Die Erzählungen sind das eigentliche Herzstück von Kafkas Werk. Diese Ausgabe der »Suhrkamp BasisBibliothek - Arbeitstexte für Schule und Studium« bietet nicht nur eine repräsentative Auswahl aus der gesamten Schaffensperiode des Autors in authentischer Textfassung, sondern auch einen Kommentar, der alle für das Verständnis des Buches erforderlichen Informationen enthält: eine Zeittafel zu Leben und Werk, Hinweise zur Entstehungs- und Rezeptionsgeschichte, einen Forschungsüberblick, Literaturhinweise sowie detaillierte Wort- und Sacherläuterungen. Der Kommentar ist entsprechend den neuen Rechtschreibregeln verfasst.

Diese Ausgabe der »Suhrkamp BasisBibliothek - Arbeitstexte für Schule und Studium« bietet nicht nur Franz Kafkas Roman Der Prozeß, sondern auch die unvollendeten Kapitel, die vom Autor gestrichenen Stellen sowie die Nachworte des Herausgebers Max Brod. Ergänzt wird diese Edition durch einen Kommentar, der alle für das Verständnis des Buches erforderlichen Informationen enthält: die Entstehungs- und Textgeschichte, einen Forschungsüberblick, Literaturhinweise sowie ausführliche Wort- und Sacherläuterungen. Der Kommentar ist entsprechend den neuen Rechtschreibregeln verfasst.

A Country Doctor is the third such volume of Kafka's stories published by Prague's Twisted Spoon Press, following A HUNGER ARTIST and CONTEMPLATION. It includes 15 stories and sketches, included the famed parable "Before the Law, " "Jackals and Arabs, " "A Fratricide" and "A Report from an Academy" among them. ImPorted from the Czech Republic.

This volume contains all of Kafka's shorter fiction, from fragments, parables and sketches to longer tales. Together they reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought. Some are well-known, others are mere jottings, observations of daily life, given artistic form through Kafka's unique perception of the world. (20050121)

A new selection of Franz Kafka’s shorter fiction and nonfiction work, selected and with a preface by Book of Numbers author Joshua Cohen.

“Being asked to write about Kafka is like being asked to describe the Great Wall of China by someone who’s standing just next to it. The only honest thing to do is point.” —Joshua Cohen, from his foreword to He: Shorter Writings of Franz Kafka

This is a Kafka emergency kit, a congregation of the brief, the minor works that are actually major. Joshua Cohen has produced a frame that refuses distinctions between what is a story, a letter, a workplace memo, and a diary entry, also including popular favorites like The Bucket Rider, The Penal Colony, and The Burrow. Here we see Kafka’s preoccupations in writing about animals, messiah variations, food, and exercise, each in his signature style.

Cohen’s selection emphasizes the stately structure of utterly coherent logic within an utterly incoherent and illogical world, showing how Kafka harnessed the humblest grammar to metamorphic power, until the predominant effect ceases to be the presence of an unreliable narrator but the absence of the universe’s only reliable narrator—God.

Written in 1914,
is one of the most important novels of the twentieth century: the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare has resonated with chilling truth for generations of readers. This new edition is based upon the work of an international team of experts who have restored the text, the sequence of chapters, and their division to create a version that is as close as possible to the way the author left it.
In his brilliant translation, Breon Mitchell masterfully reproduces the distinctive poetics of Kafka's prose, revealing a novel that is as full of energy and power as it was when it was first written.

The Complete Stories is a compilation of all of Kafka's short stories. With the exception of three novels (The Trial, The Castle and Amerika), this collection includes all of his narrative work. The book was originally edited by Nahum N. Glatzer and published by Schocken Books in 1971. It was reprinted in 1995 with an introduction by John Updike. The collection includes all the works published during Kafka's lifetime, with the exception of The Stoker which is usually incorporated as the first chapter of his unfinished novel Amerika. Some of the stories included in the book are fragmented or in various states of incompletion. Most of the stories are translated by Willa and Edwin Muir, with occasional translations by Tania and James Stern. Several fables, parables and philosophical pieces are not included in this collection, as they were never meant to be independent stories or never intended for publication. These can be found in Kafka's diaries, notebooks and letters.

Drawing directly on original manuscripts, this collection comprises the major short stories published after Kafka’s death. It includes
and his great sequences of
, with fables and parables on subjects ranging from the legend of Prometheus to the Tower of Babel.
Allegorical, disturbing and possessing a dream-like clarity, these writings are quintessential Kafka.

The Burrow" (German: "Der Bau") is an unfinished short story by Franz Kafka in which a mole-like being burrows through an elaborate system of tunnels it has built over the course of its life. The story was published posthumously in Beim Bau der Chinesischen Mauer (Berlin, 1931). The first English translation appeared in The Great Wall of China. Stories and Reflections (New York: Schocken Books, 1946. Translated by Willa and Edwin Muir).

In America Karl Rossmann is 'packed off to American by his parents' to experience Oedipal and cultural isolation. Here, ordinary immigrants are also strange, and 'America' is never quite as real as it should be. Kafka, a Czech writing in German, never acutally visited America; so, as Max Brod commented, 'the innocence of his fantasy gives this book if advanture its peculiar colour.' Both Joseph K in The Trial and K in The Castle are victims of anonymous governing forces beyond their control. Both are atomised, estranged and rootless citizens decieved by authoritarian power. Whereas Joseph K is relentlessly hunted down for a crime that remains nameless, K ceaselessly attempts to enter the castle and so belong somewhere. Together these novels may be read as powerful allegories of totalitarian government in whatever guise it appears today.

The Castle is the story of K., the unwanted Land Surveyor who is never to be admitted to the Castle nor accepted in the village, and yet cannot go home. As he encounters dualities of certainty and doubt, hope and fear, and reason and nonsense, K.'s struggles in the absurd, labyrinthine world where he finds himself seem to reveal an inexplicable truth about the nature of existence. Kafka began The Castle in 1922 and it was never finished, yet this, the last of his three great novels, draws fascinating conclusions that make it feel strangely complete.

A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable. As K. tries to gain control, he succeeds only in accelerating his own excruciating downward spiral.