AI的孩子，她被认为是赢得与AI的战争的关键……

曾经两度获得托尼奖的凯文•克莱恩（Kevin Kline）十余年后重返百老汇舞台，挑战的正是英国传奇剧作家诺埃尔•考沃德（Noël Coward）爵士的经典喜剧《乐在当下》（Present Laughter）！
这部被视为考沃德半自传式的作品，讲述了一个陷入中年危机的自恋演员盖瑞•艾森戴（Garry Essendine）在开始一段非洲之旅前，不得不试图甩掉一个疯狂的剧作家、一些想要引诱他的女人和长期伴随他左右的秘书和伴侣。考沃德在1942年的首演版和1958年的百老汇复排版中都亲自上阵，身兼导演和主演。作为一个经典角色，此后有彼得•奥图尔爵士、伊恩•麦克莱恩爵士等戏骨演员先后出演，在纽约、伦敦及世界各地常演不衰。
此次百老汇复排由托尼奖提名导演Moritz von Stuelpnagel执导，在百老汇圣詹姆斯剧院连续演出101场，凭借《万尼亚和索尼亚和马莎和斯派克》（Vanya and Sonia and Masha and Spike）获得托尼奖提名的克莉丝汀•尼森（Kristine Niesen）、以及主演过《老爸老妈浪漫史》、《复仇者联盟》的寇碧•史莫德斯（Cobie Smulders）纷纷加盟，而暌违百老汇十年之久的克莱恩也不负这个伟大角色，凭此摘得个人第三座托尼奖杯，《纽约邮报》称赞克莱恩的表现“臻于完美”，《纽约时报》惊呼“它应该获得托尼奖最佳复排话剧”，Time Out纽约版也称赞本戏是 “对诺埃尔•考沃德的作品一次绝对精彩的复排。”
All three acts of the play are set in Garry Essendine's London flat.
Act I
Daphne Stillington, a young admirer of the actor Garry Essendine, has inveigled herself into the flat and has spent the night there. Garry is still asleep, and while waiting for him to wake, Daphne encounters in turn three employees of Garry, housekeeper (Miss Erikson), valet (Fred), and secretary (Monica). None of them displays any surprise at her presence. Garry finally wakes and with practised smoothness ushers Daphne out.
Liz Essendine, who left Garry years ago, nevertheless remains part of his tightly-knit 'family' along with Monica and his manager, Morris Dixon, and producer, Henry Lyppiatt. Liz tells Garry that she suspects that Morris is having an affair with Henry's glamorous wife Joanna, and is concerned that this might break up the family. Their discussion is interrupted by the arrival of Roland Maule, an aspiring young playwright from Uckfield, whose play Garry has rashly agreed to critique. Liz leaves, and Roland rapidly becomes obsessively fascinated by Garry, who gets him off the premises as quickly as he can.
Morris and Henry arrive and discuss theatrical business with Garry. Henry leaves for a business trip abroad, and Garry privately interrogates Morris, who denies that he is having an affair with Joanna. Garry telephones Liz to reassure her.
Act II
Scene 1, midnight, three days later.
Garry, alone in the flat, answers the doorbell to find Joanna. She claims (like Daphne in Act I) to have forgotten her own doorkey and asks Garry to accommodate her in his spare room. He correctly suspects her motives, but after much skirmishing allows himself to be seduced.
Scene 2, the next morning.
Joanna emerges from the spare room wearing Garry's pyjamas just as Daphne did in Act I. She too encounters Miss Erikson, Fred, and then Monica, who is horrified at her presence in such compromising circumstances. Liz arrives and puts pressure on Joanna by threatening to tell Morris that Joanna has spent the night with Garry. Joanna retreats to the spare room when the doorbell rings, but the caller is not Morris but Roland Maule, who says he has an appointment with Garry. Monica leads him to an adjacent room to wait for Garry.
Frantic comings and goings follow, with the flustered arrivals and departures of Morris and Henry, Roland's pursuit of Garry, and the arrival of a Lady Saltburn, whose niece Garry has promised an audition. The niece turns out to be Daphne Stillington, who recites the same Shelley poem with which he bade her farewell in Act I. Joanna flounces out from the spare room, Daphne faints with horror, Roland is entranced, and Garry is apoplectic.
Act III
A week later, on the eve of Garry's departure on tour in Africa, he is once more alone in the flat. The doorbell rings and Daphne enters saying she has a ticket to sail with him to Africa. The doorbell rings again, and Daphne retreats to an adjoining room. The new caller is Roland, who announces that he too has a ticket for the voyage to Africa. Garry tries to get him to leave, but as the doorbell rings a third time Roland bolts into the spare room and locks the door. The third caller is Joanna, who has also bought a ticket for the Africa voyage and has written a letter to Henry and Morris telling them everything. Liz arrives and saves the tottering situation, announcing that she too is travelling to Africa.
Henry and Morris arrive and berate Garry for his night with Joanna. Garry fights back by revealing the details of Morris and Joanna's affair, and Henry's extramarital adventures. Joanna angrily slaps Garry's face and leaves for good. Her departure goes unnoticed because Garry, Henry and Morris have become embroiled in what for them is a much more serious row when it emerges that Henry and Morris have committed Garry to appear at what he considers a shockingly unsuitable theatre. Garry objects: "I will not play a light French comedy to an auditorium that looks like a Gothic edition of Wembley Stadium."When that row has blown itself out, it is business as usual and Henry and Morris leave in good humour.
Liz pours Garry a brandy and tells him she is not only going to Africa with him but is coming back to him for good. Garry suddenly remembers Daphne and Roland lurking in the adjoining rooms and tells Liz: "You're not coming back to me... I'm coming back to you", and they tiptoe out.

The main character in the story is Eddie Carbone, an Italian American longshoreman, who lives with his wife, Beatrice and his orphaned niece, Catherine. As the play begins, Eddie is protective and kind toward Catherine, although his feelings grow into something more than avuncular as the play develops. His attachment to her is brought into perspective by the arrival from Italy of Beatrice's two cousins, Marco and Rodolpho. They have entered the country illegally, hoping to leave behind hunger and unemployment for a better life in America. Marco is an exceptionally strong man, said by Eddie's friends to be 'a regular bull.' He also has a starving family in Italy (a wife, and 3 sons, one with tuberculosis). Rodolpho is in his late 20's, fair skinned, blond, and unattached. He is unconventional in that he sings (notably 'paper doll'), dances, is good at sewing and dress making and is also a good cook. Catherine soon begins a relationship with Rodolpho.
After three weeks, the pair have been seeing each other, and Eddie sets about pointing out all of Rodolpho's flaws to Catherine and Beatrice. He persistently complains that Rodolpho is "not right," referring to Rodolpho's effeminate qualities, such as sewing, cooking and singing. He is embarrassed by Rodolpho's reputation for singing during work.
When Catherine decides to marry Rodolpho, Eddie becomes desperate and begs his lawyer, Alfieri (who is also the narrator), to help him. However, he is told that the only way the law is able to help him is if he informs the Immigration Bureau of the presence of the two illegal immigrants. Due to his earlier assertion that "it's an honor" to give the men refuge, he refuses to betray them. At home he continues to passively insult Rodolpho, and ends up offering to teach Rodolpho to box, however Eddie uses this opportunity to hit Rodolpho. In retaliation, Marco challenges Eddie to lift a chair from the bottom of its leg, when Eddie fails to do this, Marco picks up the chair with one hand from the bottom of its leg and lifts it above his head. This demonstrates Marco's superior strength and that he will always be watching over Rodolpho, should Eddie harm him.
In the second Act, Eddie catches Rodolpho leaving the bedroom with Catherine. He then sees Alfieri a second time. Eddie ignores his lawyer's advice to let events run their course, and calls the Immigration Bureau. This betrayal proves disastrous: he comes back to learn that Catherine and Rodolpho are engaged, and Beatrice informs him two more illegal immigrants have moved into the upstairs apartment. Suddenly, the Immigration Officers arrive and shortly arrest the four immigrants. As the detainees are being taken from the tenement, Marco breaks free from the group, "dashes into the room" and spits in Eddie's face. This happens inside Eddie's house – however Eddie's rage is such that he follows Marco out into the street. He berates Marco for the insult, failing to notice that the gathering crowd are growing as one to conclude that Eddie is the traitor. This suspicion is confirmed as Marco singles Eddie out as the one who "killed my children."
Rodolpho is allowed to stay in the country due to his marriage, but Marco faces imminent deportation. Reluctantly, he promises Alfieri not to take revenge on Eddie (as is the Sicilian custom) and is let out on bail. In the final scene of the play, Eddie is shown to be furious with his humiliation and refuses to attend the wedding. He rejects Rodolpho's offer to reconcile and refuses to get out of the house when he learns Marco is arriving.
The play ends with a fight between Eddie and Marco, in a street filled with his friends and family. Eddie brandishes a knife and attacks Marco, who turns the blade onto Eddie, killing him. It is not known whether Marco actually intended to stab Eddie, and his reaction is not described. Eddie dies as the curtain falls, calling out to Beatrice.

本剧改编自朱丽叶·麦克丹尼尔的小说，设定在1970年代早期，讲述玛克辛·西蒙斯（克里斯汀·韦格 饰）试图在美国最高档的餐桌——棕榈滩上流社会中占据一席之地。当玛克辛试图跨越富人和穷人之间那道不可逾越的界限时，这部剧提出了至今仍然让人困惑的问题：谁能在上流社会占有一席之地？你该如何获得一席之地？为了达到目标，你会牺牲什么？

Celia, written by Albert Nobbs and In Treatment director Rodrigo Garcia, centers on a teenager (Fanning) who looks for guidance from a doctor (Janney). THR has an exclusive first look at the minute-long trailer, which reveals that the two women have deeper connections to each other than the usual doctor-patient relationship.

史蒂芬妮·斯莫瑟斯 和爱蜜莉·尼尔森 在美丽的意大利卡普里岛重逢，参加爱蜜莉与意大利富商的奢华婚礼。婚礼现场，一众衣着光鲜的客人举杯相庆，期间却有人离奇遇害和惨遭背叛。剧情一波三折，好比从大港通向卡普里镇广场的蜿蜒小路。

杰克（阿萨·巴特菲尔德 Asa Butterfield 饰）的爷爷自杰克还小的时候，就会常说床边故事给他听，故事中有许多拥有特殊能力的小孩。爷爷神秘死亡后，留下了关于这个属于另一个时空世界种种谜团的线索，杰克循着这些线索，进入了这个神秘的世界，发现这群奇怪的孩子真实存在，他们住在这里是为了躲避可怕的变异怪兽。随着杰克的到来，危险也同时抵达，杰克需要与这群孩子一起，抵御黑暗力量。