Franz Kafka’s 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers.
In her new translation of Kafka’s masterpiece, Susan Bernofsky strives to capture both the humor and the humanity in this macabre tale, underscoring the ways in which Gregor Samsa’s grotesque metamorphosis is just the physical manifestation of his longstanding spiritual impoverishment.

「いちばんうまくできるのは、倒れたままでいることです」これは20世紀最大の文豪、カフカの言葉。日記やノート、手紙にはこんな自虐や愚痴が満載。彼のネガティブな、本音の言葉を集めたのがこの本です。悲惨な言葉ばかりですが、思わず笑ってしまったり、逆に勇気付けられたり、なぜか元気をもらえます。誰よりも落ち込み、誰よりも弱音をはいた、巨人カフカの元気がでる名言集。

four stories, tr Kevin Blahut, illus H Vlcnovska

'K. kept feeling that he had lost himself, or was further away in a strange land than anyone had ever been before' A remote village covered almost permanently in snow and dominated by a castle and its staff of dictatorial, sexually predatory bureaucrats - this is the setting for Kafka's story about a man seeking both acceptance in the village and access to the castle. Kafka breaks new ground in evoking a dense village community fraught with tensions, and recounting an often poignant, occasionally farcical love-affair. He also explores the relation between the individual and power, and asks why the villagers so readily submit to an authority which may exist only in their collective imagination. Published only after Kafka's death, The Castle appeared in the same decade as modernist masterpieces by Eliot, Joyce, Woolf, Mann and Proust, and is among the central works of modern literature. This translation follows the text established by critical scholarship, and manuscript variants are mentioned in the notes. The introduction provides guidance to the text without reducing the reader's own freedom to make sense of this fascinatingly enigmatic novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Metamorphosis is Kafka's most famous story. In it he explores the notions of alienation and human loneliness by means of his extraordinary narrative technique and depth of imagination. Gregor Samsa awakens one morning to find himself transformed into a repulsive bug. Trapped inside this hideous form, his mind remains unchanged – until he sees the shocked reaction of those around him and begins to question the basis of human love and, indeed, his entire purpose in existence. But this, it seems, is only the beginning of his ordeal.

This novel tells the story of Joseph K, a respectable clerk in a bank, who is suddenly arrested and asked to defend himself against a criminal charge which is never defined.

Franz Kafka first met Felice Bauer in August 1912, at the home of his friend Max Brod. The twenty-five-year-old career woman from Berlin—energetic, down-to-earth, life-affirming—awakened in him a desire to marry. Kafka wrote to Felice almost daily, sometimes even twice a day. Because he was living in Prague and she in Berlin, their letters became their sole source of knowledge of each other. But soon after their engagement in 1914, Kafka began having doubts about the relationship, fearing that marriage would imperil his dedication to writing and interfere with his need for solitude. Through their break-up, a second engagement in 1917, and their final parting later that year, when Kafka began falling ill with the tuberculosis that would eventually claim his life, their correspondence continued. The more than five hundred letters that Kafka wrote to Felice over the course of those five years were acquired by Schocken from her in 1955. They reveal the full measure of Kafka's inner turmoil as he tried, in vain, to balance his need for stability with the demands of his craft.
"These letters are indispensable for anyone seeking a more intimate knowledge of Kafka and his fragmented world."
—Library Journal

Kafka's notebooks from 1917-19 contain short stories, fragments of stories, and other literary writings, but were omitted by editor Max Brod from the publication of Kafka's Diaries because "dates are found in them only as a rare exception." The Blue Octavo Notebooks contain some of Kafka's most famous aphorisms in their original context.

Written in 1914, The Trial is the terrifying tale of Josef K., a respectable bank officer who is suddenly arrested and must defend himself against a charge about which he can get no information. Kafka’s nightmare has resonated with chilling truth for generations of readers.

This collection of new translations brings together the small proportion of Kafka's works that he himself thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America and a fascinating occasional piece, and The Aeroplanes at Brescia, Kafka's eyewitness account of an air display in 1909. Together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.

Kafka, whose name has generated an adjective, is one of the best loved writers of the twentieth century. Known for his dark, enigmatic stories, for the absurd nightmares he depicts, his extraordinary imaginative depth is clear in stories from ‘A Hunger Artist’ to ‘The Verdict’.
But Kafka also wrote fizzingly funny, fresh stories, and The Unhappiness of Being a Single Man contains all the aspects of this genius: the wit and the grit; the horror and the humour; the longing and the laughing. They range from bizarre, two-sentence stories about Don Quixote to the famous brutal depiction of violence and justice that is ‘In the Penal Colony’.
In a nimble new translation by the acclaimed Alexander Starritt, this collection of Kafka’s essential stories shows the genius at his very best.

Published together for the first time are selections from all Kafka's writings: The Metamorphosis, Josephine The Singer, plus his short stories, parables, and his personal diaries and letters.

在线阅读本书
The story of K., the unwanted Land Surveyor who is never to be admitted to the Castle nor accepted in the village, and yet cannot go home, seems to depict, like a dream from the deepest recesses of consciousness, an inexplicable truth about the nature of existence. In his introduction, Idris Parry shows that duality-to Kafka a perpetual human condition-lies at the heart of this essentially imaginative magnum opus: dualities of certainty and doubt, hope and fear, reason and nonsense, harmony and disintegration. Thus, The Castle is an unfinished novel that feels strangely complete, in which a labyrinthine world, described in simple language and absurd fantasy, reveals a profound truth. --This text refers to an out of print or unavailable edition of this title.

Franz Kafka's 1915 masterpiece is presented in this Norton Critical Edition in the acclaimed translation by Stanley Corngold based on the definitive German edition.
The novella is fully annotated and is accompanied by selected textual variants. Backgrounds and Contexts introduces readers to The Metamorphosis in the richest possible setting. The links between the author's life and his work are explored through an examination of his personal writings. Kafka's letters and diary entries illuminate the creative process behind his portrait of Gregor Samsa, his family, and their nightmarish ordeal. Criticism collects seven essays from the period 1970-95 representing the most important currents in literary theory―semiotics, feminism, identity philosophy, New Historicism, and post-Freudian cultural psychoanalysis. The essays offer a variety of perspectives on the novella by Iris Bruce, Nina Pelikan Straus, Kevin W. Sweeney, Mark Anderson, Hartmut Binder, Eric Santner, and Stanley Corngold. A Chronology and Selected Bibliography are also included.

The story of K. and his arrival in a village where he is never accepted, and his relentless, unavailing struggle with authority in order to gain entrance to the castle that seems to rule it. K.'s isolation and perplexity, his begging for the approval of elusive and anonymous powers, epitomises Kafka's vision of twentieth-century alienation and anxiety.

A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable. As K. tries to gain control, he succeeds only in accelerating his own excruciating downward spiral.

The Castle is the story of K., the unwanted Land Surveyor who is never to be admitted to the Castle nor accepted in the village, and yet cannot go home. As he encounters dualities of certainty and doubt, hope and fear, and reason and nonsense, K.'s struggles in the absurd, labyrinthine world where he finds himself seem to reveal an inexplicable truth about the nature of existence. Kafka began The Castle in 1922 and it was never finished, yet this, the last of his three great novels, draws fascinating conclusions that make it feel strangely complete.