June, a beautiful, yet naive, young art student is lured into a relationship of unbridled lust by a suave older artist named Najlas Sarto.

Cruel, conniving Norma Sue returns to her backwoods hometown with her stud lover to wreak havoc on the local denizens. Her main target is her sexually repressed sister, who runs the local hotel. At the same time, jobless slacker Billy Joe commences an affair with a broke immigrant lady whose husband is overseas. Pressured by his cheating wife to earn some cash, he decides to pimp his new paramour. Norma Sue's scheming eventually involves all these characters in intense, often nasty, interlocking liaisons, betrayals, seductions and violations

Beverly a teaser bar girl, that think she hates men, but is in fact suffering from repressed nymphomania. She finds out when she flirts with her best friends man and gets thrown out in the street. Beverly runs into a toy store owner.

Marcia, a sexy bucolic orphan, hitch-hikes to the city to meet up with her sister, who has promised her a job at the roadhouse where she works as a hostess. She has no qualms about sleeping with her driver in order to be safeguarded to her destination. Once she arrives, she discovers that her sister has recently been violently murdered -- in a stangulation by garter belt. Marcia takes her sister's job in order to go undercover in finding the murderer. She thus imperils her own life while making discoveries about her sister's former lifestyle and the seamy antics of the local civic leaders.

Previously lost sexploitation melodrama following Millicent Redmond, a woman who hosts annual raucous and sexually licentious reunion parties for her former sorority sisters and their lovers at her cushy beach house.

Barbara, a frustrated writer who is also sexually frustrated, seeks to recharge her life by moving into a Manhattan apartment, where she earns money typing up manuscripts for other writers. Next door, a sexy young lady plays a variety of erotic games revolving around her hypnotically humming vibrator. When Julie, Barbara's hot-to-trot sister shows up, she reluctantly allows her to stay, even though memories of incestuous girlhood explorations between them cause her obvious distress.

The sadistic Madam Margareta is a talking side of beef that serves as the hostess and ring leader for a live sex tease show and whorehouse. Madam's shows always feature her bodacious nieces Susanna and Karen, who perform in everything from striptease to S&M acts. Karen meets and eventually runs away with a rich guy. Susanna falls in love with a deceptive airport cargo handler. After several more kinky shows and various soft core sex scenes, Karen is gone and Susanna and her man find out the truth behind each others lies.

“At the height of his creative output, director Joe Sarno was known for flinging out an ungodly number of softcore films each year with a surprisingly high standard of quality. Psychological insight, intensely erotic love scenes, and off-kilter dialogue were his stock in trade with films like All the Sins of Sodom and Young Playthings, but sandwiched in between these are some really oddball ones. Case in point: Marcy, a 1968 hayseed melodrama that feels like a stylistic precursor to the country cutie smut films of Harry Novak the following decade like Sassy Sue and Country Cuzzins, albeit with a lot less of that cornpone humor. The plot also feels like sort of a deep-fried riff on D.H. Lawrence’s The Fox, believe it or not, which Norman J. Warren also turned into a sex/sci-fi trash classic with Prey.
The plot’s pretty simple. Out in the boonies, young Marcy (Love Toy’s Uta Erickson) has shacked up with the older June (Submission’s Britt), and word spreads like wildfire that the two women are enjoying each other’s company in a way that keeps �em really, really warm at night. Their handyman insists he hasn’t seen the women actually having sex, but they do tend to “rassle around on the ground outside” before retiring to their bedrooms. Hmmm. Muddying the waters even more, the local men all seem intent on bedding both of them to prove that it only takes the right man to make a girl swing, and the advances aren’t always refused. Of course, it’s only a matter of time before we find out what’s really going on as one of Sarno’s trademark girl-on-girl scenarios finally plays out for the camera.